Warner Bros Pictures via Everett Collection
Even without having read Mark Helprin's novel Winter's Tale, I have the unshakable feeling that Akiva Goldsman's film adaptation does not do the story justice. Speckled throughout the moreover colorless movie are hints of an intriguing idea — a fantasy epic about an angel-demon bureaucracy coexisting with the human race throughout the span of 20th century New York City, operating within the parameters of a didactic miracle-granting system — an idea that doesn't come close to its full potential. In 118 minutes, we barely scratch the surface of the world in which an apparently immortal Colin Farrell finds himself. We see him cavort with Russell Crowe, a malicious gang-leader with netherworld origins, seek guidance from a mystical Pegasus, and carry out his destiny as the savior to a mysterious red-haired girl. But we never truly understand why any of this is happening. Not that it gets particularly confusing; on a plot level, it's all quite simple. But that's the problem — it shouldn't be.
The central conceit of the film is that everyone is put on this Earth with a divine "mission" to uphold. Farrell's gives us the narrative of Winter's Tale, introducing the various rules and officers of the supernatural regime along the way. Abandoned as a baby and brought up under the criminal regime of a Manhattanite from Hell (Crowe), Farrell ascends from orphan to petty thief to horse whispering renegade to whimsical lover of a dying Jessica Brown Findlay to ageless messiah... all without much clarity on the nature of the story (or stories) he's occupying, save for two ham-fisted scenes of exposition — one with Graham Greene (not the dead author) and one with Jennifer Connelly, who shows up halfway through the movie for some reason.
Warner Bros Pictures via Everett Collection
The world that Farrell is woven into has so many bright spots: we're on board for miracle quests, a magic-laden New York City, flying horses, and one of the biggest stars in Hollywood giving a cameo as the epitome of evil. Everything we see is fun, but it all flutters away as quickly as it arrives. We don't want quick bites of the way angels and demons do business with one another on the streets of Manhattan, we want the whole meal. A more thorough exploration of Helprin's world wouldn't just be doubly as interesting as the thin alternative we're offered in Goldsman's adaptation, it'd also fill in all the comprehensive gaps in Farrell's emotional throughline
We don't really understand so much of what happens to Farrell. Even when we're offered tangible explanations, we have no reason to understand why the Winter's Tale world works in such a way that Farrell might survive a 300-foot fall, develop amnesia, or sustain youth for a full century. What's more, we don't understand why Farrell's tale as a cog in this mystical machine is any more important than anyone else's. Or, if it's not, and we're simply asked to watch him carry out his quest as a glimpse into the vast, enigmatic system that Winter's Tale is ostensibly founded upon, we ... we don't understand enough of that world itself.
Warner Bros Pictures via Everett Collection
We're never invited close enough to any of the movie's attractive features for them to matter. So even when the movie does offer entertaining bits — in its fantastical elements, its detail of New Yorks old and new, or Farrell's admittedly charming romance with Findlay — we're not engaged enough to really connect with any of them.
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Still, the flying horse is pretty cool.
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If you're reading this before watching the Season 6 finale, I'm going to warn you now to close this page. Don't be mad if you're spoiled on things otherwise. So ... many people were probably left sitting there muttering to themselves: "What just happened?" Tara Knowles (Maggie Siff) is dead. Sheriff Eli Roosevelt (Rockmond Dunbar) is dead. There's no more Clay Morrow (Ron Perlman), what with him being shot in cold blood by Jackson "Jax" Teller (Charlie Hunnam). What direction can this show go in with so much of the original cast gone? It's a big shift. It's going to probably start off with Jax in prison and the kids in state custody. Unless Jax's mother, Gemma Morrow (Katey Sagal) is able to get her hands (more like claws) on them. She wound up in the arms of Wayne Unser (Dayton Callie), the man who inadvertently set off the whole last chain of events.
While the show has always been fairly grim, this is probably the absolute darkest and most violent I have ever seen it. There was that stunning scene with Gemma skewering Tara with a fork-like instrument. (I admit that I had to turn away about two seconds into that, it was that bloody.) Then Juice Ortiz (Theo Rossi), who had been condemned by Jax, shooting Roosevelt and then covering for Gemma by dumping the evidence. Of course, Jax, who had been spending time with his kids before turning himself in, was found cradling Tara's body by the prosecutor, Patterson. The show ended with a literal wail by Jax before it went to black with the Sons of Anarchy Grim Reaper.
Of course, the show has never been afraid to kill off characters. Clay killed Piney, one of the original members of the biker gang. That was a big one, but before this recent turn of events, I think the biggest one was Opie's death in the fifth season. He was a major figure in the life of Jax Teller, his closest friend, and as Jax wrote in his diary in the season finale, it was his death that really pushed him off the edge into this ball of self-loathing that he had become.
What the show always seems to love to do is offer a glimmer of hope that things will resolve themselves and then have things go wrong. This, though, was not just things going wrong. It was a complete and utter derailment, a catastrophic chain of events that probably left a lot of people feeling numb.
Fans of the show will hope that Season 7 leads to some kind of redemption for Jax. He's going to be in an abyss so deep that only someone like Walter White could comprehend what he feels. They will likely hope that Gemma meets some kind of painful end herself. (The Gemma that garnered any sympathy for enduring that brutal assault in Season 2 is long gone.) Who might extract that vengeance? It might be Jax, finally breaking the emotional chains that his mother holds him in. It may be Nero (Jimmy Smits), her former beau, who saw how dealing with her was extracting a toll on his own life, including the murder of an innocent woman. But the people that the fans should be rooting to have some sort of happy ending are Jax's two sons. They have been through so much too.
There will also be the fate of the SAMCRO bike gang. Will Chibs Telford (Tommy Flanagan) and Bobby Munson (Mark Boone Jr.) be able to keep it going without Jax? What will become of Juice? There will be a lot of threads to sew up in the end.
As for next season, there's going to be two camps. The first is going to be comprised of those who want to rake creator Kurt Sutter over the coals for how it all played out, especially for his seeming desire to keep his wife (Sagal) on the show as long as possible. To be fair, Sagal is an excellent actress in her own right, to the extent that I couldn't see anyone else even close to playing Gemma. The naysayers may see this Season 6 finale as being completely too contrived. Others may opt to take a big-picture view and want to see how it all plays out, given that they have derived so much enjoyment from the past six seasons. Of course, no one will be 100% pleased.
Either way, Season 7 will be quite the thrill ride. Put on your biker helmets and get ready.
The former Xena: Warrior Princess star was among a group of seven campaigners who climbed aboard the vessel, which is docked in Taranaki, New Zealand, on Friday to protest against oil drilling in the Arctic.
They have vowed not to leave until the Noble Discoverer's mission is called off.
Police were called to the scene and five officers boarded the boat, but they decided against removing the protesters amid safety fears, according to Stuff.co.nz.
One man, who was not on the ship, was arrested at the entrance to the port, while Lawless and the other campaigners are also facing detention, but Inspector Blair Telford has confirmed cops currently have no plans to remove them from the vessel.
He says, "Although the protesters are breaking the law by being aboard the ship, they are in an isolated location on the ship which allows both the port and the ship to operate their normal business.
"We have considered various options and we have the skills, capabilities and equipment to deal with all options. However safety remains paramount and we won't needlessly jeopardise the safety of our staff, the crew of the ship or the protesters."
A member of the group tells the website, "The guys are well equipped and have enough food to last a couple of days and gear to protect them from the weather. We don't plan to leave until Shell agrees to stay out of the Arctic."