September 27, 2002 10:25am EST
Ben and JoJo Floss' daughter Diana is gunned down only days before her wedding when she accidentally gets in the way of a violent husband-and-wife dispute at a Cape Anne Mass. restaurant. Her fiancé Joe soon becomes a surrogate member of the Floss family and the three cope with their grief in various ways. JoJo attempts to avoid all the attention that is being paid the family and Ben throws himself--and Joe--into a commercial real estate venture that needs big-time developer Mike's support to succeed. Joe meanwhile combs through big bins of undelivered mail with postmaster Bertie in an effort to retrieve the 75 wedding invitations that had been sent. Bertie who in addition to her postal work also helps out in the local bar owned by her missing-in-'Nam-action beau is also grieving and soon she and Ben are a couple. As writer-director Brad Silberling's gentle drama unfolds it becomes clear that the film is a "hundred-whys" effort. For a start why is the film titled Moonlight Mile a lesser-known Rolling Stones song? It's never explained. And why does the film take place in 1973 when only the film's rollicking soundtrack and a passing reference to the Vietnam War evoke the era? These questions--and the many many other whys in Moonlight Mile--remain unanswered resulting in a film that falls as flat as a bad souffle.
The actors in Moonlight Mile for example are among the choicest of ingredients--three Oscar winners a promising newcomer and an almost legendary comic talent. So why is young Jake Gyllenhaal so bland as the sweet hero-fiancé Joe so opaque and passive suggesting nothing of a background education or professional aspirations? Why did talented Oscar winners Dustin Hoffman and Susan Sarandon agree to star as the parents except for the fact that each actor is given the chance to sink his or her teeth into an 11th hour set piece? Why do Oscar winner Holly Hunter (as the tough prosecuting attorney Mona who warns Joe Ben and JoJo that there's a good chance the perpetrator will get off lightly) and comic virtuoso Dabney Coleman (as gruff real estate developer Mike) squander their talents?
Part of the answer to all the whys Moonlight Mile raises can be found in Silberling's direction. He clearly knows the ingredients Hollywood seems to want these days: nice recognizable characters in emotionally wrenching situations; some resonance of a bygone period; a soundtrack that will help with the marketing; big-name leads and a compelling young star; a dash of unpredictability and feel-good ending. But as Silberling mixes up this all-too-familiar recipe his strokes create a thin watery batter that just refuses to rise above cliché. As a writer he knows the rules but he skirts wit irony humor and convincing raw emotion in favor of the formula raising more questions than he answers.
Randolph Smiley (Robin Williams) is on top of his game--he's the eponymous star of the highest rated kid's TV show Rainbow Randolph has his own Times Square billboard and makes lots of money. Until that is he gets caught taking bribes from stage parents. Suddenly he becomes the social pariah of the millennium and of course gets canned. Losing Rainbow Randolph however leaves the network in a bind. Now they have to find a squeaky-clean replacement pronto. Enter Sheldon Mopes (Edward Norton) and his alter-ego Smoochy an abnormally large fuschia rhino who sings children's songs about kicking drug habits and stepdads who aren't mean but simply adjusting. With his naivete unwavering ethics and unflagging ambition to make the world a better place he becomes the new number one show. Sheldon soon learns however how cutthroat children's entertainment can be as the powers that be try to corrupt his ideals. Meanwhile a homeless Randolph makes it his number-one priority to destroy the bastard who stole his life. Who's going to get Smoochy first the corrupt businessmen or crazy Rainbow Randy? Stay tuned...
When you hear the Smoochy cast list--Williams Danny DeVito Jon Stewart Catherine Keener--you automatically think mondo laughs. Added to the list is Norton who may not be known for his comedic talents but certainly adds credibility to the movie especially given that he rarely picks bad scripts. Luckily no one disappoints. Norton plays the straight guy with aplomb and shines brilliantly when singing his sappy yet lesson-filled songs. Keener whom we haven't seen since her Oscar-nominated turn in Being John Malkovich is also a standout as the jaded development VP who falls for Sheldon's sweet manner. She has an uncanny way of delivering lines that bite to the bone. And then there's Williams--as always he has extraordinary moments of sheer hilarity in the film. This isn't one of those films where the comedian has to attempt to act or simply be reined in by the director (as some have done) to give a good performance. Director DeVito (who also plays the greedy agent) is wise enough to simply turn the camera on the comedian and let him go. Just wish we could have seen more of him.
Ever wonder what it would be like to kill Barney? We're betting DeVito thought about it quite often--and things never turn out good for that purple dinosaur. The premise of Smoochy is one of the funnier ones in recent memory and seems to follow the dark comedic path DeVito has chosen in his other directorial efforts including War of the Roses and Throw Momma From the Train. Unfortunately Smoochy doesn't quite hold up to its hype (or its trailers) because basically it focuses on the wrong character. It's got some great moments granted especially when Smoochy is on his show. But instead of being about Randy's obsession to do away with his replacement the film chooses to follow Mopes and deal with the dirty business of making a kid's show which appears to involve the Mob (whatever). Smoochy would have been a lot funnier if Randolph could have finally succeeded in his quest instead of getting all sappy.