Cranky Steely Dan star Donald Fagen has blasted Bob Dylan and his Dukes of September tourmates Michael Mcdonald and Boz Scaggs in a new Rolling Stone magazine article. The 65-year-old rocker reveals he has walked out of several Dylan shows because he finds the folk-rock icon "tedious" and admits he took "certain pharmaceuticals" to help him relieve the boredom of touring with Scaggs and McDonald.
Of Dylan, Fagen says, "He has about a dozen minor-key-drone tunes with three chords. I find it very tedious. He actually has songs that are more boring than some early Appalachian songs. It's amazing.
"He has songs with 512 verses and almost no melody. I think a psychiatrist would be more useful than a throat doctor at this point."
And Fagen also opens up about his experiences on tour with supergroup The Dukes of September Rhythm Revue, which he formed with McDonald and Scaggs in 2010.
He adds, "I was miserable... I kept wondering what I was doing out there. But I have certain pharmaceuticals that are legally prescribed that help my various mental and physical problems... Also the mood disorders that go along with touring give you a certain amount of energy."
Hard rock guitarist Ronnie Montrose's death has been ruled a suicide by the San Mateo County coroner. The 64-year-old rocker died last month of a self-inflicted gunshot wound — and was found in his home in Brisbane. The autopsy report stated that Montrose had been intoxicated at the time of his death. He had a .31-percent blood-alcohol ration — that's four times the legal limit in the states.
While Montrose's wife claimed that he had a suffered from depression throughout his life, the guitarist didn't leave a suicide note. He had also been battling prostate cancer, but reportedly went into remission in 2009.
Montrose was born in San Francisco. He formed his own band, Montrose, in 1973 — and did work with the likes of Sammy Hagar, Van Morrison, Boz Scaggs, Gary Wright, Tony Williams, and The Neville Brothers. Some of Montrose's most recognized singles include "Rock the Nation" and "I Got the Fire."
"By now, the devastating truth of Ronnie's death is public knowledge," Montrose's official website posted in a statement. "We hope you can understand why we wanted to keep this news a private family matter for as long as possible."
[San Francisco Chronicle, [Tim Mosenfelder/Getty Images]
S3E14: There is a certain well that Modern Family goes to a bit too often: pettiness. Mitchell/Cameron stories are the most frequent culprit of this, with Jay/Gloria stories not too far behind. Episodes with plots of this nature as the focus are generally my least favorite—instead of two of the family members pit against each other for childish reasons, I’d prefer to see them working together towards a common goal, working against a common enemy, or enrapt in something legitimately emotionally trying.
This week’s episode of Modern Family does have a petty story, but I am far less bothered by it than I usually am for two reasons. First: it pits Cameron against Gloria—a combination that is fresh (and comically extravagant on both ends). This is also a plus because whereas childish fights between Mitchell and Cam or Jay and Gloria might incite thoughts that these romantic relationships are unhealthy and unpleasant, the Cam/Gloria pairing is obviously exempt from those thoughts. Second: this storyline is pushed from the foreground by the more prominent Phil/Claire and Mitchell/Jay stories, both of which are far more interesting and funny.
“It’s a progressive culture. Most of them travel by zip-line.” – Phil
Phil invites a potential new business associate, a jet-setting man of the world named Tad (Greg Kinnear), to dinner in order to woo him into a professional relationship. While Phil is too enamored by Tad, and too enveloped in his moneymaking strategy to notice, the houseguest crosses a line with Claire: before leaving, he gives her a lingering kiss on the lips. Oblivious Phil writes Claire’s discomfort off as her trying to get attention or boost her own ego—Phil tries to rectify what he believes is Claire’s low self-esteem with a hilariously backhanded compliment: “The other night, when you put on makeup, I was like, ‘There she is!’” But this, obviously, only makes Claire angrier.
And angrier still when Phil maintains his naïveté after Tad swings by the house to help Claire fix their broken dinner table—sans shirt and again with the kissing. Upon Tad’s invitation, the Dunphys dine at his house that night, with Phil eager to solidify this partnership. When they arrive, real estate agent Phil’s eyes become glued to the architecture of Tad’s glamorous home, so he misses a string of similarly passionate kisses that Tad doles out to his children and their elderly nanny. Claire realizes here that Tad was not, in fact, putting the moves on her, and is just a strangely affectionate kisser. Thus, she lets her guard down.
But another problem arises quickly: Tad tells Phil and a newly relaxed Claire a monkey-related story about his travails through exotic locations, which makes her laugh hysterically. Phil’s demeanor immediately changes, and he grabs his wife and leaves Tad’s house for home. Phil admits in a talking head that no one but him is allowed to make Claire laugh like that. Throughout the episode, Claire takes issue with Phil’s lack of jealousy, or even concern, with the situation. She is thrilled to realize how jealous he is over Tad making her laugh. It’s a sweet thing, really. It’s not just about Phil wanting to be the funniest man in the room. It’s about him wanting to be the funniest man in the room to Claire. Yes, we’ve seen him dote on Gloria and make offhanded comments about his wife’s demeanor (among other things), but we know that Phil is deeply in love with Claire, and it is sweet to have a tangible reminder.
“Booker Bell, I’m Boz Scaggs. No! Jay Pritchett!” – Jay
One of the most complicated and interesting relationships on Modern Family is that between Mitchell and Jay. Mitchell, Cam and Lily are staying with Jay, Gloria and Manny while their home is fumigated, which presents two problems. One exists between Jay and his son. Jay keeps making lawyer jokes, with which Mitchell (always extra sensitive about anything his dad says) takes issue. So tensions are already high when Jay interrupts a business meeting that Mitchell is having with a radio personality named Booker Bell, owner of wetlands property that Mitchell is trying to get him to donate. Jay is a huge fan of Booker and his trademark style of Punk’d-esque prank calls, and barges in to fawn over him excitedly. Mitchell, embarrassed and still angry with his father, shoos him away—not expecting Booker to be insulted by the dismissal of Jay, and disgusted with Mitchell for being an ungrateful son. Mitchell comes to Jay later on to apologize and admit that he was offended by his onslaught of lawyer jokes. Jay, who has been a little more open with his feelings lately—or so it seems—tells Mitchell that he has always been and always will be very proud of him, and means nothing by the jokes. Mitchell goes the extra mile to make it up to his father by ensnaring him as the victim of one of Booker Bell’s prank calls, which Jay loves (once he realizes that he is not actually speaking to a policeman who informs him that his car is stolen and makes racist comments about his Colombian wife). Like I said, I love Jay/Mitchell as a source for good emotional stories. They are both far too repressed to ever really admit that they love each other but feel distant from one another, which is sad, but often funny. This episode is a bit light on the real severity of their tale, but I do love a fawning Jay. “I should tell Manny this story. It might help him out with that train-wreck Danielle.” – Cam
The second problem from the housing situation involves Cam and Gloria. Gloria takes issue with Cam rearranging her kitchen, and Cam takes issue with Gloria spending so much time with Lily: pettiness ensues. While it’s not the best aspect of this week’s episode, there is always value in getting to see two non-Pritchetts interact—not to mention, the two most emotionally explosive members of the family. Cam’s relationship with the Delgados is always interesting. It makes sense that they invest so much into one another, because the characters themselves are such bleeding hearts. The familial connection between Cam and Gloria/Manny is probably the loosest in the family, but their bond is strong because of how open these particular characters are to love and family. On that token, Manny shines this week. Young Manny, the wisest of the family, tries to manipulate Cam and Gloria into forgiving one another through false analogies involving a made-up girl named Danielle. Instead of uniting the family, he turns everyone against the fictional Danielle, which is on its own hilarious. “I’m helping my Little Sister with her homework.” – Haley “That seems mean.” – Alex Although this story takes up no more than a few minutes of the episode, it might be my favorite: at the behest of her parents (after lying about it on her college application), Haley gets involved in the Big Sisters program. To her surprise, she makes a real connection with her Little Sister, which makes Alex extremely jealous and bitter, since Haley never paid her that kind of affection. The two fight about it until a fed-up Luke intervenes, telling them that they’re both bad sisters to one another and to him. What follows is Haley and Alex joining forces (very sweet) to dress up Luke like a girl as they used to when he was younger (not as sweet). Haley and Alex have had some wonderful moments on the show together. This week’s might be swept away too quickly, but their sole mutual interest in tormenting their little brother is authentic and hilarious. What’d you think of this week’s episode? Do you like it when the show mixes up the pairings? Do you think Manny needs to stay away from “bad news” Danielle? Let us know in the comments section, or on Twitter (@MichaelArbeiter).
"This is so much fun that there's the danger that the music will be like what they say about sex: We may be the only ones enjoying it." DOOBIE BROTHERS singer MICHAEL McDONALD fears reforming doo-wop supergroup DUKES OF SEPTEMBER with 1960s and 70s hitmakers BOZ SCAGGS and STEELY DAN's DONALD FAGEN may not be a big hit.