Claudia Shear might just be the most famous former brothel receptionist/hardware store clerk/waitress in the world. Single-minded and confident. the playwright/actress worked a whopping 64 jobs before...
Appeared in Williamstown Theater Festival production of Jon Robin Baitz's "End of the Day", directed by Scott Elliot
Penned articles for Travel & Leisure, Vogue, The New York Times and Underwire,
Held 64 jobs while trying to launch acting career; fired from many of them because of supposed "attitude problem"
Nominated for Tony for her Mae West bioplay with music "Dirty Blonde", which she wrote and starred in; directed by Lapine
Returned to the NYC stage as one of the stars of the play "The Smell of the Kill"
Received OBIE Award and Drama Desk nomination for her one-woman play "Blown Sideways Through Life", a so-called "tour-de-resume"; comedy was later adapted for the screen and aired on PBS' "American Playhouse"; also published in expanded form by Dial Press
Featured in romantic comedy "It Could Happen to You", starring Nicolas Cage and fellow Brooklynite Rosie Perez
Wrote screenplay for Meg Ryan; Ryan opted not to do the project
Featured in the HBO film "Earthly Possessions", starring Susan Sarandon and helmed by accomplished theater director and librettist James Lapine
Made guest appearance as the "fake Monica" on NBC's "Friends"
Wrote TV pilots for DreamWorks that didn't get picked up
Claudia Shear might just be the most famous former brothel receptionist/hardware store clerk/waitress in the world. Single-minded and confident. the playwright/actress worked a whopping 64 jobs before she shot to fame with her one-woman play "Blown Sideways Through Life" (1993), a comedy that chronicled the many careers she supported herself with until her acting took off. Directed by Christopher Ashley at New York Theatre Workshop, "Sideways" later transferred for a sold-out commercial engagement at the Cherry Lane Theatre and Los Angeles' Coronet Theatre. Shear received a special OBIE award and a Drama Desk Award nomination for writing and starring in the play, The hilarious, insightful account of an everyday working girl was adapted for the screen in 1995 and shown on PBS' "American Playhouse" under Ashley's direction. It was also published in an expanded version by Dial Press/Bantam Doubleday Dell. C5 The outspoken native New Yorker followed up her success with "Dirty Blonde" (2000), a musical play about love, cross-dressing and Mae West. Shear wrote and starred in the piece, which was staged by James Lapine, the noted theater director and librettist. This was the second time Shear had worked with Lapine. The first was when he directed her in the 1999 HBO movie "Earthly Possessions", starring Susan Sarandon and Stephen Dorff. "Dirty Blonde", which also originated at the New York Theatre Workshop before moving to Broadway, received five Tony nominations, including Best Play and Actress in a Play nods for Shear, and Direction of a Play kudos for Lapine.
In between working on her two wildly popular shows, Shear appeared in several films, playing bit parts in "It Could Happen to You" (1994) and "Living Out Loud" (1998), and even making a guest appearance as the "fake Monica" on NBC's "Friends" (1994). Shear also wrote for numerous publications such as The New York Times, Vogue, Glamour, Travel & Leisure and Psychology Today, as well as Underwire, an online magazine.
Born in Brooklyn to a firefighter and a cosmetics executive, Shear did not have an idyllic childhood. Weight problems and a persisting feeling that she was an outsider and a misfit kept Shear isolated from other children, forcing her to seek comfort in books and food. Her parents were always working when she and her sister were growing up, and adding to the issues of alienation and abandonment, the girls had to deal with their parents' divorce when they were very young. The difficulties in her life forced Shear to grow up much quicker than the average child. Shear went to work when she was only 12 years old, lying about her age so she could get a job as a hardware stork clerk. It was around this time that she also fell in love with the theater, having taken herself there when she was just 10 or 11 years old. Perhaps it was as a means of escape from her bleak childhood, but Shear decided to be an actress at a young age. Despite her enthusiasm, she found few directors willing to cast a big girl such as herself in any serious roles.
Unable to break into the business--despite the occasional bit part in an Off-Off-Broadway show--the fast-talking writer went to work as a volunteer at the Public Theater, where she met casting director Jim Nicola. Shear asked Nicola to help her find an agent, but Nicola suggested she try her hand at writing instead. He later introduced her to Ashley, who would one day direct "Blown Sideways Through Life".
City University of New York
"Nobody is just a typist, just a cook, just a porter. . . Everyone has at least one story that would stop your heart". --Claudia Shear to the Los Angeles Times, October 4, 1994
"Then I wrote a TV pilot with DreamWorks, which didn't go, but I had a very nice time working with Mr. Spielberg and Mr. Katzenberg. I think Mr. Katzenberg and I didn't get along quite as well as me and Mr. Spielberg, but that's because I have a big fuckin' mouth". --Claudia Shear to Time Out New York, January 20, 2000
"I'm not a big important white-guy playwright. To me ["Dirty Blonde"] is about such profoundly personal things. Who will love me if they know who I really am? Who will truly love me?" --Claudia Shear to The New York Times, May 8, 2000