Holly Kennedy (Hilary Swank) doesn’t know how lucky she has it. She’s smart beautiful and married to Gerry (Gerald Butler) a passionate funny and impetuous Irishman who loves her with every breath in his body. But when that breath runs out--Gerry dies unexpectedly from an illness--Holly’s luck runs out. Barely coping her salvation arrives in the form of letters from Gerry that come to Holly in unexpected ways--letters he wrote to her before he died to help her get through the pain and move on with her life and letters that always end with “P.S. I Love You.” A saint huh? Holly’s mother (Kathy Bates) and best friends Sharon (Gina Gershon) and Denise (Lisa Kudrow) begin to worry Gerry’s letters are keeping Holly tied to the past but in fact each letter pushes Holly on a journey of rediscovery and to show her how a love so strong can turn the finality of death into new beginning for life. Tissues please! Swank will be damned if she pigeonholes herself into always playing serious women who don’t wear makeup. P.S. I Love You is her stab at romantic dramedy and while the genre may not suit her best the Oscar-winning actress still has fun playing a spirited woman who wears designer clothes cute hats and gets to make out with a strapping Irish hunk. Actually Swank gets to bed TWO strapping Irish hunks in P.S. I Love You: The first is the yummy Butler of course and the other is Gerry’s old bandmate William played by American Jeffrey Dean Morgan (who’ll be seen in the upcoming romantic comedy The Accidental Husband with Uma Thurman). Lucky girl. Butler however is the one the ladies will sigh over the most. Having already given a powerhouse performance this year as the Spartan king in 300 the Scottish actor turns the tables to show his soft underbelly as the adorably romantic and fun-lovin’ Gerry. The abs still rock though. One can easily see why Holly is such a mess after he dies. Gershon and Kudrow add some genuineness as Holly’s friends (someone please find a Kudrow a TV show) as does Bates as Holly’s hardened mother. Harry Connick Jr. however seems out of place as Holly’s would-be suitor. She just needs to stick with the Irish guys. Hilary Swank teams up with her Freedom Writers director Richard LaGravenese once again for P.S. I Love You and it’s clear they have a symbiotic relationship. Swank probably likes the way LaGravenese accentuates her best features turning her into a glam leading lady while LaGravenese obviously enjoys gazing at her through his camera lens. Unfortunately the two really haven’t found the best material. Freedom Writers is the mother of all teacher-gets-students-motivated retreads while P.S. I Love You--based on a novel by Cecelia Ahern and adapted by LaGravenese and Steven Rogers--is just pure fluff with very little substance behind it. Not that the film won't inspire some romantic feelings or work up tears but its only real strengths are: 1) the players who somehow rise about the triteness of it all especially Butler and 2) the gorgeous landscapes of Ireland which should send any woman in her right mind straight to the Emerald Isles to find her perfect man. Seriously ladies book your trips NOW.
Think Mean Girls meets High School Musical meets whatever other high school teen scenario you can think of. Here four teenage girls make up the Bratz contingency each come from different ethnic and socio-economic backgrounds—just like the dolls they are based on. There’s Yasmin (Nathalia Ramos) a quiet Latina beauty with a great voice; Sasha (Logan Browning) the outgoing black cheerleader who loves to dance; Jade (Janel Parrish) a lovely Asian fashionista who also a wiz in chemistry; and Cloe (Skyler Shayne) the tall Caucasian blonde who despite being a klutz is a star on the soccer field. They’ve been best friends forever (or BFF as they lovingly refer to it) but once they hit high school they drift apart and into respective cliques organized by the narcissistic class president Meredith (Cheslea Staub). Still these BFF’s—who live for clothes make-up and hair products—won’t be pushed down. They’re gonna shake things up and prove it’s always best to just be yourself and stick together. You can’t really blame the unknown girls—each very cute in their own way—for wanting to bring the Bratz dolls to life. It’s a big deal! They get to sing and dance and wear all these cool clothes! They get to throw food in a cafeteria lunch fight! They get to serve sweets at Meredith’s Sweet 16 party dressed as clowns and still look fabulous! All the young girls in the audience will idolize them and wish they were a Brat too (perhaps to their parents’ chagrin). No it’s the adults in the movie you have to scratch your head about and ask “Do they really need the money that bad?” Character actors such as Lainie Kazan who plays Yasmin’s wise grandmother and Jon Voight as the inept high school principal and Meredith’s father just embarrass themselves over and over again—especially Voight who along with his mediocre appearance in Transformers has become the go-to guy to star in movies based on toys. And what’s with this latest trend to make live-action flicks based on toys? You can understand Transformers because they already had their own cartoon show and you know the movie would at least be action-packed full of cool visual effects. But a Bratz movie is a little too much. Even though it tries really hard to send positive messages there’s really nothing redeeming about turning little dolls—who frankly dress a little on the trashy side—into flesh-and-blood teenagers obsessed with how they look and dealing with high school politics. Bratz really only distinguishes itself from other Mean Girls-type movies because of the toy franchise. It would have been easier to take had it aired on the Disney Channel.
Poor Shrek (Mike Myers). The irascible ogre just can’t catch a break. First he has to leave his beloved swamp to rescue Princess Fiona (Cameron Diaz). Then he marries her and has to go meet the in-laws. NOW he’s stuck in Far Far Away as its de facto ruler after the frog king croaks. Oh and he finds out Fiona is pregnant too. All this throws the great green one into a tailspin because 1) impending fatherhood scares the bejeezus out him and 2) he believes he has no business being king. So Shrek sets out with his pals Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to fetch Artie aka Arthur (Justin Timberlake) Fiona’s cousin and next in line for the throne. Thing is Artie’s just a teenager—and kind of a loser one at that; he really doesn’t want to be king either. Meanwhile on the home front Fiona and her merry band of princesses have to defend the castle against the vain Prince Charming (Rupert Everett) who’s hell bent on getting revenge and taking over Far Far Away. And so the high jinks ensure. But it’s OK it all works out in the end. Certainly part of Shrek’s charm is its vocal talent. Myers Diaz and Murphy are all old pros by now—which is actually a good and bad thing. They are definitely more comfortable with their roles but Shrek isn’t nearly as charmingly irritable as he once was and Fiona not as feisty. Guess they are growing up. And Murphy used to get all the best lines as the jittery Donkey. Now that job has been delegated to the likes of Banderas as Puss as well as side characters such as the Gingerbread Man (Conrad Vernon) Pinocchio (Cody Cameron) and the Three Little Pigs (also Cameron). Also adding to the humor are the various princesses especially SNL alums Amy Poehler as the sardonic Snow White and Maya Rudolph as turncoat Rapunzel plus Amy Sedaris as the dimwitted Cinderella. Timberlake is sweetly goofy as Artie while Brit comic legend Eric Idle voices the New Age-y on-the-verge-of-a-nervous-breakdown Merlin the magician with aplomb. It’s these characterizations that make Shrek the Third zing. Much like Shrek 2 this third installment ultimately comes off as a retread. They just haven’t been able to recapture the magic created in the original. Instead the filmmakers regurgitate the same comic set ups and in some cases the same jokes. Maybe they won’t ever be able to reach that same plateau. But you’ve still got to give the Shrek franchise props for being the granddaddy of fairy-tale spoofs. Even if the sequels don’t measure up the Shrek phenomenon on the whole has set the bar creating a certain charisma in the let’s-make-fun-of-traditional-lore milieu. Shrek the Third highlights include: Worcestershire High School where Artie goes to school which is full of John Hughes teenagers talking in medieval oh-thou-di’nt-just-say-that speak; Charming being relegated to doing third-rate dinner theater; Pinocchio trying to talk his way around not lying and more. Oh who cares what us dumb critics say anyway. Kids are going to love Shrek the Third regardless of whether it hits the mark or not.
Don’t let the previews fool you—Terabithia isn’t anything like Chronicles of Narnia. Based on the Newbery-Award winning children’s novel by Katharine Paterson the story is more about childhood friendships and the way imagination can quite literally open new worlds. Jess Aarons (Josh Hutcherson) sees himself as an outsider at school—and at home. He really only feels himself when he’s drawing. Then he meets the new kid Leslie Burke (AnnaSophia Robb) who has just moved from the big city. Despite their differences—she’s rich he’s poor—they become fast friends. Leslie who likes to spin magical stories opens Jess’ eyes to the possibilities and together they create the secret kingdom of Terabithia a mystical place accessible by swinging on an old rope over a stream in the woods near their homes. Interacting with the Terabithian denizens they’ve imagined both evil and good Jess and Leslie learn to deal with the pressures of their young pre-adolescent lives—and learn what the power of real friendship truly means. The young fresh cast really make Bridge to Terabithia work. Robb and Hutcherson are already veteran kid actors: Robb is best known for stealing hearts in Because of Winn-Dixie (another kid novel adaptation) and popping chewing gum as Violet in Charlie and the Chocolate Factory while Hutcherson played the tough older brother in Zathura as well as Robin Williams’ kid in R.V. Their acting experience clearly shows as they make the friendship between Jess and Leslie both genuine and heartfelt. There isn’t a false moment in their performances especially from Hutcherson who at first sends off an I-could-care-less vibe but through his soulful eyes becomes more attached to Leslie and their secret place. And as Jess’ little sister 7 year-old Bailee Madison plays the moppet without any cutesy affectations. As far as the adults are concerned stand outs include Robert Patrick as Jess’ stern dad just trying to make ends meet for his family and Zooey Deschanel as the kids’ music teacher who Jess has a crush on. In 1978 author Katharine Paterson wrote Bridge to Terabithia for her then 11 year-old son David Paterson about a special friendship he had. It was an instant hit. Now David all grown up is able to bring his mom’s touching story to life as one of the writers. Talk about a family effort backed by Walden Media--the geniuses behind Holes and Chronicles of Narnia. Directed by Rugrats creator Gabor Csupo Terabithia truly captures the essence of childhood imagination even I dare say more so than Narnia. Maybe it’s because the idea of Terabithia comes from the minds’ of very real children who are going through very real emotions as they enter into adolescence. Csupo keeps the imagery simple allowing audiences to create a fantasy world filled with mythical creatures right along with the film’s main characters. And if you haven’t read the book you might be surprised by the story’s poignancy. In a saturated field of animated duds and kid films better suited as after-school TV specials Bridge to Terabithia stands out as a one of the better family movies to come around in a long time.
Part Mean Girls part Heathers—hell there’s even a little bit of Hilary Duff’s ridiculously stupid The Perfect Man thrown in there—John Tucker Must Die fits the genre nicely. But the word “die” is a little harsh. Actually when three high school girls—wannabe journalist Carrie (Arielle Kebbel) head cheerleader Heather (Ashanti) and vegan activist Beth (Sophia Bush)—find out they are all dating the delectable John Tucker (Jesse Metcalfe) the school’s basketball star they decide to get even. After several embarrassing tactics backfire the girls come up with the perfect idea. They’ll recruit pretty but anonymous new kid Kate (Brittany Snow) doll her up and get Tuck to fall in love with her so she can ceremoniously dump him. Wow I can’t see anything going wrong with that plan. Not at all. Talk about some pretty people John Tucker has got them in spades starting off with the insanely handsome Metcalfe who literally had women weak in the knees as the hot gardener who woos Desperate Housewives’ Eva Longoria. It’s not a big stretch to see him as the sexy Tuck the most popular er player in school. Then there’s the trio of revengeful hotties: tall lean and blonde Kebbel (Aquamarine) as the “smart” girl; curvy singer/actress Ashanti (Coach Carter) as the bring-it-on “cheerleader”; and luscious and exotic Bush (TV’s One Tree Hill) as the “experienced” one. But really its the perky Snow’s (The Pacifier) show effectively playing the “invisible” girl no one knows or even cares to know who moves around a lot whenever her mother (Jenny McCarthy in a nice bit part) breaks up with a “John Tucker” herself. What’s wrong with these single moms dragging their daughters all over the place after their hearts get broken? Betty Thomas best known for her turn as Sgt. Lucy Bates on Hill Street Blues doesn’t have the best track record in town as a director (I Spy is hers for example). But she’s helmed enough passable comedies (The Brady Bunch Movie Dr. Dolittle) to grant her admittance into the club. Problem here is Thomas isn’t teamed up with a sharp writer like Saturday Night Live alum Tina Fey whose Mean Girls script simply zings. John Tucker is pretty standard fare taking bits and pieces from the already established high-school formula. Still the coveted teen market will more than likely enjoy all the antics in the film—especially the whole “thong” bit in which Tuck caught wearing a thong in one of the girls’ schemes makes it cool for guys everywhere to wear thongs. Yeah you get the picture.