"Jessica Alba would be able to capture the intensity that (heroine) Fallon Opal has and (James Franco). I mean he's just cute, and he's smart. He could be a part for sure." Reality TV star-turned-porn actress Farrah Abraham dreams up a cast for the adaptation of her new erotic novel Celebrity Sex Tape: In the Making.
Editors at Australian Vogue have determined that Cate Blanchett's ensemble in which she won her second Academy Award earlier this month (02Mar14) was the most expensive outfit at the prizegiving. Her $100,000 (£60,485) Armani Prive gown paired with diamond and opal studded Chopard jewellery cost an estimated $18 million (£11 million).
We all have guilty pleasures. For some of us, it’s HGTV’s do-it-yourself home improvement shows. For others, it’s marathoning sitcoms like Arrested Development or Modern Family on online sites like Netflix from the comfort of our beds. And still for others, it’s the romantic entanglements found in old soap operas that keep us replaying them time after time. Well, earlier this year, Prospect Park’s The Online Network revealed that they would be rebooting two of our most loved soaps: All My Children and One Life to Live. And Wednesday, the network announced all of the cast members participating in both shows.
For All My Children, the following stars have been announced as members of the cast: Sal Stowers as Cassandra Foster, Eric Nelson as AJ Chandler, Denyse Tontz as Miranda Montgomery, Jordan Lane Price as Celia Fitzgerald, Ryan Bittle as JR Chandler, Eden Riegel as Bianca Montgomery, Cady McClain as Dixie Cooney, Ray MacDonnell as Dr. Joe Martin, David Canary as Adam Chandler, Heather Roop as Jane McIntyre, and Francesca James as Evelyn Johnson. Previously announced members include Darnell Williams as Jesse Hubbard, Debbi Morgan as Dr. Angela Hubbard, Vincent Irizarry as Dr. David Hayward, Lindsay Hartley as Cara Martin, Jordi Vilasuso as Griffin Castillo, Jill Larson as Opal Cortlandt, and Thorsten Kaye as Zach Slater.
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And this is who you can expect to see on One Life to Live: Robert Gorrie as Matthew Buchanan and Laura Harrier as Destiny Evans. These stars join the previously announced members (Erika Slezak as Victoria Lord Buchanan, Robin Strasser as Dorian Lord, Tuc Watkins as David Vickers, Robert S. Woods as Bo Buchanan, Kassie DePaiva as Blair Cramer, Jerry verDorn as Clint Buchanan, Florencia Lozano as Tea Delgado, Melissa Archer as Natalie Buchanan Banks, Hillary B. Smith as Nora Buchanan, Kelley Missal as Danielle Manning, Josh Kelly as Cutter Wentworth, and Andrew Trischitta as Jack Manning). Recurring actors include: Sean Ringgold as Shaun Evans, Shenaz Treasury as Rama Patel, and Nick Choksi as Vimal Patel.
New 30-minute episodes of both series will be launching each day of the week on Hulu.com, where content generally can be viewed for free. The episodes will also be available on iTunes.
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: ABC]
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Judy Moody and the NOT Bummer Summer is based on a bestselling series of children’s books by librarian-turned-author Megan McDonald. I've read none of the books but over 14 million copies of them have been sold to date which leads me to believe there must be some fundamental appeal to them. Whatever it is none of it is to be found in this grating adaptation. For kids Judy Moody is at best a harmless diversion; for adults it’s 90 minutes of cinematic purgatory.
The film stars Jordana Beatty as the title character a precocious nine-year-old whose wildly unkempt hair hobo-rainbow wardrobe and zany portmanteaus like “supercalifragilisticexpithrilladelic” are meant to convey creativity and independence but more persuasively hint at a future of padded cells and four-point restraints. When the school term ends Judy prepares for three months of unbridled fun but her plans are derailed when two of her best friends Rocky (Garrett Ryan) and Amy (Taylar Hender) announce that they are leaving for the summer. Judy’s summer prospects further diminish when her parents decamp to California to tend to an ailing grandfather leaving behind her eccentric Aunt Opal (Heather Graham convincingly crazy) a vagabond free spirit with an interest in “guerrilla art ” to supervise in their stead.
If there’s a point to any of this director John Schultz (Aliens in the Attic) doesn’t articulate it. The film’s oblique narrative revolves around an arbitrary contest of Judy’s design in which she and her three friends compete for “thrill points” by completing various activities like riding a roller coaster or walking a tightrope. The exact stakes of the contest if there are any are never made clear giving us little incentive to care about how any of it turns out. Little matter – each activity is really just a catalyst for some lame gag the culmination of which usually involves unwanted contact with a) feces b) vomit or c) an artificial substance of equivalent unpleasantness. Vaudevillian sound design punctuates each tedious punchline heightening our collective discomfort.
Schultz’s directorial style is one of aggressive whimsy making abundant use of canted angles extreme close-ups acid-trip set design CG pop-ups animated interludes an omnipresent score that all but shouts “mischief afoot ” and Urkel. Judy Moody was clearly made with minimal funding with the bulk of said funds devoted to achieving its aesthetic of benign creepiness. One can only imagine how much the film might have been improved if a portion of its budget had been allocated to say a second draft of the script or more than one take for each scene. Bummer.
In this film based on the Newbery Award-winning children's book by Kate DiCamillo Opal (AnnaSophia Robb) is a lonely 10-year-old girl who has moved to a sluggish small town in Florida with her preacher father (Jeff Daniels). She has a tough time getting through to her dad: when he is not preaching the gospel he walks around in a haze haunted by the departure of Opal's mother many years before. But when Opal adopts Winn-Dixie named after the supermarket where she found the mutt things start to brighten up for the little girl. With her special companion by her side Opal ends up meeting some pretty interesting people in the town. They include Miss Franny (Eva Marie Saint) the local spinster librarian who spins great stories; Otis (Dave Matthews) the shy drifter working at Gertrude's Pet Shop; and Gloria (Cicely Tyson) an old blind lady living with ghosts from her past. Through Opal's sunny disposition and Winn-Dixie doggone tenaciousness they help the town find their joy and their sorrow. And at the same time they mend Opal's troubled relationship with her father. Collectively now awwww!
All the players fit snugly in this warmhearted movie especially the talented young Robb who makes her feature film debut in Winn-Dixie. It's imperative to cast an adorable child and Robb doesn't disappoint keeping things genuinely fresh with the big eyes infectious smile and Rebecca of Sunnybrook Farm charm. Daniels too doesn't overplay it as the wounded preacher--aptly described by Opal as a turtle--who rarely sticks his head out of his shell. Veterans Eva Marie Saint and Cicely Tyson do what they can with their stereotypical parts as the kindly spinster storyteller and kindly old wise woman respectively. But it's singer-turned-actor Dave Matthews who stands out as the drifter with a troubled past but can "sing most anything " even charming the animals in the pet shop á la the Pied Piper. His poignant performance is up there in the sentiment department.
Here we go with the children and the animals again. Wayne Wang (Maid in Manhattan The Joy Luck Club) is the latest director to take a stab at guiding those most unpredictable of actors. As he explains "Sometimes the going is slow. But then suddenly something magical happens that you couldn't possibly have planned or anticipated." It's true. There are definite moments of inspired sweetness especially between Opal and Winn-Dixie played by a Picardy Shepherd a rare breed of dog from France that has the look of a big old lovable mutt. And of course you can't go too wrong using heart-tugging material based on a beloved children's novel on par with Where the Red Fern Grows and Rebecca of Sunnybrook Farm. That's also Because of Winn-Dixie main problem. Fans of the book will certainly love the film but overall it doesn't really offer anything new in this genre. It's the same general premise about the kid and a dog--or a horse a deer whichever animal works best--who can change the lives of those around them just from being pure of heart. Maybe it's the curmudgeon in me but Winn-Dixie just doesn't stand out among the plethora of films similar to it.
Robert "Benjamin" Dickerson longtime figure on Atlanta's underground music scene blended punk rock country and blues as frontman for Smoke and other bands. Filmmakers Jem Cohen and Peter Sillen chronicle the last nine years of his life from Smoke's emotionally charged performances and his work with idol Patti Smith to his 1999 death from AIDS.
Benjamin quietly commands attention in a series of intimate poignant and remarkably open interviews discussing his childhood as a country boy in drag his punk-rock beginnings life as a self-confessed speed freak and his thoughts on death and dying. Through it all a quirky ironic sense of humor shows through ("I just love cops at shows"). In candid shots he serves as a window into the underground music scene and as an observer of life in the shadow of Cabbagetown's long-shuttered cotton mills where "little kids ... go to jail really young whose parents all do inhalants."
The movie opens with a beautifully composed black and white montage set to Benjamin's distinctly Southern rasp. The rest of the 80-minute docupic delivers on the sensory expectations that the opening sets up interleaving interviews candid moments and environmental shots to develop an intimate portrait of the subject. However it is a portrait so alluring that one leaves with only the vaguest sense of the events and chronology behind the film.