Peggy Carter, the plucky heroine of Marvel's short film Agent Carter, is getting her own series. Talk of a possible Agent Carter TV show has been rumbling around ever since the character's live-action debut in Captain America: The First Avenger and her subsequent solo adventure, but things were made official today with ABC picking up the property for a series order. The past couple of days have been huge for superheroes on television - this week alone saw pickups for Gotham, The Flash, and Agent Carter by different networks - so to help you decide which comic book crusader to catch on the small screen next year, we've outlined all of the upcoming superhero television series currently hurtling their way to your television sets.
Agent CarterPremiere Date: There's no official word, but according to The Hollywood Reporter, the series will likely be used as a "bridge" during the second season hiatus of Agents of S.H.I.E.L.D. That would put the premiere date around Spring/Summer 2015.What It's About: Based on the Agent Carter one shot, the series will focus on Peggy Carter (Hayley Atwell) as she begins her legendary career as a spy and works to form the intelligence agency, S.H.I.E.L.D.Will it Be Good? The original one shot was an incredibly fun romp, and the upcoming series already has an impressive cast forming (Atwell is confirmed to star, and Dominic Cooper will possibly reprise his role as Howard Stark). Agent Carter will also likely be able to side step the pitfalls of its sister program, Agents of S.H.I.E.L.D., since it doesn't have to align as slavishly to the continuity of Marvel's cinematic output. Plus, the show will be run by Tara Butters and Michele Fazekas, who have proven themselves capable of delivering fun, episodic television from their work on the wonderful, yet sadly short-lived Reaper. We do have some doubts, given ABC's handling of Agents of S.H.I.E.L.D., but Agent Carter looks to be in good shape.
The FlashPremiere Date: Fall 2014What It's About: A spin-off of the CW's wildly sucessful Arrow, The Flash will focus on Barry Allen (Grant Gustin), a costumed crimefighter who gains super-speed after being caught in a chemical explosion at S.T.A.R. labs.Will It Be Good? The CW has proven themselves to be quite adept at creating compelling superhero TV. After some early missteps, Arrow has blossomed into a fun, rollicking hour of television with the right mix of action and melodrama. Given that it's a spin-off, the series already has an established universe to take plots, the scarlet speedster should be in capable hands.
GothamPremiere Date: Fall 2014What It's About: Gotham will serve as an origin story for the entire Batman universe. The series will center on a young Det. Jim Gordon (Ben McKenzie) during his first couple of years on the Gotham police force, while also exploring the humble beginnings of several classic Batman characters, including Penguin, Poison Ivy, Catwoman, the Riddler and of course, a young Bruce Wayne.Will It Be Good? Creating a series centered on Batman's city sans Batman is decidedly risky, but there's a lot to like in what we've seen of the series so far. Gotham's first trailer is decidedly moody and the actual depiction of Gotham City - a dark and sprawling metropolis with a ton of secrets hidden in every alleyway - looks just about right, but all the child versions of Batman's iconic rogues gallery does give us pause. It might also suffer from the same problems that have plagued Marvel's Agents of S.H.I.E.L.D's rocky first season, namely being set in a comic book universe without all the cool comic book characters. If the series can weave a compelling and original narrative with the Batman mythos, then we won't miss the caped crusader all that much.
The Netflix Series: Daredevil, Jessica Jones, Luke Cage, Iron Fist, The DefendersPremiere Dates: Sometime in 2015, beginning with Daredevil.What It's About: Netflix is strengthening its original programming output with four original series based on Marvel comics properties. They'll focus on Daredevil, a blind crimefighter with heightened senses; Jessica Jones, a super-powered private investigator; Luke Cage, a super-powered and near-invulnerable hero for hire and Iron Fist, a martial artist endowed with mystical abilities. Finally, all four heroes will come together in The Defenders, an epic mini-series event.Will It Be Good? Much of Netflix's original programming thus far has been pretty great, so it would seem that the streaming service is dedicated to delivering quality material. Also, writer Drew Goddard will serve as showrunner on Daredevil. Goddard has quite an impressive resume, with writing credits on Cloverfield, Lost, Buffy the Vampire Slayer, Alias, Angel, and World War Z, not to mention his work directing Cabin in the Woods. Things are looking good for Marvel and Netflix.
Paramount Pictures via Everett Collection
After the record-breaking premiere of Marvel’s Agents of S.H.I.E.L.D., the show steadily declined in ratings. Fans began to lose hope in a television series worthy of being associated with the Marvel cinematic universe. However, Marvel and ABC are looking for success elsewhere on TV: with the new series based on Agent Peggy Carter from Captain America: The First Avenger.
Very little is known about Agent Carter since the show is still in the beginning stages of production — according to Deadline, ABC head Paul Lee said the pilot script is finished and awaiting the green light. We know that the script was written by Christopher Markus and Stephen McFeely, who penned Captain America 1 & 2. Lee also confirmed that Haley Atwell would reprise the role of Peggy Carter for the series.
A separate Deadline report claimed Tara Butters and Michele Fazekas have signed on as writers and executive producers. The pair created the CW series Reaper; they’ve also written for Law and Order: Special Victims Unit, Hawaii Five-O, and Joss Whedon’s Dollhouse.
Despite all the unknown factors, we have high hopes for Agent Carter. Not only will it have a lead female character — something Marvel has been lacking in both its films and TV series — the writing and production team sound extremely promising.
It’s far too early to make any serious predictions, but we’re certainly hopeful Agent Carter is at least as successful as Agents of S.H.I.E.L.D., if not more so.
Arrow fans prayed, and the Arrow gods listened: April 3's "Unfinished Business" will not be last time Seth Gabel graces our small screens as the delightfully, deliciously unhinged villain The Count.
Though Gabel recently signed on to ABC's sexy drama pilot Gothica, he made sure his contract would allow him to come back to Arrow in the future. "He actually asked as part of his deal to have outs to do Arrow and return on the show," Arrow's executive producer Marc Guggenheim revealed to Hollywood.com at WonderCon. "I’m really glad he did that because my wife [Tara Butters] is executive producing that pilot and lord knows I don’t want to be beholden to her. It’s like, 'Honey, I don’t know what to tell you, contractually Seth is able to come back.'"
You hear that, Arrow fans? Even the bosses over at The CW’s newest hit drama are as obsessed with bringing Gabel back as we are! "It’s so great to have Seth Gabel back, we just adore him," Guggenheim continued. "We’ve actually already talked about a bunch of different ways to bring The Count back in Season 2, but this episode that airs is probably the most unconventional way of bringing a character back you’ve ever seen."
RELATED: 'Arrow': How Seth Gabel Used Dubstep to Portray the Biggest and Baddest Villain Yet
That’s certainly an understatement. "Unfinished Business" was slightly disappointing since it was touted as the return of Gabel’s villain, but the actor appeared in the episode for about a minute total (read the full recap here). The real villain of the episode was using The Count as a scapegoat – when he was actually too psychologically damaged from an overdose of his own drug, Vertigo, to have a normal conversation, let alone oversee a massive drug ring. Instead of putting him out of his misery, Oliver Queen left The Count alive at the end of the episode, leaving the door open for him to return.
But how could The Count return as a villain when he was too messed up to do anything besides sit restrained in a chair, mumbling word salad (although, let’s be honest, Gabel made even word salad sound intimidating and full of flair)? We’ve come up with our own theory: Oliver Queen used some herbs he brought back from the island on which he was marooned for five years, and those herbs can counteract most poisons and drugs. We’ve seen these magical herbs cure multiple people from curare (poison)-laced bullets and Vertigo injections, so could a massive amount possibly cure The Count’s damage from a Vertigo overdose? Maybe the herbs could help retroactively heal the mental and physical scarring with which he’s currently living.
No matter what story the showrunners come up with to bring Gabel back (and it will doubt be a million times better than our theory), we're sure it's going to be compelling, intense, clever, and an all-around great piece of television — just as long as he gets more screen time!
Reporting by Leanne Aguilera.
Follow @SydneyBucksbaum on Twitter
[Photo Credit: Cate Cameron/The CW]
From Our PartnersSee 'Game of Thrones' as 'Mad Men' (Vulture)Hayden Panetierre Bikinis in Miami (Celebuzz)
The Writers Guild of America, west and East announced nominations for outstanding achievement in writing for the screen, television and radio during the 2003 season.
Nominees in the original category went to independent art-house films, including Gurinder Chadha, Paul Mayeda Berges and Guljit Bindra for Fox Searchlight's Bend It Like Beckham; Steven Knight for Miramax's Dirty Pretty Things; and Tom McCarthy for Miramax's The Station Agent.
Nominees for the adapted category went mostly high-profile releases, including Anthony Minghella for Miramax's Cold Mountain; Frances Walsh & Philippa Boyens & Peter Jackson for New Line's The Lord of the Rings: The Return of the King; and Gary Ross for Universal's Seabiscuit.
WGA noms are closely tracked as an indicator of Academy Awards sentiment. Guild winners in the original screenplay category have matched Oscar choices in 11 years over the past 21 while the WGA adapted screenplay award has matched with the Oscar winner in 14 years during the same period.
The films eligible for Writers Guild Awards were released in the year 2003 under the jurisdiction of Writers Guild of America, East and west and affiliate guilds in Australia, Canada, French Canada, Great Britain, Ireland, and New Zealand.
In television, the nominated scripts were originally broadcast between December 1, 2002, and November 30, 2003.
The winners will be announced Saturday, February 21, 2004, at the 56th Annual Writers Guild Awards ceremonies on both coasts.
The Writers Guild of America, west ceremonies will be held in Los Angeles at the Century Plaza Hotel, and the Writers Guild of America, East ceremonies will be held in New York at The Pierre Hotel.
BEND IT LIKE BECKHAM, Written by Gurinder Chadha and Paul Mayeda Berges and Guljit Bindra, Fox Searchlight Pictures
DIRTY PRETTY THINGS, Written by Steven Knight, Miramax Films
IN AMERICA, Written by Jim Sheridan & Naomi Sheridan & Kirsten Sheridan, Fox Searchlight Pictures
LOST IN TRANSLATION, Written by Sofia Coppola, Focus Features
THE STATION AGENT, Written by Tom McCarthy, Miramax Films
AMERICAN SPLENDOR, Written by Robert Pulcini & Shari Springer Berman, Based on the Comic Book Series by Harvey Pekar and the Novel by Harvey Pekar and Joyce Brabner, HBO Films/Fine Line Features
COLD MOUNTAIN, Screenplay by Anthony Minghella, Based on the Novel by Charles Frazier, Miramax Films
THE LORD OF THE RINGS: THE RETURN OF THE KING, Screenplay by Fran Walsh & Philippa Boyens & Peter Jackson, Based on the Novel by J.R.R. Tolkien, New Line Cinema
MYSTIC RIVER, Screenplay by Brian Helgeland, Based on the Novel by Dennis Lehane, Warner Bros. Pictures
SEABISCUIT, Screenplay by Gary Ross, Based on the Book by Laura Hillenbrand, Universal Pictures
Episodic Drama --any length--one airing time
"ABOMINATION (Law & Order: SVU), Written by Michele Fazekas & Tara Butters; NBC
"BOUNTY (Law & Order), Written by Michael S. Chernuchin; NBC
"DISASTER RELIEF (The West Wing), Teleplay by Alexa Junge, Story by Alexa Junge & Lauren Schmidt; NBC
"LOSS (Law & Order: SVU), Written by Michele Fazekas & Tara Butters; NBC
"PILOT (The O.C.), Written by Josh Schwartz; Fox
"7:00 P.M. -- 8:00 P.M. (24), Written by Evan Katz; Fox
Episodic Comedy--any length--one airing time
"DAY CARE" (Malcolm in the Middle), Written by Gary Murphy & Neil Thompson; Fox
"MALCOLM FILMS REESE" (Malcolm in the Middle), Written by Dan Kopelman; Fox
"NO SEX, PLEASE, WE'RE SKITTISH" (Frasier), Written by Bob Daily; NBC
"A WOMAN'S RIGHT TO SHOES" (Sex and the City), Written by Jenny Bicks; HBO
Original Long Form--over one hour--one or two parts, one or two airing times
AND STARRING PANCHO VILLA AS HIMSELF, Written by Larry Gelbart; HBO
Episode 1, "BEYOND THE SKY" and Episode 2, "JACOB AND JESSE" (Taken), Written by Leslie Bohem; USA
CAESAR, Written by Peter Pruce and Craig Warner; TNT
WILDER DAYS, Written by Jeff Stockwell; TNT
Adapted Long Form--over one hour--one or two parts, one or two airing times
NORMAL, Teleplay by Jane Anderson, Based on the play Looking for Normal by Jane Anderson; HBO
OUT OF THE ASHES, Teleplay by Anne Meredith, Based on the book I Was a Doctor in Auschwitz by Dr. Gisella Perl; Showtime
RUDY: THE RUDY GIULIANI STORY, Written by Stanley Weiser, Based on the book Rudy! by Wayne Barrett; USA
THE STRANGER BESIDE ME, Teleplay by Matthew McDuffie and Matthew Tabak, Based on the book by Ann Rule; USA
Animation--any length--one airing time
"THE DAD WHO KNEW TOO LITTLE" (The Simpsons), Written by Matt Selman; Fox
"MOE BABY BLUES" (The Simpsons), Written by J. Stewart Burns; Fox
MY MOTHER THE CARJACKER" (The Simpsons), Written by Michael Price; Fox
"REBORN TO BE WILD" (King of the Hill), Written by Tony Gama-Lobo & Rebecca May; Fox
"RESCUE JET FUSION" (The Adventures of Jimmy Neutron, Boy Genius), Written by Steven Banks; Nickelodeon
"THE STING" (Futurama), Written by Patric M. Verrone; Fox
Comedy/Variety--Music, Awards, Tributes -- Specials -- any length
THE KENNEDY CENTER HONORS, Written by George Stevens, Jr., Sara Lukinson and David Leaf; CBS
THE 75TH ANNUAL ACADEMY AWARDS, Written by Hal Kanter, Rita Cash, Buz Kohan, Special Material Written by Steve Martin, Beth Armogida, Dave Barry, Dave Boone, Andy Breckman, Jon Macks, Rita Rudner, Bruce Vilanch; ABC
Comedy/Variety--(including talk) Series
LATE NIGHT WITH CONAN O'BRIEN, Written by Mike Sweeney, Chris Albers, Jose Arroyo, Andy Blitz, Kevin Dorff, Jonathan Glaser, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Andrew Secunda, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg; NBC
MAD TV, Writing supervised by Scott King, Written by Dick Blasucci, Lauren Dombrowski, Bryan Adams, Bruce McCoy, Michael Hitchcock, Steven Cragg, Chris Cluess, John Crane, Jennifer Joyce, Tami Sagher, David Salzman, Richard Talarico, Jim Wise, Kal Clarke, Sultan Pepper, Bill Kelley, Maiya Williams, Dino Stamatopoulos, Rick Najera, Brooks McBeth, Jason Kordelos, Michael McDonald, Stephnie Weir; FOX
PENN & TELLER: BULLSHIT!, Written by Penn Jillette, Teller, David Wechter, John McLaughlin; Showtime
REAL TIME WITH BILL MAHER, Written by Billy Martin, Scott Carter, David Feldman, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Bill Maher, Ned Rice, Paul F. Tompkins; HBO
ALL MY CHILDREN, Written by Agnes Nixon, Megan McTavish, Gordon Rayfield, Anna Theresa Cascio, Frederick Johnson, Jeff Beldner, Janet Iacobuzio, Lisa Connor, Addie Walsh, Victor Miller, Mimi Leahey, Bettina F. Bradbury, John PiRoman, Karen Lewis, Amanda Robb, Rebecca Taylor, Christina Covino, David A. Levinson; ABC
ONE LIFE TO LIVE, Written by Josh Griffith, Michael Malone, Shelly Altman, Lorraine Broderick, Richard Backus, Ron Carlivati, Anna Theresa Cascio, David Colson, Leslie Nipkow, Michelle Poteet Lisanti, Becky Cole, James Fryman, Katherine Schock, Ginger Redmon, Daniel Griffin; ABC
"DON'T LOOK BACK" (Out There), Written by Willie Reale and Mark Palmer; PBS
FULL COURT MIRACLE, Written by Joel Silverman and Joel Kauffmann & Donald C. Yost; Disney Channel
I WAS A TEENAGE FAUST, Written by Thom Eberhardt; Showtime
THE MALDONADO MIRACLE, Teleplay by Paul W. Cooper, Based upon the novel "The Maldonado Miracle" by Theodore Taylor; Showtime
Documentary - Current Events
"TRUTH, WAR AND CONSEQUENCES" (Frontline), Written by Martin Smith; PBS
"THE WAR BEHIND CLOSED DOORS" (Frontline), Written by Michael J. Kirk; PBS
Documentary - Other Than Current Events
BECOMING AMERICAN: THE CHINESE EXPERIENCE--BETWEEN TWO WORLDS (PART 2), Written by Thomas Lennon & Mi Ling Tsui and Bill Moyers; PBS
"CYBER WAR!" (Frontline), Written by Michael J. Kirk; PBS
"THE ELEGANT UNIVERSE: THE STRING'S THE THING" (Nova), Written by Joseph McMaster; PBS
"THE ELEGANT UNIVERSE: WELCOME TO THE 11TH DIMENSION" (Nova), Written by Julia Cort & Joseph McMaster, PBS
"THE MURDER OF EMMETT TILL" (The American Experience), Written by Marcia Smith, PBS
"SEABISCUIT" (The American Experience), Written by Michelle Ferrari; PBS
News - Regularly Scheduled, Bulletin or Breaking Report
"PASSING OF MUSIC LEGENDS" (CBS News Sunday Morning), Written by Robert Mank;
"CBS SHOWDOWN WITH SADDAM" (CBS News), Written by John Craig Wilson; CBS
News - Analysis, Feature, or Commentary
"BAPTISM BY FIRE" (60 Minutes), Written by Barbara Dury & Morley Safer; CBS
"WALL STREET" (NOW with Bill Moyers), Written by Michael Winship & Bill Moyers; PBS
AUTISM: SHADES OF GRAY, Written by Julia Kathan; ABC News Radio
AFTERNOON DRIVE, Written by Bill Spadaro; 1010 WINS Radio
WORLD NEWS THIS WEEK, Written by Stuart H. Chamberlain, Jr.; ABC News Radio
News--Analysis, Feature or Commentary
REMEMBERING ED BLISS, Written by Mike Silverstein; ABC News Radio
THE ROAD TO LAUGHTER: A TRIBUTE TO BOB HOPE, Written by Steven Gosset; CBS Radio Network
On-Air Promotion (Radio or Television)
BUFFY/ENTERPRISE, Written by Eric Jacobson; CBS/UPN