Smash is a musical drama that sparks a flurry of emotions in anyone who watches it. People either love it, hate it, love to hate it, hate to love it, love iet so much that it eventually turns to hate, hated it until they started to love to hate it now they just hate to hate it. There are so many choices! So to help celebrate all the outrageous, over-the-top, and fantastically farfetched moments, we present to you a weekly recap filled with the best Smash superlatives!
With Jerry now at the helm of Bombshell, the group decided to host a read-through so everyone could hear Julia and Pete’s (the dramaturg) new book. Julia was excited and calm to debut her new take on Marilyn and the men who made her, however she ran into a friend who told her that Pete recently destroyed the career of another writer by steering her in the wrong direction and then rewriting a better script of his own. It turns out Pete did write his own version of Bombshell. His assistant (Hairspray leading-lady Nikki Blonsky) inadvertently spilled the news to Julia.
When Julia confronted Pete, he denied the whole thing, encouraged Julia to go through with the reading, and the entire team—especially Derek—absolutely loved the new book. However Jerry decided that he would rather produce a flashy and fun version of Bombshell and the group was split down the middle with what creative direction they want to take. It was decided that Eileen would be the deciding factor and as the drama nears the 10:55 mark Eileen says, "Well, my decision is..." fade to black, cue the "next week on Smash". Damn you, cliffhanger!
RELATED: ‘Smash’ Superlatives: New Song
Karen decided the host a read-through of Hit List for Jimmy and Kyle so a bunch of her theater friends came over, read the first act, and realized that the writing is really bad. However everyone decided that the songs were amazing so after some emotional tug-of-war between Kyle and everyone else, they decided that Hit List should go the way of Rent and become a musical with only songs. Karen and Jimmy decided to keep things professional and just be “friends” but the audience sees that Jimmy and Kyle think that she is actually dating Derek.
Ivy was a week into rehearsing for her new Broadway-bound version of Dangerous Liaisons (or Les Liaisons Dangereuses if you want to get all fancy about it) when her male lead, comedy actor Terrence Falls (Sean Hayes), finally decided to show up. Terrence was too afraid to show his vulnerabilities as an actor so he decided to turn this tragedy into a comedy. However, Ivy was not going to let this movie star ruin her big break, so she encouraged Terrence to tap into his emotions. The actor took this to mean that he should go off his six or seven different types of medications and Ivy quickly realized that her play is screwed.
RELATED: ‘Smash’ Superlatives: The Dramaturg
Best Original Song: “Public Relations” — the big new possible opening for Bombshell's second act captures the essence of Broadway in the best way possible. It was three minutes of pure fun.
Best Cover Song: Karen’s reinvented and slowed-down version of Death Cab for Cutie, “Some Boys” was absolutely angelic. The lighting and Karen’s sweet (yet almost obsessive) way of following Jimmy around the apartment was a really unique Smash experience.
Best Insult: In order to stress the severity of an impressive read-through, Derek thought it would be best to be as brutally honest as possible with Julia: “We can't afford for you to stumble again, and neither can your career.” Ouch!
Best-Backhanded Compliment: The group of actors give their opinion of Hit List after their rough read-though, “The concept is cool, but the dialogue and characters need some work.”
Most Awkward Moment: Karen looks at Jimmy like he’s some kind of a musically talented Greek god (hey, we would too). So it was heartbreakingly awkward when some little blonde with sex hair appeared half naked asking where the coffee is. Can you say player?
RELATED: ‘Smash’ Superlatives: The Season 2 Premiere
Dumbest Line: Karen’s new roommate, Ana, is trying so hard to be relevant in this episode — going to kickboxing class, offering boy advice, and encouraging Karen to call Jimmy. So when Karen gets a call from Derek that he’d like to get Hit List into a small showcase, it’s obvious that Karen now has the perfect excuse to call her crush. So it was especially eye-rolling when Ana wore an overly-smug expression and said, “Something tells me you just found your reason to call.”
Biggest WTF Moment: Watching our beloved Sean Hayes bumble around the stage acting like an immature 12-year-old reciting lines. We understand that he’s supposed to be a comedic actor but the entire persona that he put on is just one big head-scratching, sigh-inducing fiasco.
Most Swoon-Worthy Moment: Listening to Jimmy sing, “Caught in the Storm.” Up until now we’ve only heard Karen’s version of the song and let’s be real, he blows her out of the water.
Best Verbal Bitchslap: Eileen showed us that sometimes the best insults can be said in the sweetest voices. As she was hanging up the phone with some frustrating little assistant she quipped, “And by the way, you’re terrible at your job.”
Best Almost-Kiss: Karen and Jimmy almost had a perfect NYC rooftop kiss, the wind was blowing, the lighting was romantic and they both are ridiculously attractive. However the moment was completely when Jimmy offered Karen his hand and said, “Friends?” Why has he never bothered to ask her if she's actually dating Derek?
Biggest Bombshell Blunder: The Bombshell creative team is completely split down the middle and they can’t decide on a creative direction for their show. Will they go for a flashy and fun portrayal of an icon, or an insightful and emotional journey of Marilyn and the men who made her? Eileen will reveal her answer next week!
RELATED: ‘Smash’ Scoop: New Showrunner Talks Season 2 Changes
What did you think of “New Song”? Which superlatives would you like to add to the list? Sing your thoughts in the comments below!
Follow Leanne on Twitter @LeanneAguilera
[Photo Credit: Craig Blankenhorn/NBC]
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American Pie 2 enjoyed the weekend's sweetest slice of box office pie.
Universal launched its R rated youth appeal comedy sequel Pie 2 in first place to a record setting ESTIMATED $45.1 million at 3,063 theaters ($14,724 per theater).
Pie 2's average per theater was the highest for any film playing in wide release this weekend.
Directed by J.B. Rogers, it stars Jason Biggs, Shannon Elizabeth, Alyson Hannigan, Chris Klein, Natasha Lyonne, Thomas Ian Nicholas, Tara Reid, Seann William Scott, Mena Suvari, Eddie Kaye Thomas and Eugene Levy.
"The first one opened to $18.7 million," Universal distribution president Nikki Rocco said Sunday morning, referring to the original American Pie, which after its July 9, 1999 launch went on to gross $102.7 million in domestic theaters.
Now with the sequel's blockbuster opening, Rocco said, "With Friday's business, Universal became the number one (distributor in terms of domestic) market share for the year. We've been number one for the summer. We became number one for the year. We're well over $600 million in domestic box office grosses as of now."
Rocco also pointed to a number of records set by Pie 2: "This picture is the biggest R rated comedy. It's the second highest opening for an R rated film ever, just behind our own Hannibal (in which Universal was partnered with MGM). It's the third biggest comedy ever (of any type), not just R rated. It's the fourth movie that Universal has opened consecutively to over $40 million. Our records show that no other studio has done that twice in a row. And it's the fourth number one movie in a row for Universal."
Universal's outstanding success this year includes its first place openings of The Mummy Returns the weekend of May 4-6 to $68.1 million, The Fast and the Furious the weekend of June 22-24 to $40.1 million, Jurassic Park III the weekend of July 20-22 to $50.8 million (and a five day cume of $81.4 million) and now Pie 2 with an ESTIMATED $45.1 million.
Focusing on the sequel's profitability, Rocco observed, "It made back more than its production cost, which was $30 million."
All told, she added, "I'm delighted with the results of this picture. This is our own home grown franchise and it's so exciting that audiences were anxious to revisit characters that they fell in love with for the first time."
Rocco said that the studio's exit polls for Pie 2 were outstanding, showing that its audience was 53 percent female and 47 percent male. "67 percent of the audience was under the age of 25, as expected," she said. "For that core audience, the Top Two Boxes (excellent and very good) scored 94 percent. Overall, it scored 90 percent in the Top Two Boxes. For the core audience, the definite recommend was 73 percent against a norm of 50 percent. Overall, the definite recommend was 69 percent, which is fabulous."
New Line Cinema's PG-13 rated action comedy blockbuster sequel Rush Hour 2 dropped one rung to second place in its second week with a still impressive ESTIMATED $31.48 million (-53%) at 3,118 theaters ($10,095 per theater). Its cume is approximately $131.9 million, heading for $175-200 million.
Directed by Brett Ratner, it stars Jackie Chan and Chris Tucker.
Buena Vista/Disney's G rated family comedy The Princess Diaries held on to third place in its second week with a still royal ESTIMATED $14.1 million (-38%) at 2,706 theaters (+169 theaters; $5,211 per theater). Its cume is approximately $51.9 million, heading for $85-100 million.
Directed by Garry Marshall, it stars Julie Andrews and Anne Hathaway.
Dimension Films' opened its PG-13 thriller The Others in fourth place to a promising ESTIMATED $13.67 million at 1,678 theaters ($8,147 per theater).
Directed by Alejandro Amenabar, it stars Nicole Kidman.
"We'll be in profit by the end of the week on this one. It was made for $17 million all-in," Miramax L.A. president Mark Gill said Sunday morning. "Cruise/Wagner did a brilliant job creatively and economically. I think Nicole Kidman becomes a serious Oscar contender after the great reviews she got. So we're excited about that."
Asked about Kidman's prospects as an awards contender, Gill added, "She's just gotten astonishingly great reviews, so I think there's almost no doubt she'll be a serious Oscar contender."
Given the film's strong opening, Gill said, "We're on about a thousand screens less than everybody else, so we'll about 500 more this coming week. At $8,147 a screen, (exhibitors) will be ringing our phones (asking for prints of The Others)."
Did all the media attention Kidman's been getting as the result of her divorce from Tom Cruise hurt or help the film's opening? "There's no doubt that publicity gets attention," Gill replied. "But the key to this, of course, is you can all the attention in the world, but if people don't like what they're seeing they don't go. So the movie had to deliver and the advertising had to look like it was presenting a good movie. Mercifully, all that was true.
"The movie is fantastic. It reminds me a lot of Hitchcock movies. But, you know, pick your favorite influence. It's more psychological than it is anything else. As a consequence, it's, I think, better and scarier not to rely on blood and gore. It gets you there in other ways. The Spanish director Alejandro Amenabar brought a ton of style to it. It's a really great movie."
20th Century Fox's PG-13 sci-fi action adventure Planet of the Apes fell three pegs to fifth place in its third week with a quieter ESTIMATED $13.32 million (-52%) at 3,405 theaters (-125 theaters; $3,910 per theater). Its cume is approximately $148.7 million, heading for $175-180 million in domestic theaters.
Directed by Tim Burton and produced by Richard D. Zanuck, it stars Mark Wahlberg, Tim Roth, Helena Bonham Carter and Michael Clarke Duncan.
Universal and Amblin Entertainment's PG-13 rated action adventure fantasy sequel Jurassic Park III slipped two notches to sixth place in its fourth week with a still impressive ESTIMATED $7.3 million (-41%) at 3,175 theaters (-287 theaters; $2,299 per theater). Its cume is approximately $160.2 million, heading for $175 million or more in domestic theaters.
Directed by Joe Johnston, JP III stars Sam Neill, William H. Macy, Tea Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter, John Diehl and Bruce A. Young.
Warner Bros.' PG rated comedy Osmosis Jones kicked off in seventh place to a calm ESTIMATED $5.58 million at 2,305 theaters ($2,419 per theater).
Directed by Peter Farrelly & Bobby Farrelly, it stars Chris Rock, Laurence Fishburne, David Hyde Pierce, Brandy Norwood, William Shatner, Molly Shannon, Chris Elliott and Bill Murray.
Revolution Studios and Columbia Pictures' PG-13 rated romantic comedy America's Sweethearts slid three slots to eighth place in its fourth week with a less romantic ESTIMATED $4.6 million (-43%) at 2,686 theaters (-325 theaters; $1,713 per theater). Its cume is approximately $83.4 million, heading for $100 million in domestic theaters.
Directed by Joe Roth, it stars Julia Roberts, Billy Crystal, Catherine Zeta-Jones and John Cusack.
MGM's PG-13 rated comedy hit Legally Blonde fell two rungs to ninth place in its fifth week with a still attractive ESTIMATED $3.82 million (-35%) at 2,031 theaters (+505 theaters; $1,881 per theater).
Blonde, which cost only $18 million to produce, has a cume of approximately $78.7 million and is on its way to a very profitable $85 million in domestic theaters.
Directed by Robert Luketic, the Marc Platt production stars Reese Witherspoon, Luke Wilson, Selma Blair, Matthew Davis, Victor Garber and Jennifer Coolidge with a special appearance by Raquel Welch.
Rounding out the Top Ten was MGM's R rated thriller Original Sin, down four pegs in its second week with a slow ESTIMATED $3.05 million (-52%) at 2,194 theaters ($1,391 per theater). Its cume is approximately $12.49 million.
Written and directed by Michael Christofer, it stars Antonio Banderas and Angelina Jolie.
This weekend also saw the arrival of Dimension Films' new expanded version of its PG rated youth appeal action comedy Spy Kids Special Edition with an unfunny ESTIMATED $1.43 million at 1,676 theaters ($851 per theater). Its cume (including its original run, which began with its $26.5 million opening the weekend of Mar. 30 - Apr. 1) is approximately $109.0 million.
Directed by Robert Rodriguez, it stars Antonio Banderas and Carla Gugino.
"Video and DVD are coming up in September so this was sort of the pre-amble to that," Miramax L.A. president Mark Gill said Sunday morning. (Dimension is a unit of Miramax Films, which is owned by Disney.)
Fox Searchlight Pictures R rated thriller The Deep End kicked off to a very encouraging ESTIMATED $0.14 million at 6 theaters ($23,415 per theater) in Los Angeles and New York. Its cume after five days is approximately $0.2 million.
Written produced and directed by Scott McGehee and David Siegel, it stars Tilda Swinton, Goran Visnjic and Jonathan Tucker.
"That's significantly higher than our excellent opening on Sexy Beast (earlier this summer), which was $18,009 per theater," Fox Searchlight distribution president Stephen Gilula said Sunday morning. "We'll be adding theaters this week, both expanding in New York and L.A. and another nine markets, so we'll go up to over 50 theaters by this Friday. And we have an expansion the following week, which will take us up to around 200 theaters."
Focusing on the promising kick off for Deep, Gilula noted, "We're very, very excited. It just shows, again, that there's a really avid moviegoing audience in the summertime for alternative, thoughtful movies in addition to the mega-movies. When the critics embrace a film, as they did with this--particularly with Tilda Swinton's performance--the crowds have come. It's a crowded marketplace (this summer) with the sheer number of films opening, so (our marketing department, under Nancy Utley) did a great job of getting the word out.
"It's actually been, I think, a fairly good summer (for specialized films), going back to Anniversary Party and Sexy Beast and then The Closet and Made and now The Deep End. There really is an alternative audience in the summertime that is looking for this type of product."
Gilula added that Beast in its ninth weekend did about $198,000 at 29 theaters, "which takes it to $5,964,500, which means we'll cross $6 million by Wednesday or Thursday. That's a tremendous result for us. It's also the number one limited release film for the summer."
USA Films' R rated sci-fi thriller Session 9 arrived to a quiet ESTIMATED $0.083 million at 30 theaters ($2,750 per theater).
Directed by Brad Anderson, it stars David Caruso, Peter Mullan, Brendan Sexton III, Steven Gevedon and Josh Lucas.
Paramount Classics' PG-13 rated drama An American Rhapsody opened to a drab ESTIMATED $0.042 million at 7 theaters ($6,000 per theater).
Written and Directed by Eva Gardos, it stars Nastassja Kinski, Scarlett Johansson and Tony Goldwyn.
Paramount held sneak previews Saturday night of its PG-13 comedy Rat Race.
Directed by Jerry Zucker, it stars Rowan Atkinson, John Cleese, Whoopi Goldberg, Cuba Gooding, Jr., Seth Green, Jon Lovitz, Breckin Meyer and Amy Smart.
"The sneaks were about 60 percent capacity," Paramount distribution president Wayne Lewellen said Sunday morning. "There were 1,012 sneaks. We had 700 locations that had two sneaks, so you can say we effectively had 1,700 sneaks. The capacities at the later sneaks (at 10:30 p.m.) were only around 35 percent (given the later hour). The index score from the exit polls was 78, which is very good. I (don't yet have) the full exit polls, but I know it was 50-50 male-female."
Asked about the index score, Lewellen explained, "That is the result of the combination of checking the boxes (on the exit poll forms). It's an average. Anything over 70 or 71 is a very good response. Like, Forrest Gump got an 81, as an example. It's a very good score."
Lewellen said he anticipates that the film will play to a family audience.
Race opens this Friday (Aug. 17), Lewellen said, at "about 2,500 locations and probably 2,800 screens or so."
On the expansion front, this weekend saw Miramax's R rated French comedy The Closet go wider in its seventh week with an okay ESTIMATED $0.43 million (+5%) at 145 theaters (+17 theaters; $2,975 per theater). Its cume is approximately $4.0 million.
Directed by Francis Veber, it stars Daniel Auteuil, Gerard Depardieu, Thierry Lhermitte and Michele Laroque.
Artisan's R rated comedy Made widened in its fifth week with a dull ESTIMATED $0.4 million at 128 theaters (+11 theaters; $3,125 per theater). Its cume is approximately $3.0 million.
Written and directed by Jon Favreau, it stars Jon Favreau, Vince Vaughn, Sean Combs, Famke Janssen, Faizon Love and Peter Falk.
Miramax's R rated Apocalypse Now Redux widened in its second week with a still promising ESTIMATED $0.35 million at 19 theaters (+17 theaters; $19,323 per theater). Its cume is approximately $0.53 million.
Directed by Francis Ford Coppola, it stars Marlon Brando, Robert Duvall, Martin Sheen, Laurence Fishburne, Dennis Hopper and Harrison Ford.
MGM's release of United Artists' R rated youth appeal comedy Ghost World widened in its fourth week with a still lively ESTIMATED $0.35 million (+1%) at 34 theaters (+11 theaters; $10,294 per theater). Its cume is approximately $1.3 million.
Directed by Terry Swigoff, it stars Thora Birch, Scarlett Johansson, Brad Renfro, Illeana Douglas and Steve Buscemi.
Fine Line Features' R rated rock musical drama Hedwig and the Angry Inch added a few theaters in its fourth week with a still hopeful ESTIMATED $0.26 million (-9%) at 50 theaters (+4 theaters; $5,180 per theater). Its cume is approximately $1.2 million.
Directed by John Cameron Mitchell, who also wrote adapted his hit Off-Broadway play to the screen, Hedwig stars Mitchell in its title role.
Key films--those grossing more than $500,000--took in approximately $150.17 million, up about 47.89 per cent from the comparable weekend last year when key films grossed $101.54 million.
This weekend's key film gross was down about 9.51 per cent from last weekend this year when key films took in $165.94 million.
Last year, Sony's second week of Hollow Man was first with $13.05 million at 2,956 theaters ($4,414 per theater); and Warner Bros.' second week of Space Cowboys was second with $13.02 million at 2,835 theaters ($4,591 per theater). The top two films one year ago grossed $26.0 million. This year, the top two films grossed an ESTIMATED $76.6 million.