Much like its Greek mythological source material Wrath of the Titans is light on dramatic characterization sticking to blunt moral lessons and fantastical battles to tell its epic tale. That's perfectly acceptable for its 100 minute run time in which director Jonathan Liebesman (Battle: Los Angeles) unleashes an eclectic hoard of monsters upon his gruff demigod hero Perseus. The creature design is jagged gnarly and exaggerated not unlike a twelve-year-old's sugar high-induced crayon creations — which is perfect as Wrath is tailor made to entertain and enamor that slice of the population.
Clash of the Titans star Sam Worthington once again slips on the sandals to take on a not-quite-based-on-a-myth adventure a mission that pits Perseus against the greatest force in the universe: Kronos formally-incarcerated father of the Gods. A few years after his last adventure Perseus is grieving for his deceased wife and caring for their lone son but a visit from Zeus (Liam Neeson) alerts the warrior to a task even more urgent than his current seabass fishing gig. Irked that the whole Kraken thing didn't work out Hades (Ralph Fiennes) with the help of Zeus' disaffected son Ares (Edgar Ramirez) is preparing to unleash Kronos — and only Perseus has the required machismo to stop him. But Perseus enjoys the simple life and brushes off Zeus forcing the head deity to take matters into his own hands…just as Hades and Ares planned. The diabolical duo capture Zeus and having no one else to turn to Perseus proceeds into battle.
The actual reasoning for all the goings on in Wrath of the Titans tend to drift into the mystical realm of convolution but the ensemble and Liebesman's visual visceral directing techniques keep the messy script speeding along. As soon as one starts wondering why Perseus would ever need to hook up with battle-ready Andromeda (Rosamund Pike) or Poseiden's navigator son Agenor (Toby Kebbell) Liebesman and writers Dan Mazeu and David Johnson throw in another bombastic set piece another three-headed four-armed 10 000-fanged monstrosity on screen. Perseus' journey pits him against a fire-breathing Chimera a set of Cyclopses a shifting labyrinth (complete with Minotaur) and all the dangers that come with Hell itself. The sequences have all the suspense of an action figure sandbox brawl but on a towering IMAX screen they're geeky fun. If only the filler material was a bit more logical and interesting the final product would be the slightest bit memorable.
Liebesman reaps the best performances he possibly can from Wrath's silly formula Worthington again proves himself a charismatic underrated leading man. As the main trio of Gods Neeson Fiennes and Ramirez completely acknowledge how goofy shooting lightning bolts out of their hands must look on screen but they own it with campy fun tones. But the film's overwhelming CG spectacle suffocates the glimmer of great acting opting for slice-and-dice battle scenes over ridiculous (and fun) epic speak nonsense. If a movie has Liam Neeson as the top God it shouldn't chain him up in molten lava shackles for a majority of the time.
Wrath of the Titans is a non-offensive superhero movie treatment of classic heroes that feels more like an exercise in 3D monster modeling than filmmaking. Its 3D makeover never helps the creatures or Perseus pop turning Wrath into an even muddier affair than the single-planed alternative (although unlike Clash of the Titans you won't have 3D shaky-cam blur burned directly into your retinas). The movie reaches for that child sense of wonderment but instead cranks out a picture that may not even hold a child's attention.
Colombian folk singer Carlos Vives topped the Latin Grammy nominations with six nods Wednesday, including album, record and song of the year.
Vives, who also won a Grammy this year for best traditional tropical Latin album, performs in the style of Vallenato, the traditional music of Colombia's northern plains, which is known for its simple lyrics about village life, The Associated Press reports.
"Me and my people are very happy," Vives told AP through a translator. "This shows that traditional music and rhythms that come from the heart can have appeal no matter the language."
The third annual Latin Grammys ceremony will take place Sept. 18 at the new Kodak Theatre in Hollywood, airing live on CBS.
Here is a list of nominations in some of the top categories:
Record of the Year
La Negra Tiene Tumbao, Celia Cruz; Sergio George, producer; Jon Fausty, engineer/mixer
Mentira, La Ley; Humberto Gatica and Kenny O'Brien, producers; Humberto Gatica, Cristian Robles and Eric Schilling, engineers/mixers
Se Me Olvido, Gian Marco; Emilio Estefan Jr. and Archie Pena, producers; Javier Garza, engineer/mixer
Y Solo Se Me Ocurre Amarte, Alejandro Sanz; Humberto Gatica and Kenny O'Brien, producers; Chris Brooke, Humberto Gatica and Eric Schilling, engineers/mixers
Dejame Entrar, Carlos Vives; Andres Castro, Emilio Estefan Jr., Sebastian Krys and Carlos Vives, producers; Javier Garza, engineer/mixer
Album of the Year
Sereno, Miguel Bose; Peter Walsh, producer; Alessandro Benedetti and Peter Walsh, engineers/mixers
La Negra Tiene Tumbao, Celia Cruz; Sergio George, Isidro Infante and Johnny Pacheco, producers; Mario deJesus and Jon Fausty, engineers/mixers
Jobiniando, Ivan Lins; Roberto Menescal, producer; Guilherme Reis, engineer/mixer
MTV Unplugged, Alejandro Sanz; Humberto Gatica and Kenny O'Brien, producers; Humberto Gatica, engineer/mixer
Dejame Entrar, Carlos Vives; Andres Castro, Emilio Estefan Jr., Sebastian Krys and Carlos Vives, producers; Javier Garza and Sebastian Krys, engineers/mixers
Song of the Year
A Dios Le Pido, Juanes; Juanes, songwriter
Dejame Entrar, Carlos Vives; Andres Castro, Martin Madera and Carlos Vives, songwriters
La Negra Tiene Tumbao, Celia Cruz; Sergio George and Fernando Osorio, songwriters
Morenamia, Miguel Bose; Miguel Bose, Lanfranco Ferrario and Massimo Grilli, songwriters
Y Solo Se Me Ocurre Amarte, Alejandro Sanz; Alejandro Sanz, songwriter
Best New Artist
Best Female Pop Vocal Album
Peces De Ciudad, Ana Belen
Secreta Intimidad, Cecilia Echenique
Vuela, Monica Molina
Viaje Infinito, Nicole
Muchas Flores, Rosario
Best Male Pop Vocal Album
Sereno, Miguel Bose
Sea, Jorge Drexler
Lerner Vivo, Alejandro Lerner
A Tiempo, Gian Marco
Mas De Mi Alma, Marco Antonio Solis
Producer Of The Year
Geronimo Labrada Jr., X Alfonso
Ana Lourdes Martinez Nodarse