It’s not a conflict most of us are new to: the butting heads of an evangelical Christian and an atheist. Of course Matthew Chapman’s thriller The Ledge takes this typical opposition and adds a salacious complication: a beautiful woman. Now with such a ubiquitous conflict Chapman has lots of room to explore more fully the back and forth between these two schools of thought but unfortunately the film only skirts that concept and uses it as a more of a means to an end rather than a conversation.
The film focuses on three different men and in that two different debates. The first pair comes together when one of them threatens to jump to his death from – you guessed it – a ledge. The first man Officer Hollis (Terrence Howard) finds out his children aren’t biologically his right before being called to talk Gavin (Charlie Hunnam) off his perch. Of course as he finds out Gavin is on the opposite side of that fence; Hunnam’s character not only covets but sleeps with his neighbor’s wife. While this conflict of interest for Howard’s character is one of the more interesting aspects of the film it's overshadowed by the clandestine love affair and a slew of turgid inconclusive theological discussions.
As Hollis tries desperately to sort out his own demons and get Gavin off the roof the would-be jumper slowly unravels the details of the romance that landed him there. If he doesn’t jump at noon “someone else” dies. Now it doesn’t take a genius to figure out that “someone else” is Shana (Liv Tyler) the wife of that evangelical Christian neighbor Joe (Patrick Wilson). Is that enough plot for you? Because it was certainly more than enough for me. As we wind our way through this ambitiously complicated story we encounter Joe’s textbook impenetrable Christian ideals thrown right up against Gavin and his homosexual roommate. Oh yes the plot tries to get into that debate as well.
The capable cast does its best to bring the hefty winding story back down to earth and they almost succeed. Hunnam is the weakest of the bunch but he’s really there as a bit of beefcake to tempt Tyler’s sheltered character. The real heavyweight here is Wilson who despite being dealt a fairly narrow character who rattles off the same overzealous discourse we’ve heard time and again gives his performance everything he’s got. Joe isn’t much more than his stalwart religion and his mounting anger but Wilson tries damn hard to offer just a little something extra. Howard similarly lends weight to his character’s story though it unfortunately becomes little more than an afterthought once the romance between Gavin and Shana gets going.
In fact that romance is the most enjoyable aspect of the film even though it begs us to focus on the theological and moral questions at hand. The forbidden love builds awkwardly and organically something so many films tend to gloss over in order to get to the all-important first kiss. Luckily for many of the big questions that go unanswered in the film their chemistry carries the plot along and almost manages to distract us from their lack of resolution.
The Ledge seems to be a case of Chapman biting off more than he could chew. Every aspect of the plot is a worthy intriguing topic but when they all collide in a mere two-hour period it’s a challenge to give any of the components the attention and depth they really deserve.
WHAT IT’S ABOUT?
The uber-anticipated sequel Transformers: Revenge of the Fallen picks up shortly after the events of the blockbuster first film. With evil Megatron’s carcass buried at the bottom of the ocean Optimus Prime and his Autobot comrades working together with an elite group of human soldiers are now focused on hunting the remaining Decepticons scattered across the globe. Sam Witwicky hero of the 2007 movie is busy preparing for his first year at college while his unlikely girlfriend Mikaela Barnes stays behind to tend to her father’s auto-repair shop. Little do they know however that back on Cybertron a Decepticon elder known as “The Fallen” is hatching a scheme to invade Earth where hidden somewhere on the planet is the last known source of energon the life-blood of all Transformers. If he succeeds the devastation left in his wake will no doubt spell the end of the human race. With the fate of Earth hanging in the balance Sam and Mikaela must once again have to team up with Optimus and the Autobots to defeat this powerful new foe.
WHO’S IN IT?
All the major human players from the first Transformers film are back for the sequel including Shia LaBeouf Megan Fox Tyrese Gibson Josh Duhamel and John Turturro. Newcomers include Ramon Rodriguez who plays Sam’s conspiracy-obsessed college roommate Leo and The Office’s Rainn Wilson who enjoys a notable cameo as a pompous physics professor.
Of course the actors merely serve as background filler for the real stars of the show: those titular talking-alien robots. And director Michael Bay fills up the screen with enough mechanical eye candy to dazzle even the most skeptical gearhead. Returning characters include Optimus Prime Bumblebee Ratchet Ironhide Barricade Jazz (don’t act surprised) Starscream Frenzy and Megatron (again don’t act surprised).
Several new Autobots are introduced to the mix: Mudflap and Skids a pair of jive-talking ceaselessly annoying hatchbacks; Jolt a Chevy Volt; Sideswipe a silver Corvette; and Jetfire an elderly Decepticon turncoat who walks with a cane speaks with an English accent and transforms into an SR-71 Blackbird. Additions to Decepticon side include: The Fallen who we learn is the Decepticons’ real head honcho (consider him the Emperor Palpatine to Megatron’s Darth Vader); Soundwave a communications specialist who sinks his tentacles into a satellite and spies on us from above; Ravage a panther-like creature; Wheelie a radio-controlled truck who talks like Joe Pesci; “the Doctor ” a sort of mad scientist who speaks with a German accent (naturally); and the Constructicons a group of construction vehicles that fuse together to form a massive four-legged beast.
No director does over-the-top explosion-laded action better than Michael Bay and Transformers: Revenge of the Fallen features several staggering set pieces. The CGI work on this film makes the last one look like it was designed on a Commodore 64.
Any scene in which people talk — and several of the ones in which robots talk too. Just as the action and visual effects are beefed up for the sequel the bad jokes and cringe-worthy dialogue are as well. Highlights include two dogs humping John Turturro in a thong a robot humping Megan Fox’s leg a sequence involving Sam’s stoned mom and a glimpse of a very large pair of testicles on one very large Decepticon. The latter will likely go down as the “nipples-on-the-Batsuit” moment for the Transformers franchise.
The show-stopping climax set in the Egyptian desert is one extended riotous battle royale packed with so much robot-on-robot action you’ll feel overwhelmed at times.
NETFLIX OR MULTIPLEX?
This big-budget spectacle begs to be seen at the multiplex — IMAX if possible. Just bring a pair of earplugs for the dialogue sequences. You might want to bring some Dramamine as well as Mr. Bay went a little overboard with his trademark circling-camera sequences this time around.
Nolan Walsh (Bruce Greenwood) once a champion thoroughbred trainer and now a mild-mannered Kentucky farmer rescues an abandoned baby zebra and takes him home to his young daughter Channing (Hayden Panettiere). Stripes (voiced by Frankie Muniz) as the adoring Channing calls him grows up on the farm with its misfit troupe of barnyard residents. They include the cantankerous but wise Tucker (voiced by Dustin Hoffman) a Shetland pony; Franny (voiced by Whoopi Goldberg) a motherly old goat who keeps the farm in line; Goose (voiced by Joe Pantoliano) a skittish hit pelican who's hiding out from Jersey thugs after taking out the wrong bird; and Buzz (voiced by Steve Harvey) and Scuzz (voiced by David Spade) two horseflies with attitude--and an affinity for poop. But Stripes isn't cut out for farm life. Instead he has his sights set on the neighboring racetrack with hopes of running in the race himself--even if he isn't exactly a horse. With a little help from his human and farm animal friends he finally gets his chance. And loses! Oh I'm just kidding.
Although the human actors do an adequate job maintaining the core emotional element of the film especially the sweet-cheeked Panettiere (Raising Helen) it's the animal characters that keep Racing Stripes entertaining. Muniz is earnest enough as the enthusiastic Stripes while the sugary Mandy Moore voices his love interest Sandy a local show jumper horse. Veterans Hoffman who finds his inner horse as the crabby Tucker and Goldberg who does the maternal goat thing very well both handle their animal chores with aplomb. The ever-country hick Jeff Foxworthy and the lackadaisical Snoop Dogg also make vocal appearances as a none-too-bright rooster (are there any other kind?) and lazy bloodhound respectively. But it's Joey Pants as Goose the incompetent gangster pelican on the lam and Spade and Harvey as the quippy espresso-lovin' dung-wallowing horseflies who steal the show.
They always say its hardest to work with animals and children so director Frederik Du Chau (Quest for Camelot) really had his work cut out for him working with real zebras something which has never really been attempted before because of the animal's flighty temperament. Apparently a zebra's nature is rooted in a fight-or-flight response stemming from the fact they are chased by predators in the wild. Makes sense but training them to race around a track? Sounds like a nightmare shoot. Plus Stripes was played by no less than eight different "adolescent" zebras. Yikes. Du Chau pulls it off however. You're sitting there with the best of them cheering our hero on as he runs his big race oblivious to how they made it all happen. Overall it's just too bad that unlike its cousin Babe Racing Stripes has to go for the same tired and cheesy formula of an underdog proving himself rather than creating a tender story of a zebra making his way on a Kentucky horse farm.