WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.
A big hit at the 2008 Sundance Film Festival Hamlet 2 often careens out of control but when it connects the theatre fills with laughter. This is a story of a very frustrated high school drama teacher Dana Marschz (Steve Coogan) who decides to stage his own play--a musical sequel to Hamlet featuring original songs he has composed (titles like “Rock Me Sexy Jesus” and “Gay As the Day Is Long”). Yes he’s aware everyone died at the end of Shakespeare’s immortal classic but the failed actor-turned-teacher has found a way to bring them back to life by using a time machine(!) In any event he’s desperate to save the Tucson school’s arts program which is being cut and he thinks this is the answer. Certainly it’s better he figures than his usual productions which have the students re-enacting live stage versions of popular movies such as Erin Brockovich that are regularly panned by the ninth-grade drama critic. Of course the non-PC nature of the show causes lots of outrage from school officials and community leaders but with the help of ACLU attorney Cricket Feldstein (Amy Poehler) Dana remains steadfast in his determination to go on with the show. Coogan is brilliantly loony and wildly funny in a hit-for-the-fences interpretation of the character. He’s definitely taking chances turning off the audience with his off-the-wall approach to playing this desperate loser who has to resort to teaching bored kids. It’s Coogan’s energy and fresh approach that make the movie work better than it has any right to. Poehler who also scored recently in Baby Mama is hilarious as the take-no-prisoners lawyer who comes to Dana’s defense. Catherine Keener is droll perfection as his bored wife who is having an affair with their boarder Gary underplayed nicely by David Arquette. In the good sport category Elisabeth Shue turns up as…Elisabeth Shue now a local nurse after her movie career supposedly hit the skids. She’s actually very funny spoofing herself and the whole aura of the successful Hollywood star. The students are all first rate including Dana’s star pupils Rand Posin and Epiphany Sellers played amusingly by Broadway’s Spring Awakening cast members Skylar Astin and Phoebe Strole respectively. And special mention to The Ralph Sall Experience for their hilarious musical parodies. Director Andrew Fleming lets the gags fly with abandon and gets much of the broad bits to actually work. He and screenwriter Pam Brady forge a close collaboration that results in a pretty good hit-to-miss ratio on the laugh meter; anyone expecting subtlety has wandered into the wrong theatre. Working with a wonderful group of actors with plenty of improvisational experience certainly has helped here and Fleming’s film has the look and feel of a by-the-seat-of-your-pants experience. The actual staging of Hamlet 2 is rather inspired with the multitude of wacky musical numbers cleverly presented. The Southwestern high school that Coogan’s character is stuck in is spot-on although Tucson residents probably won’t appreciate the numerous jokes made at the expense of their town.