Spanish radio personality Eddie 'piolin' Sotelo has been taken off air amid accusations he sexually harassed a regular guest on his Los Angeles-based show. Alberto 'Beto' Cortez, who was a writer and performer on the popular Piolin por la Manana show, which aired across America, claims Piolin "physically, sexually and emotionally" harassed him over a three-year period in a letter to radio bosses at Univision.
The radio host has denied the claims but Beto insists he has witnesses that will back up his allegations.
A statement from Piolin's lawyer reads: "A disgruntled, troubled employee has made malicious and false claims about Eddie Sotelo. This was done as part of a demand for money. The employee worked with Eddie for more than a decade. The employee's allegations of harassment... are pure fiction intended to gain a financial settlement."
While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
Now here is a reboot to cheer for. The Muppets heralds the return of Jim Henson’s beloved furry creations resurrected from pop-culture irrelevance and lovingly restored to their former greatness in a vibrant comedy-musical.
Jason Segel in addition to co-writing and starring in the film served as executive producer and the project's resident evangelist. His choice of collaborators is inspired. Directing is James Bobin best known as the co-creator along with Bret McKenzie and Jemaine Clement of HBO’s Flight of the Conchords a show whose good-natured and yet slyly irreverent tone often recalled that of old Muppet Show episodes. (I’ve never quite recovered from its premature departure.) McKenzie served as music supervisor contributing several original songs to the soundtrack. Segel’s co-star Amy Adams is the rare breed of actress who can transition from playing a pugilistic potty-mouthed waitress (in The Fighter) to the role of an angelic schoolteacher with ease. And few actors portray cartoonish villainy with more verve than Oscar winner Chris Cooper.
The film opens with a montage introducing the character of Walter a Muppet raised in Smalltown USA who figures himself the first and only of his kind until he happens upon an old Muppet Show rerun after which he is inexorably transfixed. Together with his “brother ” Gary (Segel) and Gary’s fiancé Mary (Adams) he travels out to Los Angeles to meet his idols only to find their studio vacated and on the verge of being demolished by Tex Richman (Cooper) a sinister tycoon who covets the oil reserves beneath it.
The only way to save the studio naturally is a kick-ass variety show reuniting the Muppets long estranged after the demise of their television series. Kermit the Frog is now holed up in a sprawling Bel Air mansion which he once dreamed of sharing with his former flame Miss Piggy who has gone on to become Vogue’s “plus-size” editor in Paris. Consummate entertainer Fozzy Bear is slumming it in Reno with a tribute band dubbed the Moopets; Gonzo is consumed by his work as CEO of the plumbing company Gonzo’s Royal Flush; and Animal is seeking treatment at the Fresh Pathways anger management clinic.
Segel and company’s affection for the original Muppets property is clear so much so that some viewers may dismiss the film as a tedious exercise in nostalgia. Pay them no heed. Kermit and the crew are as fresh and funny as they were three decades ago and their anarchic brand of humor with young and old alike. The film suffers from an over-emphasis on its human characters (Gonzo’s miniscule screen time is particularly baffling) and McKenzie’s songwriting while more than adequate yields no memorable standouts in the vein of “Rainbow Connection” or “Mah Na Mah Na ” but these are minor quibbles. Only cynical curmudgeons like Statler and Waldorf would waste time finding fault with an experience this joyous.
Chloe (voiced by Drew Barrymore) is a diamond-drenched pampered pooch who lives the high life in Beverly Hills. Beloved by her owner Aunt Viv (Jamie Lee Curtis) and adored by the landscaper’s Chihuahua Papi (George Lopez) she is left with a babysitter niece Rachel (Piper Perabo) when Viv takes off on vacation. Rachel impulsively departs on a last-minute weekend romp to Mexico with Chloe who not only gets lost south of the border but ends up in some very bad company. Saved from certain death in a dog fight she hooks up with a street-savvy German Shepherd (Andy Garcia) harboring a dark secret from his past life as a police dog. Along the way her diamond ID collar is swiped by a conniving rat (Cheech Marin) and his accomplice a very fidgety Iguana (Paul Rodriguez) leading to major chaos as all of them are pursued by the vicious El Diablo (Edward James Olmos) a Doberman out for revenge and one very disoriented Chihuahua. Will Rachel and Papi be able to find her in time before clueless Aunt Viv’s return? That’s the burning question. Basically a talking dog movie with a heavy Spanish accent Beverly Hills Chihuahua doesn’t exactly shy from stereotyped Mexicans but since this is a canine Babe it manages to get away with just about anything simply because these pooches are just so darned cute. The voice cast which features such Latino stars as George Lopez Edward James Olmos Paul Rodriguez Cheech Marin and Andy Garcia is perfectly cast lending a lot of fun to the proceedings especially Lopez as the lovably loyal Papi and Marin as a jewel-thief rat. Barrymore is also ideal as the ultra-rich and spoiled Chloe who is the equivalent of a canine Paris Hilton. The human actors are basically wallpaper with Curtis given little dimension in her relatively brief screen time and Perabo spending most of the film searching for the pup she carelessly misplaced. Manolo Cardona does nicely as the family gardener who helps out in the search. But it’s the remarkable real dog stars that steal this show. You have to wonder how their trainers led by Birds And Animals Unlimited’s Mike Alexander pulled some of this stuff off. These animals are more three-dimensional than most real thesps we’ve seen lately and actually do seem to be mouthing their lines (including some very clever dialogue). The old show-business adage says to never work with kids or animals--they take center stage everytime. In this case director Raja Gosnell and the group of talented trainers behind the cameras have proven the saying absolutely right. Dominating the breezy 86-minute time the bulk of the movie is devoted to stars of the four-legged variety and Gosnell makes it look easy with inventive camera angles giving us the POV of all the various dog stars who seem to be taking on the distinct personalities of the “characters” they are playing particularly the soulful down-and-out ex-police dog Garcia voices. You really do wonder what this dog’s deep dark secret is and the relationship forged between him and Chloe is genuinely real. It’s a tribute to Gosnell’s talents and the entire behind-the-scenes team that Beverly Hills Chihuahua turns out to be the family delight it is.
There are five new wide releases this weekend along with an important expansion, but this three-day is certain to “go to the dogs.” Beverly Hills Chihuahua (Disney), starring Piper Perabo and Jamie Lee Curtis and featuring the voice talent of everyone from Drew Barrymore to George Lopez to Placido Domingo, is tracking through the roof, and it is a surefire box office winner.
Beverly Hills Chihuahua is the first of four likely blockbusters from Disney set for release in the fourth quarter. The distributor will be scoring big with High School Musical 3 on October 24 followed by the animated 3D Bolt, arriving on the Friday before Thanksgiving, and the Adam Sandler family adventure film Bedtime Stories coming Christmas Day. It would not be surprising for this to become a quartet of $100M grossing pictures.
My sources tell me that Beverly Hills Chihuahua is scoring big in industry tracking with Females, both Under 25’s and Moms, and that the movie will ride a family audience wave through Saturday and Sunday matinees. The film will also hit big with Latinos thanks to the Mexican setting and the voices of not just Lopez and Domingo, but also Andy Garcia, Cheech Marin, Paul Rodriguez, Edward James Olmos and popular Spanish-language radio deejay Eddie “Piolin” Sotelo. It all adds up to a possible $30.5M opening weekend.
Last week’s winner Eagle Eye (Dreamworks/Paramount) may dip as little as 40 percent-45 percent from opening weekend to something in the $17M range. That will keep the high-tech Shia LaBeouf thriller on track for a final domestic haul of $95M-$100M.
Nick & Norah’s Infinite Playlist (Sony), from director Peter Sollett (Raising Victor Vargas), has gained real traction among the Under 25 set according to the latest tracking. It seems that 20-year-old Michael Cera is the key to the movie’s appeal. The Canadian-born actor, who first made a splash in the cult TV hit Arrested Development, is the nerdy heartthrob for a generation of girls who loved him in Superbad ($121.5M) and Juno ($143.5M). Nick & Norah’s Infinite Playlist will likely open at No. 3 with the possibility of a very solid $15.3M.
The new movie from Oscar nominee Fernando Meirelles (City of God, The Constant Gardener) is the tough-to-market Blindness (Miramax). Reviews are verging on awful for this adaptation of Jose Saramago’s novel with a score of just 41 percent Fresh on Rotten Tomatoes as of Wednesday night, and now the picture will be fighting a national protest as well. This thriller, starring Oscar nominee Julianne Moore, tells the story of a terrifying plague of blindness, and Dr. Marc Mauer, President of the National Federation of the Blind says that his group “Condemns and deplores this movie, which will do substantial harm to the blind of America and the world.” With 1,700 playdates, a sign that Miramax is trying to grab what it can before bad word-of-mouth sets in, it could still manage $2,600 or so per location for a possible $4.5M.
Universal’s Flash of Genius, the real-life story of Robert Kearns, who invented the intermittent windshield wiper, had the invention stolen by Ford and then sued the auto giant, will open on a more limited 1,000 or so screens. Reviews are very good (80 percent Fresh on Rotten Tomatoes as of Wednesday night), and, with a cast including Oscar nominee Greg Kinnear (As Good As It Gets, Little Miss Sunshine), Golden Globe nominee Lauren Graham (Gilmore Girls) and Oscar nominee Alan Alda, Flash could score a $4,100 PTA for a $4.1M opening and a No. 6 finish.
Two other new releases look very soft in tracking research. David Zucker’s conservative comedy rant An American Carol (Vivendi) seems headed for $3M and may miss the top 10 altogether. Things could be even tougher for MGM’s How To Lose Friends and Alienate People, which, despite the presence of rising British star Simon Pegg (Shaun of the Dead, Hot Fuzz), will probably manage no better than $2.5M.
Finally, the Ed Harris-directed western Appaloosa (Warner Bros) will expand to 800 or so screens, and $1.8M could be the ceiling despite strong reviews and a cast that includes Viggo Mortensen and Academy Award winners Renee Zellweger and Jeremy Irons.
FINAL PREDICTIONS FOR THE WEEKEND
1. NEW - Beverly Hills Chihuahua (Disney) - $30.5M
2. Eagle Eye (Dreamworks/Paramount) - $17.5M
3. NEW - Nick & Norah’s Infinite Playlist (Sony) - $15.3M
4. Nights in Rodanthe (Warner Bros) - $7.4M
5. NEW - Blindness (Miramax) - $4.5M
6. NEW - Flash of Genius (Universal) - $4.1M
7. Igor (MGM) - $3.55M
8. Lakeview Terrace (Sony) - $3.5M
9. Fireproof (IDP Films/Samuel Goldwyn) - $3.3M
10. Burn After Reading (Focus) - $3.25M
*NEW – An American Carol (Vivendi) - $3M
*NEW – How To Lose Friends and Alienate People (MGM) - $2.5M
*Appaloosa (Warner Bros) - $1.8M