WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.
Besides the elbow-rubbing and power mongering, let's not forget that the Sundance Film Festival is also about the films.
With that in mind, the annual indie film fest announced today its partial list of films for the 2001 powwow.
The lineup for three categories -- dramas, documentaries and the American Spectrum -- have thus far been announced, and other areas such as premiere, international films and short films will be announced Wednesday.
Films at the festival only compete in the dramatic and documentary categories. Top films coming out of Sundance in previous years include Ed Burns' "The Brothers McMullen" and last year's "Girlfight" from director Karyn Kusama.
The Sundance Film Festival takes place Jan. 18-28 in Park City, Utah.
In the meantime, here's the complete list of Sundance films in competition and in the American Spectrum.
"30 Years to Life," directed by Vanessa Middleton "American Astronaut," directed by Cory McAbee "The Believer," directed by Henry Bean "The Business of Strangers," directed by Patrick Stettner "The Deep End," directed by Scott McGehee & David Siegel "Donnie Darko," directed by Richard Kelly "Green Dragon," directed by Timothy Linh Bui "Hedwig and the Angry Inch," directed by John Cameron Mitchell "In the Bedroom," directed by Todd Field "L.I.E.," directed by Michael Cuesta "Lift," directed by DeMane Davis & Khari Streeter "MacArthur Park," directed by Billy Wirth "Memento," directed by Christopher Nolan "Scotland, PA," directed by Billy Morrissette "The Sleepy Time Gal," directed by Christopher Munch "Some Body," directed by Henry Barrial
"Chain Camera," directed by Kirby Dick "Children Underground," directed by Edet Belzberg "Dogtown and the Z-Boys," directed by Stacy Peralta "The Endurance: Shackleton's Legendary Antarctic," directed by George Butler "Go Tigers!" directed by Kenneth A. Carlson "Home Movie," directed by Chris Smith "Lalee's Kin: The Legacy of Cotton," directed by Susan Froemke, Deborah Dickson with "Albert Maysles Marcus Garvey: Look for Me in the Whirlwind," directed by Stanley Nelson "The Natural History of the Chicken," directed by Mark Lewis "Ralph Bunche: An American Odyssey," directed by William Greaves "Scout's Honor," directed by Tom Shepard "Scratch," directed by Doug Pray "Southern Comfort," directed by Kate Davis "Startup.com," directed by Chris Hegedus & Jehane Noujaim "Trembling Before G-D," directed by Sandi Simcha Dubowski "An Unfinished Symphony," directed by Bestor Cram & Mike Majoro
"Acts of Worship," directed by Rosemary Rodriguez "After Image," directed by Robert Manganelli "Dancing in September," directed by Reggie Rock Bythewood "Diary of a City Priest," directed by Eugene Martin "The Doe Boy," directed by Randy Redroad "Haiku Tunnel," directed by Jacob Kornbluth & Josh Kornbluth "Invisible Revolution," directed by Beverly Peterson "Jump Tomorrow," directed by Joel Hopkins "Manic," directed by Jordan Melamed "Margarita Happy Hour," directed by Ilya Chaiken "Miss Wonton," directed by Meng Ong "Raw Deal: A Question of Consent," directed by Billy Corben "Roof to Roof," directed by Ara Corbett "Women in Film," directed by Bruce Wagner "Tape," directed by Richard Linklater "Wet Hot American Summer," directed by David Wain.
OK, let's get the burning question out of the way first: No, we still don't know who the last "Survivor" is. There were five of the blockbuster show's castoffs at CBS' fall press tour, interrogated under a hot spotlight by a roomful of overly air-conditioned journalists. But a happily reunited Sonja, B.B., Ramona, Joel and Gretchen (as well as the show's executive producer, Mark Burnett) didn't budge, although Gretchen did joke, "Everybody already knows who the winner is. It would be Mr. Burnett and CBS."
We reporters tried. We crept up from all sides, seeking clues and asking about those recent reports saying that a glitch in the CBS Web site had unwittingly revealed that the winner of "Survivor" is Gervase, the quarrelsome youth counselor.
In response, CBS Television President Les Moonves announced that the network will now post the show synopses only after each episode has aired, rather than prepare it ahead of time with system blockage (rather ineffective, since a computer hacker revealed the results prematurely).
Moonves also pledged that unused "Survivor" footage won't make its way into Blockbuster stores, a la "The Jerry Springer Show." In other words, "There will not be any more naked pictures of Richard than we already have out there," Moonves says.
By contrast, the press conference for CBS' other (and less successful) reality series, "Big Brother," was one of the most heated -- and torturous. William "Mega" Collins, the first houseguest to be voted off the show, was paraded before the press, and he was less-than-charming and confrontational as usual.
But that doesn't necessarily make him interesting. After the umpteenth roundabout spiritual oration in response to questions regarding his former association with the New Black Panther Party for Self Defense, a reporter scribbled his potential headline on a notepad and passed it to another to see: "Big Bore-ther."
The rest of the press tour (aka the unreality section) was mostly humdrum, as the Eye Network trotted out the stars and producers of three new sitcoms and four new dramas. Four, that is, if you count "The Fugitive," the remake of the popular 1960s David Janssen series that inspired the 1993 Harrison Ford film. This one stars Tim Daly in the title role and Mykelti Williamson ("Forrest Gump") as the chaser.
Most of the new shows read like a TV-vet reunion party: Craig T. Nelson ("Coach") as an underdog police chief in the crime drama "The District"; Christine Baranski ("Cybill") in the weatherman sitcom "Welcome to New York"; Marg Helgenberger ("China Beach") in "C.S.I.," a drama about forensic investigators.
The others are made up of short-lived sitcom refugees: The cast of "That's Life," a drama about a 30-something college student, stars Heather Paige Kent ("Jenny," "Stark Raving Mad"); and Anthony Clark, Mike O'Malley and Jean Louisa Kelly team up for the couple-y comedy "Yes, Dear." Anyone remember "Boston Common," "The Mike O'Malley Show" and "Cold Feet," respectively? We didn't think so.
The weary press were also treated to appearances by Tyne Daly and Blair Underwood for returning dramas "Judging Amy" and "City of Angels," respectively. Christopher Plummer, Ving Rhames and Bruno Kirby discussed their still-filming miniseries "An American Tragedy," about the O.J. Simpson defense trial team. And let's not forget Bette Midler, who appeared via satellite to promote "Bette," a sitcom about a diva/wife/mother.
In between, the good people at CBS scheduled screenings, served fruit smoothies and root beer floats, and threw a star-filled party, without, as they said, "the island cuisine afforded the 16 castaways."
Translation? Not a fried rat in sight.