Smashing Pumpkins drummer Mike Byrne has quit the group. Frontman Billy Corgan has confirmed the news in a new interview, weeks after it was revealed Motley Crue star Tommy Lee has been working with the band on new tracks.
Corgan tells Music Radar, "Let's just say that Mike, like Elvis, has left the building."
Lee plays drums on nine songs on the band's upcoming album Monuments To An Elegy, and recently told Billboard, "I think he (Corgan) has probably the best record he's ever written. These are, like, epic, goose-bump songs."
Further details of Byrne's departure were not available as WENN went to press. The drummer appeared on two Smashing Pumpkins albums - 2009's Teargarden by Kaleidyscope and 2012's Oceania.
Fox Searchlight via Everett Collection
Ever since the rumors started swirling several months ago, the Internet has been waiting impatiently for a Star Wars VII casting announcement that included Oscar winner and instant style icon Lupita Nyong'o. They finally got that wish on Monday morning, when StarWars.com revealed that she would be joining the cast along with Game of Thrones star Gwendoline Christie. The pair join an impressive cast for the latest installment of the franchise, with acclaimed actors like Oscar Isaac, Max Von Sydow and John Boyega all playing significant roles. However, when it comes to buzz, they all pale in comparison to Nyong'o, who has won over both critics and fans since her breakout performance last year in 12 Years a Slave.
Casting an Academy Award winner is a big deal for a major blockbuster like Episode VII, but Nyong'o is far from the first winner to journey to a galaxy far, far away. Since the first film was released in 1977, the Star Wars franchise has featured several Oscar winners and nominees on both sides of the camera, and seen several of its alum take home the award later on. In honor of Nyong'o's casting, we've rounded up all of the actors, writers, directors and editors who fall in the middle of the Venn Diagram of "Oscar winners and nominees" and "involved in the Star Wars universe."
Academy Award Wins
PRE-STAR WARS: -Nyong'o, who won Best Supporting Actress for her performance in 12 Years a Slave at this year's awards, is the third actor who has taken home an Oscar before starring in one of the Star Wars films, and the fifth team member to hold the distinction. -Alec Guinness won Best Actor in 1957 for his work in The Bridge on the River Kwai, before he played everyone's favorite Jedi Master and mentor, Obi Wan Kenobi. He later earned an Oscar nomination for the part. -Composer John Williams, who has been nominated for a total of 49 Oscars, won his first for Best Scoring Adaptation and Original Score Song in 1971 for Fiddler on the Roof. Since then, he's won four more, including Best Original Score in 1977 for Star Wars. -Ben Burtt had established himself as a talented editor with two Best Sound Editing Oscars in 1982 and 1989 before he edited The Phantom Menace, Attack of the Clones and Revenge of the Sith.
POST-STAR WARS: -James Earl Jones, who provided the iconic voice of Darth Vader in the Star Wars films received an Honorary Oscar in 2011.-Natalie Portman won Best Actress for playing Nina Sayers in Black Swan in 2010, five years after her final installment of the trilogy was released. -Director Sofia Coppola played one of Queen Amidala's handmaidens in The Phantom Menace, and then went on to win Best Original Screenplay in 2003 for her film Lost in Translation. She was also nominated for Best Director and Best Picture that year.
20th Century Fox Film via Everett Collection
Academy Award Nominations
PRE-STAR WARS: -Before he created the franchise that eventually became Star Wars, George Lucas made American Graffitti, and was nominated for Best Director and Best original Screenplay in 1972 for his hard work. Five years later, he was nominated in those same categories for the first installment in the series. -Terence Stamp was nominated for Best Supporting Actor in 1962 for his work in the film Billy Budd, 30 years before he played Supreme Chancellor Valorum in The Phantom Menace. -His co-star in that film, Samuel L. Jackson, was nominated for Best Supporting Actor in 1994 for his performances as Jules Winnfield in Pulp Fiction, a first of many iconic characters. -Marcia Lucas received an Oscar nomination in 1974 for Best Editing alongside Verna Fields for American Graffiti, before winning the same award three years later for Star Wars, with Richard Chew and Paul Hirsch. -Liam Neeson was nominated for Best Actor in 1993 for his heartbreaking performance in Schindler's List before stepping into the role of Obi Wan's mentor, Qui Gon Jinn in 1999.
POST-STAR WARS: -After he played Han Solo, Harrison Ford was nominated for a Best Actor Oscar for his performance in the 1985 film Witness. -Keira Knightley, who played one of Amidala's handmaidens in one of her first film roles, was nominated for Best Actress in 2005 for her turn as Elizabeth Bennet in Joe Wright's Pride and Prejudice. -Lawrence Kasdan, who wrote Empire Strikes Back and Return of the Jedi with Lucas, was nominated for Best Original Screenplay in 1984 and 1992 for The Big Chill and Grand Canyon, respectively, and Best Adapted Screenplay and Best Picture in 1989 for The Accidental Tourist.
Other Awards Of Note
-Three of the key supporting characters in Attack of the Clones were played by actors who were nominated or have won AFI and AACTA awards, the Australian equivalent of the Oscars and the BAFTAs. They are: Rose Byrne, Joel Edgerton, and Jack Thompson. -Ford has a star on the Hollywood Walk of Fame, and C3PO, R2D2, and Darth Vader have their "footprints" outside of the TCL Chinese Theater. -Christopher Lee, who played Count Dooku in Attack of the Clones and Revenge of the Sith has never been nominated for an Oscar, but he has been knighted, made a Commander of Order of the British Empire and a Commander of the Venerable Order of Saint John, been awarded both the BAFTA and BFI Fellowships, and is a French Commander of the Order of Arts and Letters. He was also a war hero, serving as part of the RAF Intelligence and Special Forces during World War II, and was attached to the SAS for a time during his service. He also once climbed Mt. Vesuvius right before it erupted and fronts several heavy metal bands, because he's cooler than the rest of us could ever hope to be.
Google’s famous mantra is "Do no evil." But it's hard not to detect whiffs of villainy from the search engine-turned-multimedia ecosystem in The Internship, a creaky comedy starring Owen Wilson and Vince Vaughn that is basically a craven infomercial for the company. The message of the movie — "Google's a cool place to work, you guys!" — is conveyed lovingly by director Shawn Levy's choice to show all the perks of employment there (like free food and coffee, nap pods, and employees who look like Rose Byrne and are as stuffily funny as Aasif Mandvi), and makes the script feel like it was written by Google's Director of Corporate Communications in 2005, when the company's awesomeness was still a novelty. You can't help but feel that there's something if not evil then homogenizingly bland about a company that promotes itself via a movie featuring a totally neutered Vaughn and Wilson doing a PG-13 version of their Wedding Crashers shtick. A shtick that we also loved… in 2005.
Wilson and Vaughn play watch salesmen — truly the last of their breed and begging for an Albert Maysles documentary — who find out their company has gone bust. While Wilson's Nick takes another dead-end job selling mattresses for a Sanskrit-tattooed Will Ferrell, Vaughn's Billy searches for jobs for people "with few skills," and settles upon applying for an internship at Google for the two of them. They interview for the gig with a typically smug B.J. Novak via a Google Hangout — of course! — and get the gig.
They pair is given a misfit team of outcasts 20 years their junior to compete in several challenges during their summer-long internship: a home-schooled momma's boy (Tobit Raphael), a lethargic hipster (Dylan O'Brien), and a Comic-Con geek (Tiya Sircar). Together, they have to tackle projects like "finding a bug in a computer program," "manning the phones at Google technical support," and oddly enough, a Quidditch match. Admittedly, it's better than any of the Quidditch matches we ever saw in the Harry Potter movies — I don’t recall Daniel Radcliffe, like Vaughn, motivating his team via an extended Flashdance metaphor.
Of course, it would have been better if said Flashdance metaphor hadn't been featured in its entirety in the trailer, but so were all the best jokes in The Internship (including a scene in which Wilson and Vaughn's teammates tell them to track down Professor Charles Xavier for a challenge, and, cluelessly, the two buds have no idea they’re being played with an X-Men reference). Nothing explains why Wilson and Vaughn are unfamiliar with X-Men and Harry Potter while they are apparently aware of Katniss Everdeen based on Wilson's joke early in the movie that the Google internship is like "mental Hunger Games."
Wilson and Vaughn's unschooled fratitude is meant to be inspiring to their confidence-challenged teammates. Which means, not unexpectedly, that they take them to a strip club, get them lap dances, and get them soused. That strip club detour even helps them win one of their challenges, a plot contrivance that highlights one of the biggest flaws in the shiny corporate cosmology Google so eagerly wants to convey: we don't ever get a sense what it is that employees at Google actually do. Rose Byrne's job description seems to require her to wear glasses, pin her hair up, and walk around fetchingly, but little else. Aasif Mandvi projects an air of Argyle-sweatered by-the-bookness, but little else. Josh Gad listens to headphones while staring into a computer screen…but little else. Google may not come across as evil in The Internship. It does come across as boring, though, something the search engine empire has never been. This wasn't the commercial Google was looking for.
What do you think? Tell Christian Blauvelt directly on Twitter @Ctblauvelt and read more of his reviews on Rotten Tomatoes !
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The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Maybe it was the ultra-bright yellow that covered everything from the giant show banners to the "yellow carpet" that made the critics really, really want to cover a TV movie called "Growing Pains: A Reunion." Or maybe it was because the ABC summer press tour, held Sunday and today at the tony Ritz-Carlton Hotel in Pasadena, was like one of those motivational seminars, luxury-style.
After a gourmet lunch served by the pool, the reporters hunkered down for Q&A sessions with network officials and stars of the upcoming fall lineup. An elaborate stage in the hotel ballroom was flanked by massive ABC logos and two huge video screens, to better enable network officials to introduce the shows and stars of its upcoming fall TV lineup.
Geena Davis There was Geena Davis, promoting her new sitcom "The Geena Davis Show" with co-star Peter Horton ("thirtysomething"). Gabriel Byrne spoke about his Irish-American multigenerational comedy "Madigan Men." Both Jon Cryer ("Pretty in Pink") and David Krumholtz ("Slums of Beverly Hills) were on hand to discuss the paranoid comedy "The Trouble With Normal."
Then there's the shows that are getting a new look. "Spin City" executive producer Gary David Goldberg and actress Heather Locklear (sporting a Bon Jovi T-shirt) introduced Charlie Sheen, who is stepping into Michael J. Fox's shoes. Apparently they will play off some of Sheen's real-life, well-publicized problems with the vices he loves. Should be interesting.
Norm MacDonald seemed to be just as impressed as everyone else that Faith Ford was joining the cast of "Norm." He kept saying, "Look! Faith Ford from 'Murphy Brown.'"
"Monday Night Football" showed off its latest addition to the team, obscure-reference specialist Dennis Miller, who quipped, "With the paltry state of politics, we should get great viewership."
Then there was Garry Shandling, who'll host the 52nd Annual Primetime Emmy Awards. When a reporter asked Shandling how he'll manage to fill three hours' worth of air time, he reeled off: "It's not the length, it's how we use the Emmys."
Winding up the two-day event was the celeb-heavy "All-Star Party," complete with fajitas, fondue, open bar and a huge list of ABC who's-whos including Sheen, Bill Maher, "Once and Again" star Billy Campbell and several high-profile soap stars. MacDonald talked with kids about the Harry Potter books, and Davis briefly walked around barefoot in a short black dress before she was whisked away by her publicist, perhaps to practice for an upcoming archery meet she mentioned that day.
Next up this week: NBC's summer press tour. Can they possibly compete with ABC's gourmet menu?