Cop thriller Cold War has triumphed at the 2013 Hong Kong Film Awards, picking up nine trophies. Moviemakers Longman Leung and Sunny Luk earned prizes for Best Film, Best Director and Best Screenplay, while Tony Leung Ka Fai won the Best Actor trophy for his portrayal of a police commissioner caught up in a hostage situation.
The project also took home trophies in the categories of Visual Effects, Sound Design and Editing.
Former singer Miriam Yeung nabbed her first Best Actress award for her role in romantic comedy Love in the Buff, while Vulgaria co-stars Dada Chan and Ronald Cheng emerged victorious in the supporting acting categories.
Other big winners at Saturday's (13Apr13) ceremony included actor Jackie Chan, who picked up his eighth HKFA honour for Best Action Choreography in Chinese Zodiak, and Drunken Master director Ng See-yuen, who received the Lifetime Achievement Award.
It's rare that a sequel trumps the original but The Expendables 2 manages to do just that with a steady stream of one-liners and welcome weathered faces as well as a few new ingredients. E2 seems even more self-aware of its own silliness especially with Jean-Claude Van Damme as the villain (named Vilain of course) and Chuck Norris and Arnold Schwarzenegger popping up in smaller roles alongside previous Expendables Sylvester Stallone Jason Statham Jet Li Dolph Lundgren Bruce Willis Terry Crews and Randy Couture.
Then again The Expendables wasn't any sort of action classic; it was like writer/director/star Stallone threw a whole bunch of ideas at the wall to see which would stick then added massive amounts of weapons and the occasional hand-to-hand combat. It was popular but it definitely not the kind of awesome actioner that the stars were able to make 10 or 20 years ago. There's the rub actually; like women actors who have written or directed their own projects because nothing else was available or satisfactory Stallone created The Expendables because Hollywood didn't seem to know what to do with him and his fellow action stars as they got older. It's easy to criticize Stallone et al for not doing the same amount of stunt work or hand-to-hand fighting that for example Statham is capable of but the whole thrust of the movie is that they're expendable -- to themselves to the world and until Stallone kickstarted these movies to Hollywood.
E2 is still clumsy but it's a little more adventurous and a little more introspective. Two new additions to the crew seem to throw everyone for a loop in one way or another. Liam Hemsworth shows up as Bill the Kid a sniper who left the military after a raid in Afghanistan went horribly wrong; his age and hopefulness not to mention physical prowess is a foil the Sylvester Stallone's Barney Ross and one that Barney is well aware of. Nan Yu joins the team as Maggie who is apparently the only person who can disarm the safe that holds whatever secret thing Church (Willis) has sent them to retrieve. And if the Expendables don't get her back alive Church will make them pay because even though Maggie is some sort of multilingual computer genius with a vicious roundhouse she's a lady. On one hand perhaps we're supposed to gather that this group of old dogs is learning new tricks by having to deal with a smart capable woman in their midst; the attempts Gunner (Lundgren) makes to flirt with her are clunky and goofy and she's obviously way too smart for fall for that claptrap. On the other when she whips out some instruments of torture Barney cracks "What are you going to do give them a pedicure?" And of course her role also devolves into an incredibly stilted and unbelievable romantic interest for Barney. One point for trying but two points deducted for falling into the romantic interest trap.
At times it's hard to tell whether or not we're laughing with the crew or at them. Plus because of how jam-packed the cast is some actors get the short end of the stick. Statham is the most charismatic of the bunch and he also has the most impressive hand-to-hand fight scenes but the emphasis in E2 is sheer firepower so he doesn't get nearly enough screen time. Couture is fairly forgettable while Lundgren plays the lunkiest of lunkheads; the running joke is that he has a chemical engineering degree from MIT and was a Fulbright Scholar which is supposed to be funny... except it's also true. (We're to assume he's mended his evil ways between the first Expendables and the second.) Is Lundgren agreeably poking fun at himself the same way Schwarzenegger hams it up at every turn? Or does E2 have shades of JCVD which stars Van Damme was a washed-up action star? Are the emotional moments supposed to fall so hilariously flat on purpose? For some reason it seems important to tease out which parts of these movies are earnest and which are tongue-in-cheek.
There's a weird melancholy about watching this group of aging action stars that has the same tang as watching someone you love grow older especially as they try so very hard to fight the ravages of time. If you dig a little deeper maybe deeper than E2 warrants you could find a well of sadness below the back-slapping antics. The world has changed and even though Stallone and his crew have muscles so hard and juicy they could pop out of their skin like grapes they can't compete with Bill the Kid and Maggie and others like them. They know it and we know it and while it's good fun to see old friends or onscreen enemies kill scores of bad guys (led by JCVD sporting a truly horrible fake Baphomet-style neck tattoo) there are better smarter more exciting and more interesting action films on the horizon.
And there's also The Expendables 3.
In true straightforward comic-book style TMNT starts with a brief backstory (without the laborious explanation on why four turtles and a rat become human-like in the first place) and then launches into the heart of the movie. After the defeat of their old arch nemesis The Shredder the Turtles—fun-lovin’ Michelangelo (Mikey Kelly) tech guru Donatello (Mitchell Whitfield) hotheaded Raphael (Nolan North) and pragmatic leader Leonardo (James Arnold Taylor)--have grown apart as a family. While Leo is off honing his craft the turtles no longer fight crime--except Raphael who still fights crime under the pseudonym Nightwatcher. Struggling to keep them together is their rat sensei Master Splinter (the late Mako). But strange things are brewing. Tech-industrialist Max Winters (Patrick Stewart) is amassing an army of ancient monsters to apparently take over the world. With the help of old allies April O'Neil (Sarah Michelle Gellar) and Casey Jones (Chris Evans) the Turtles finally come together as brothers to fight the good fight and once again face the mysterious Foot Clan who have put their own ninja skills behind Winters' endeavors. As opposed to hiring just A-list actors TMNT is a nice eclectic mix of veteran voice-over artists who give the Turtles their voices and regular actors such as Gellar Stewart and Evans. Crouching Tiger Hidden Dragon’s Ziyi Zhang also gets in on the action providing the voice of the Foot Clan leader Karai who was once an enemy of the Turtles but now sees the value in what they do. Of course there isn’t a Robin Williams or Ben Stiller to laugh with but Kelly is pretty funny as Michelangelo who has had to resort to entertaining kids at birthday parties as “Cowabunga Carl ” a clown-for-hire in a “fake” turtle suit. It will all depend on whether those ninja-fightin’ pizza-eatin’ giant turtles still have a monetary appeal but methinks a new TMNT movie franchise has been born. The comic book was created in 1984 by Peter Laird and Kevin Eastman as a spoof to the superhero stories and quickly took off into merchandising heaven with a toy license and then a television series. The original 1990 live-action movie used state-of-the-art animatronics but somehow felt static and fake. Since the last TMNT movie in 1993 the whole Turtle phenomenon has sort of fallen off the radar at least in the U.S. so the time was ripe for a renovation. Using the innovative CGI we know and love this new TMNT--created by a team of animators from California and Hong Kong under the watchful direction of Kevin Munroe--gives the Turtles not to mention all the otherworldly monsters they have to fight a realistic look and feel. With this kind of freedom the film can focus on the action which is the best part of the TMNT lore. Though the demographics may skew male ages 8-11 (as well as those 8-to-11-year-old boys who loved it back in the day and are now grown men) TMNT is just your basic supercharged animated fun.
The Medallion sort of reads like a recipe of other film genres: a heavy helping of buddy cop mixed with a dollop of the supernatural and a dash of the protect-the-mystical-child-with-special-powers scenario (i.e. The Golden Child). The plot isn't the reason you're sitting in the theater but you go along with it for appearances' sake. Eddie Yang (Jackie Chan) a skilled Hong Kong detective is teamed up with Interpol agent Arthur Watson (Lee Evans) a snippy control freak to catch an evil crime lord known as Snakehead (Julian Sands) who has done some nefarious deeds. Their investigation takes them to a sacred temple where Eddie ends up saving a Dalai Lama-like kid named Jai (Alex Bao) from Snakehead's clutches. The ruthless criminal wants the boy because he possesses a mystical medallion that has powers of immortality only he can control. Snakehead evenutally nabs the boy and takes him to Ireland. Det. Eddie follows the villain to Ireland where he reunites with the insecure Watson and his former flame Nicole (Claire Forlani) also an Interpol agent. Soon though Eddie gets a firsthand account the medallion's awesome force when after dying while rescuing Jai once again the boy and his pendant bring Eddie back to life transforming him into an immortal warrior with superhuman abilities. Unfortunately for him the same thing happens to Snakehead. In typical fashion Eddie and company must battle many of the bad guy's minions and then Eddie takes on Snakehead in a final otherworldly confrontation. It doesn't take the mental strength of a superhero to figure how things will turn out.
No matter how derivative The Medallion is Jackie Chan's in it so you know it's got to work on some level. This Chinese marvel who excels in acrobatics stunts and martial arts truly has the uncanny ability to take the most tired of plots and make them more palatable just by karate-chopping onto the screen with a giant smile on his face. Although the visibly aging Chan is more serious here than in recent efforts such as Shanghai Knights he still can't hide the fun factor he brings to his films. Luckily he has found a worthy comic foil in Evans (There's Something About Mary) whose bumbling antics smack of Rowan Atkinson's as Mr. Bean and who brightens up the film on more than one occasion. The only real drawback to Medallion is giving Chan a love interest. Yep our favorite martial arts boy gets to kiss the girl but almost makes us cry; unfortunately Forlani (Meet Joe Black) who holds her own with the stunts has zero chemistry with the actor as hard as she tries to make us believe Nicole really loves Eddie. When a love scene comes up you clench your teeth hoping it'll pass soon enough and get back to the action. Thankfully it does. Sorry Jackie but you should just stick to kickboxing the enemy instead of kissing the girls.
What if Chan could use his uncanny skills on a supernatural level? Just imagine the possibilities. The same thought surely must have crossed the minds of those bringing Medallion to life. The thing is does Jackie really need all those special effects to pull off what he already does so well naturally? Not really. Hong Kong director Gordon Chan (no relation) is known for his slick filmmaking style that stays true to the art of a kung-fu movie; Medallion has this spirit running through it and when Chan is fighting hand-to-hand the film is exciting. Yet once Eddie and Snakehead gain their mystical powers it suddenly lapses into Crouching Tiger Hidden Dragon mode as the two foes fly through the air chase each other on top of trees and fight while dangling above ground. Ultimately these effects really don't do anything to elevate the film. In fact the camera is rather shaky the images gritty and at times it's hard to distinguish who is who. Gordon Chan should have just realized he didn't need all the highfalutin' gimmicks to make an enjoyable martial arts flick with the ever-nimble Jackie doing his stuff.