It’s been said that lightning doesn’t strike twice. But how have the following actresses been able to star on more than two successful shows? With so many actresses cursed to star on failed TV shows, these actresses all seem to have the golden touch to make a series last. They have all been series regulars on television shows that have taken off and lasted insanely long ... in some cases unnecessarily long.
Thorne-Smith has bright blue eyes, a slightly raspy voice, and a general likable folksiness. She starred in Melrose Place from day one. Despite initial bumps in the road, the series went on to last seven seasons partly because of her on-again/off-again relationship with Andrew Shue (who was never heard from again). Ally McBeal became a huge must-see series with the insane antics of an off-beat law firm. It lasted five seasons and launched the careers of Calista Flockhart, Lucy Liu, Jane Krakowski, and Portia de Rossi. Then despite all sense of rhyme or reason, According to Jim managed to last eight seasons.
Garth managed to do the impossible. She was on both a series and its reboot and both did extremely well. She was on the wildly successful Beverly Hills 90210 and managed to star on the show for a startling ten seasons. When the series was rebooted, she was the anchor to tie the new series, 90210, to the original. She didn’t stay on the series, but it did go on to last a respectable five seasons. This is a great achievement considering the number of television channels grew exponentially since the original series hit the airwaves. She also played Amanda Bynes’ older sister for the five season run of What I Like About You.
Malick has the perfect blend of beauty, brains, and comedic genius that it’s no wonder she can help keep a series on the air. She has done a million guest spots but has helped more than a few series find their groove. She starred on HBO’s T&A comedy Dream On with Brian Benben. It lasted six seasons, which is a lot for a series on premium cable in the early '90s. She then starred in the eight seasons of NBC’s Just Shoot Me. Now, she’s currently lending her magic to Hot in Cleveland, already in its fifth season.
Holly Marie Combs
Did someone say magic? Combs is best be remembered for playing Piper, a witch that could freeze time on Charmed for eight seasons. The series held the record for the longest running series with an all-female cast until it was eclipsed by Desperate Housewives. Combs started her career playing Kimberly Brock on the David E. Kelly series Picket Fences, which lasted a respectable four seasons. She is currently starring on Pretty Little Liars. It has five seasons under its belt and shows no sign of ending anytime soon.
Cuoco is plucky, pretty, and a great addition to any television show. Cuoco starred on 8 Simple Rules which survived a notable name change and the loss of comedic genius John Ritter, and lasted a respectable three seasons. She also joined the cast for the final season of Charmed without causing a jump the shark situation. She has done voice-over work on shows like Brandy & Mr. Whiskers and 6Teen which have lasted more than one season. Most notably, she is starring on The Big Bang Theory. It’s in its seventh season and still going strong.
Sagal is the definitive actress with the magic touch. She has managed the impossible more than once. She starred in Married With Children which helped launch the Fox network. She starred on 8 Simple Rules with Cuoco, and helped the series survive. She lent her lovely voice to Futurama as the voice of one-eyed beauty Turanga Leela. The sci-fi animated series went on to last seven seasons, four movies, and multiple cancellations. She’s currently flexing her dramatic muscle in FX’s dark biker drama, Sons of Anarchy as matriarch Gemma Morrow. Not only is she great at playing a mother, she’s great at being a mother to a successful series.
The Aussie actress, who was born Amanda Lee Rogers, adopted the name Portia de Rossi when she first became a model - years before arriving in Hollywood.
A Los Angeles judge granted the actress official permission to change her name in court on Thursday (23Sep10).
She'll now be known as Portia Lee James DeGeneres.
The actress married comedienne-turned-TV personality Ellen DeGeneres in 2008.
The Australian actress, who was born Amanda Lee Rogers, has signed a deal to publish her memoirs which will detail her early years as she came to terms with her sexual orientation, and her public 'outing' while she was starring in hit sitcom Ally McBeal.
The 37 year old has previously admitted keeping her sexuality secret from her co-workers until pictures of the star with her ex-girlfriend, singer Francesca Gregorini, emerged in the press.
The book will also chronicle De Rossi's long battle with eating disorders.
She tells The Advocate magazine, "I'm writing a book. It'll be published in the fall, so... I have to be done with it before then. It will deal with all the secrets that nearly killed me. Nobody can really get inside the anorexic's mind like the anorexic."
And De Rossi admits DeGeneres, who she married in 2008, encouraged her to put pen to paper.
She adds, "My mother thought I would be a writer. When I started writing little notes to Ellen, she said, 'You should be a writer.' Which is very encouraging and very sweet."
As a legendary Coast Guard Rescue Swimmer Ben Randall (Kevin Costner) was all heart and no regret. But it all comes undone in the span of one night when he goes out to the menacing seas with his crew to make a rescue and he is the sole survivor. Following that fateful night he’s ordered to teach at “A” School--a demotion for a man of his stature and seniority--an elite training program that helps turn the best recruits into the best Rescue Swimmers. Randall teaches the cocky students the only way he knows how and his tough tough love is initially met with skepticism by his fellow trainers who think of him as a has-been. But one student in particular Jake Fischer (Ashton Kutcher) catches his eye and draws his ire. Fischer is cocky hotheaded and highly skilled--just the right pedigree to make a great Rescue Swimmer and a lot like Randall was at his age. Randall rides him extra-hard while Fischer only hopes to one day be in the same boat as his mentor. Be careful what you wish for Jake! Costner's always been an acquired taste--sometimes a downright noxious one on first bite--but there's no denying he slides right in here. Roles that feature him as the aging provider of wisdom are now his true calling and the sooner he accepts it the better. And even still Costner gets to flex his action muscle a bit. As for Kutcher the only thing he shares in common with Costner is the last two letters of his last name--as actors these guys are each other’s antitheses! And in a weird way they strike a nice chemistry because of it one that is borderline exciting to watch. As a standalone actor in The Guardian Kutcher is a bit misplaced and seems to know it. He nails the physicality of the role but while the character's attitude and brashness befit Kutcher the peak dramatic scenes with Costner leave something to be desired. A pleasantly surprising turn from relative unknown Melissa Sagemiller (The Clearing) as Kutcher's girl toy and reliable supporting performances from Sela Ward and Neal McDonough round out the cast. Director Andrew Davis' proximity to his career peak The Fugitive cannot be measured in time: He's a lot further away from the mega-hit than a mere 13 years. But in Hollywood if you have a Fugitive under your belt you'll never run out of chances to replicate it. That's the current juncture for Davis--one last shot at Fugitive glory...till his next last shot. It's hard to say what The Guardian will do at the box office but Davis' stodgy direction doesn't necessarily help its chances. The movie can be boiled down to awful pacing: the first and last 15 minutes are high-octane action and everything in between is low-octane Top Gun (the non-action scenes!). That blame belongs to Davis and writer Ron L. Brinkerhoff. But only Davis can shoulder the other flaws such as a single scene of dubious camerawork--filmed to look like handheld-montage style completely deviating from the movie's context--and the special effects during the somewhat cheesy action sequences which may remind you of a theme-park tour during which you learn how they filmed a boat scene...in the '80s!
In this film based on the Newbery Award-winning children's book by Kate DiCamillo Opal (AnnaSophia Robb) is a lonely 10-year-old girl who has moved to a sluggish small town in Florida with her preacher father (Jeff Daniels). She has a tough time getting through to her dad: when he is not preaching the gospel he walks around in a haze haunted by the departure of Opal's mother many years before. But when Opal adopts Winn-Dixie named after the supermarket where she found the mutt things start to brighten up for the little girl. With her special companion by her side Opal ends up meeting some pretty interesting people in the town. They include Miss Franny (Eva Marie Saint) the local spinster librarian who spins great stories; Otis (Dave Matthews) the shy drifter working at Gertrude's Pet Shop; and Gloria (Cicely Tyson) an old blind lady living with ghosts from her past. Through Opal's sunny disposition and Winn-Dixie doggone tenaciousness they help the town find their joy and their sorrow. And at the same time they mend Opal's troubled relationship with her father. Collectively now awwww!
All the players fit snugly in this warmhearted movie especially the talented young Robb who makes her feature film debut in Winn-Dixie. It's imperative to cast an adorable child and Robb doesn't disappoint keeping things genuinely fresh with the big eyes infectious smile and Rebecca of Sunnybrook Farm charm. Daniels too doesn't overplay it as the wounded preacher--aptly described by Opal as a turtle--who rarely sticks his head out of his shell. Veterans Eva Marie Saint and Cicely Tyson do what they can with their stereotypical parts as the kindly spinster storyteller and kindly old wise woman respectively. But it's singer-turned-actor Dave Matthews who stands out as the drifter with a troubled past but can "sing most anything " even charming the animals in the pet shop á la the Pied Piper. His poignant performance is up there in the sentiment department.
Here we go with the children and the animals again. Wayne Wang (Maid in Manhattan The Joy Luck Club) is the latest director to take a stab at guiding those most unpredictable of actors. As he explains "Sometimes the going is slow. But then suddenly something magical happens that you couldn't possibly have planned or anticipated." It's true. There are definite moments of inspired sweetness especially between Opal and Winn-Dixie played by a Picardy Shepherd a rare breed of dog from France that has the look of a big old lovable mutt. And of course you can't go too wrong using heart-tugging material based on a beloved children's novel on par with Where the Red Fern Grows and Rebecca of Sunnybrook Farm. That's also Because of Winn-Dixie main problem. Fans of the book will certainly love the film but overall it doesn't really offer anything new in this genre. It's the same general premise about the kid and a dog--or a horse a deer whichever animal works best--who can change the lives of those around them just from being pure of heart. Maybe it's the curmudgeon in me but Winn-Dixie just doesn't stand out among the plethora of films similar to it.
Based on the life of New York City police detective Vincent LaMarca City by the Sea vacillates between a true-crime mystery and a family drama. As Vincent (De Niro) investigates the murder of a Long Beach N.Y. drug dealer it becomes painfully clear that his estranged son junkie Joey (James Franco) known on the street as Joey Nova is the prime suspect. Vincent is of course taken off the case but when his partner is killed while pursuing Joey the search becomes the Long Beach police department's top priority--and saving his son from a police department eager for cop-killer blood becomes Vincent's. The fact that Vincent discovers that he has a grandson Angelo doesn't help the situation especially when Joey's supposedly clean ex-junkie girlfriend (Eliza Dushku) leaves the kid at Vincent's apartment when she goes to buy cigarettes and fails to return. Vincent who's always defined himself against his criminal father finds himself forced to decide whether he's a cop or a father and grandfather first a quandary that naturally leads to some pretty compelling if slightly melodramatic scenes for De Niro. Interestingly despite the somber subject matter and the dramatic tone the film still manages a few lighthearted moments which really save it from the pitfalls of its own seriousness.
Sometimes a great cast can make even a mediocre film good and that's what happens in City by the Sea. Even though the dialogue they're given to work with isn't always completely natural--in fact sometimes it's downright contrived--the cast still manages to create a compelling final product. You just can't go wrong with De Niro as a hardened streetwise emotionally distant cop and he makes everyone opposite him look great especially relative newcomer Franco (whose performance as a young James Dean in TNT's James Dean earned him some critical kudos of his own). The young actor swaggers onto the scene like a very young Bob Dylan a hollow-body vintage guitar slung across his back. Of course he's selling it for drugs not heading for a gig. Patti LuPone really sinks her teeth--and catty claws--into her role as LaMarca's bitter ex-wife creating some of the film's most dynamic scenes while Frances McDormand lends her subtly expressive style to the most emotional moments as De Niro's sometime girlfriend Michelle.
Director Michael Caton-Jones delves into the dark side of his imagination with images of a desolate Long Beach: graffiti-covered walls crumbling casinos and a rickety boardwalk--all the detritus of a once-thriving tourist destination. In this grim setting Joey wanders virtually empty streets and beaches where as a child he played happily; meanwhile in Manhattan Vincent is wandering his streets in much the same way. It's an interesting device Caton-Jones uses to show the similarities between the two men and it's as effective at establishing their relationship as the relatively few scenes they have together. At moments like this when the film is making its emotional impact visually it shines; unfortunately City by the Sea relies a little too often on its average dialogue and does a little too much telling and not enough showing.