For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
Follow @Michael Arbeiter
| Follow @Hollywood_com
A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
The 17 year old is working as a summer intern at the celebrity mecca in the heart of Hollywood - and he was among the staff members given the responsibility of making sure the Terminator star was safe at all times during a business lunch with The Grove owner Rick Caruso, a longtime friend.
And it wasn't an easy task - because Paris Hilton was also shopping at The Grove as Arnie arrived.
As the fans swarmed the two celebrities, Patrick had to juggle greeting his dad and making sure no one was crushed in the chaos.
After the fuss died down and Schwarzenegger had left, his son tweeted, "My job had me work security for them (Paris and Schwarzenegger). Funny day."
NYPD Blue's Rick Schroder has turned in his badge and gun.
Schroder announced Friday that he's leaving the hit cop series because he wants to spend more time with his family.
"The long hours required to shoot NYPD Blue would prevent me from being where I really want to be at this time--which is with my family," Schroder said in a statement.
But should Schroder's exit really shock fans?
Several months ago, Schroder, 31, who played Detective Danny Sorenson on the show for 2 ½ seasons, appeared displeased with his experiences on Blue, telling Entertainment Tonight in a Jan. 10 interview of his growing desire to be with his children.
"It's too hard being apart ... terrible. Every Friday night I caught a plane home, every Sunday night I caught a plane back, and it was very tiring," he said.
But other clues soon surfaced concerning Schroder's unhappiness on Blue.
Earlier this season, former Saved by the Bell hunk Mark-Paul Gosselaar signed on for a role next fall, stripping Schroder of his title as series heartthrob. But the apparent nail in the coffin was Blue's season finale on May 22--in which Schroder did not appear.
For NYPD Blue producer Steven Bochco, parting ways with Schroder is bittersweet at best.
"Rick Schroder is a gifted actor who has had a tremendous 2 ½ years with NYPD Blue,'' he told Variety on Friday. "Rick is also a strong family man, and to honor his desire to spend more time with his wife and children, we are regretfully releasing him from his obligations to the show.''
ABC is distancing itself from whatever controversy may arise from Schroder's departure.
"This is something between the actor and [Bochco Productions]. The network does not officially have a comment on the matter," ABC spokeswoman Lauren Tobin said Friday.
Bochco Productions could not be reached for comment Friday.
For die-hard fans of Blue, Schroder's early departure should come as no surprise. After its first season in 1993, costar David Caruso left the show. Jimmy Smits, Caruso's replacement, left in 1998. Last year, original cast member Nicholas Turturro bailed, followed by Andrea Thompson, who abandoned acting to pursue a career in TV journalism. This past season, James McDaniel, another original cast member, said farewell to the 15th precinct. Kim Delaney also left, but she will star in Bochco's new courtroom series, Philly.
Does this steady exodus spell Blue's certain doom? NBC's Law and Order continues to thrive despite its constant cast changes. The X-Files fared slightly better in the ratings this past season despite David Duchovny's infrequent appearances and the addition of Robert Patrick.
If the change in cast doesn't kill the aging show, then a move from 10 p.m. Tuesdays to 10 p.m. Wednesdays might. Bochco has already voiced his concern that the timeslot change could do irreparably damage to a show that will embark on its ninth season in November. Ironically, NYPD Blue will make way on Tuesdays for Bochco's Philly. Bochco told Variety last week that he fears that viewers may think he is focusing on his new project at the expense of the hit series and called the move "enormously dangerous."
Brendan Fraser and Rachel Weisz have unwrapped their plans to co-star in "The Mummy 2," set to begin shooting this spring for a May 2001 release. The dynamic duo will reprise their roles as rugged hero Rick O'Connell and love interest Evelyn Carnahan.
Both actors had been expected to return to action after Universal received a commitment from "Mummy" writer-director Stephen Sommers six months ago. Also returning to the fold is co-star John Hannah. Daily Variety reports that it's his first $1 million deal.
Fraser's expected to receive somewhere in the $12.5 million range, up from the $5 million he collected for the first installment. The actor's most recent payday was $10 million for 20th Century Fox's update of "Bedazzled." The new story will follow the entombed terror as it resurfaces in London. The script reportedly includes a 9-year-old son for Fraser and Weisz's characters who shares his father's knack for adventure. The studio says possible locations for the shoot include Egypt, Morocco and London.
MORSE GETS 'LIFE': "The Green Mile's" David Morse is ready to be taken hostage in the Taylor Hackford-directed "Proof of Life." Morse will co-star with Meg Ryan, Russell Crowe and David Caruso. It's the third Castle Rock Entertainment film for the actor, after "The Green Mile" and "Extreme Measures." The story involves a hostage negotiator (Crowe) who falls for the wife (Ryan) of the person (Morse) he's hired to save.
'LOVE RETURNS' FOR BARRYMORE: Drew Barrymore's latest romance is an adaptation of Robert Nathan's 1958 book "So Love Returns." Variety notes that the "Ever After" star has signed on to direct and headline the supernatural love story after obtaining the rights from the author's estate.
The story involves a writer who can't get over the death of his wife. He isolates himself from the world and his two kids. But then he meets a magical woman (Barrymore in the flesh) who appears out of the sea to help him recover.
Barrymore will produce the feature with Middle Fork Productions, after passing on studios that wanted to turn her character into a mermaid. Budget for the indie project is $5 million.
STONE'S BROADWAY INSTINCT: Sharon Stone might be ripe for Broadway. The "Casino" star is considering a role in David Mamet's "Boston Marriage," with Variety reporting that she's already met with "The Iceman Cometh" stage director Howard Davies about the project. The sexy star could be just the right enticement. The play's involves two lesbians at the turn of the century.
TARANTINO THE ACTOR: "Pulp Fiction" director Quentin Tarantino will flex his thespian chops once again (after flopping in the Broadway play "Wait Until Dark") in a cameo for the Adam Sandler flick "Little Nicky." Sandler stars as the son of Satan in the pic, while Tarantino plays a blind preacher whom "senses" Sandler's presence.