For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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First Boy Meets World, now Home Improvement?! Everyone's '90s boyfriend, Jonathan Taylor Thomas (you probably remember him better as JTT), is reuniting with his onscreen dad, Tim Allen, on Allen's ABC sitcom Last Man Standing.
According to Entertainment Weekly, Thomas will guest star in a March or April episode as the manager of a high-end restaurant where Allen's daughter, Kristin, applies for a job. He's only scheduled for one episode so far, but judging from the character description, there could be plenty more (assuming Kristin gets the job — or at least starts dating Thomas' character). Thomas is the second HI vet to hit Last Man Standing. Richard Karn, a.k.a. Tim's sidekick Al, guest-starred as an architect earlier in Season 2.
RELATED: 'Girl Meets World' Casts Rowan Blanchard as Cory and Topanga's Daughter
It's not the second-generation Home Improvement series Girl Meets World could've inspired, but since JTT's recent onscreen credits are few and far between, we'll take it. JTT's fellow '90s favorites Ben Savage and Danielle Fishel will reunite as their Boy Meets World characters Cory and Topanga in Disney Channel's new series about their characters' daughter.
Follow Jean on Twitter @hijean
[PHOTO CREDIT: ABC]
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Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
The fighter, dubbed Macho Man, died after losing control of his car in Tampa, Florida in May (11) and smashing it into a tree.
Reports suggested he suffered a heart attack behind the wheel - and this has now been confirmed by the Pinellas County Medical Examiner.
Savage, real name Randall Mario Poffo, was 58 when he died.
His wife Lynn, who was a passenger in the car, escaped with minor injuries.
In news that doesn't really surprise anyone, MGM likes Blu-rays (but seriously, who doesn't like Blu-rays?). The studio just announced that it plans to make eight throwback titles available to consumers on Blu-ray: Three musicals (New York, New York, Hair and The Adventures of Priscilla Queen of the Desert) and five others (Death at a Funeral, The Long Riders, Posse, Vera Cruz and Original Sin). Below is the official synopsis for each:
Fresh off the farm, Claude Bukowski (John Savage) arrives in New York City to join the army, but he’s quickly swept up in the counterculture when a group of hippies introduce him to their psychedelic world…and a beautiful rich girl named Sheila (Beverly D’Angelo). When the group’s leader (Treat Williams) tries to keep Claude out of Vietnam, the consequences are shocking for everyone involved.
The Adventures of Priscilla Queen of the Desert:
They came. They conquered. They looked fabulous! With a contract to perform a drag show way out in the Australian desert, Tick (Weaving), Adam (Pearce) and Bernadette (Stamp) each has his own reason for wanting to leave the safety of Sydney. Christening their battered, pink tour bus “Priscilla,” this wickedly funny and high-drama trio heads for the outback…and into crazy adventures in even crazier outfits. You go, girls!
New York, New York:
Acclaimed director Martin Scorsese teams with Academy Award® winners* Liza Minnelli and Robert De Niro in this splashy, flashy musical spectacle celebrating the glorious days of the Big Band Era in the Big Apple! Jimmy is a joint-jump in saxophonist on his way to stardom. Francine is a wannabe starlet who dreams of singing in the spotlight. When they meet, sparks fly and when he plays and she sings, they set New York on fire! It's the beginning of a stormy relationship, as the two struggle to balance their passions for music and each other under the pressures of big-time show biz.
Death at a Funeral:
As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).
The Long Riders:
Jesse James and his gang of outlaws ride again in this "extraordinary" (LA Herald-Examiner) western that pulsates with hard-driving action and electrifying drama. Four sets of acclaimed actor brothers David, Keith and Robert Carradine, James and Stacy Keach, Dennis and Randy Quaid, and Christopher and Nicholas Guest each depict real-life siblings in emotionally charged portrayals of the Old West's legendary bandits. The notorious James-Younger gang is the most famous group of outlaws in the country, robbing banks, trains and stagecoaches with a sense of daring that makes them folk heroes throughout the land. But when the mighty Pinkerton detective agency swears to track them down, these criminals must face an awesome enemy that will stop at nothing to see them behind bars...or dead! Only through the strength of their loyalty and blood ties can the outlaws hope to survive the brutal pursuits, unexpected betrayals and blistering showdowns that mark the end of their dangerous ride.
Mario Van Peebles (Judgment Day), Billy Zane (Titanic) and Stephen Baldwin (Fled) shake up the frontier in this "fast-paced, star-studded, big brawny western" (Janet Maslin, The New York Times)! Filled with gun-blazing, fist-pounding action and co-starring Big Daddy Kane, Blair Underwood, Tone Loc, Pam Grier, Isaac Hayes, Nipsey Russell, Aaron Neville and more, Posse takes a page missing from the history books - and unfolds it with suspense, humor and awe-inspiring power! In 1892, a group of mostly black infantrymen, betrayed by their white commander, Colonel Graham (Zane), desert the Spanish-American War. With Graham hot on their trail, Jessie Lee (Van Peebles) leads the men to his hometown, Freemanville, only to find it's also besieged by war - a racist war! Lee's attempts to bring justice and freedom to his people make for a brilliant western that's short on words and long on "killer entertainment" (Los Angeles Times)
Legendary screen icons Gary Cooper (High Noon) and Burt Lancaster (Elmer Gantry) team up for a magnificent, action-packed western from director Robert Aldrich (The Dirty Dozen) and screenwriters Roland Kibbee and James R. Webb. With sweeping vistas and larger-than-life heroics, it's a tale as bold and rugged as the characters it so brilliantly depicts. Cooper and Lancaster portray Benjamin Trane and Joe Erin, two daredevil mercenaries who journey to Mexico in search of adventure and cold hard cash during the 1866 revolution. But they get more than they bargained for when the wealthy and beautiful Countess Duvarre (Denise Darcel) hires them to escort her (and a fortune in gold!) to Emperor Maximilian's fighting forces in Vera Cruz. The trail is fraught with danger, betrayal and murder... and when Ben is swept up in the revolutionaries' fervor, he and Joe find themselves at odds with the Mexican Army and each other
Oscar Winner Angelina Jolie and Antonio Banderas sizzle in this smoldering tale of passion, deception and danger. A wealthy Cuban merchant (Banderas) only knows his mysterious bride to be (Jolie) through letters, but when he finally meets and marries her, his life takes a deadly turn. With footage too hot for theaters, director’s commentary and more, this unrated Blu-ray is sinfully satisfying
Source: MGM Pictures
Savage, widely known as Macho Man, was killed in a car crash in Tampa, Florida on Friday morning (20May11) after suffering a heart attack behind the wheel, his brother Lanny Poffo has told TMZ.com. He was 58.
Fighter-turned-actor Dwayne 'The Rock' Johnson led the tributes to the wrestling icon soon after news of the tragedy broke, and now Hogan and a host of other industry professionals have added their sympathies.
Hogan admits he wishes he had rekindled his friendship with Savage sooner.
He writes on his Twitter.com page, "I'm completely devastated, after over 10 years of not talking with Randy, we've (sic) finally started to talk and communicate.
"He had so much life in his eyes & in his spirit, I just pray that he's happy and in a better place and we miss him. We miss him a lot. I feel horrible about the 10 years of having no communication. This was a tough one."
Meanwhile, World Wrestling Entertainment (WWE) president Vince McMahon has branded Savage one of the "greatest superstars of his time".
Florida police have launched an investigation into the accident, although officials state both Savage and his wife Lynn, who suffered only minor injuries, were wearing their seatbelts when the incident occurred. Cops have also ruled out alcohol as a factor in the crash.
An autopsy is scheduled to take place on Saturday (21May11).
The World Wrestling Federation (WWF) fighter, also known as Macho Man, was driving in Tampa with his wife Lynn on Friday (20May11) when he suffered a heart attack at the wheel. He lost control of the vehicle and smashed into a tree.
Savage was admitted to a nearby hospital, where he was declared dead. His wife, who was in the passenger's seat, escaped with only minor injuries, according to TMZ.com.
Professional wrestler-turned-actor Dwayne 'The Rock' Johnson has led the tributes to the late star, real name Randall Mario Poffo.
Taking to his Twitter.com account, Johnson writes, "RIP Randy "Macho Man" Savage - you were one of my childhood inspirations and heros (sic). Strength, love and prayers to the Savage/Poffo family."
An investigation into the accident has been launched by Florida police.
The Scream star was promoting his clothing line Propr on Lopez Tonight! when he reminded fans he was a former World Championship Wrestling champion for two weeks.
Jericho then appeared from backstage to take issue with Arquette, stating, "The fact that David Arquette was a champion is a facade and it's time... for me to erase Arquette's name from the championship record book... It's been 10 years, I've been waiting."
Arquette changed into the Randy 'Macho Man' Savage outfit he bought on eBay.com and prepared to take suited Jericho on, but no blows were exchanged.
After a little trash talk, the two men agreed to go head to head in a karaoke contest and belted out Bonnie Tyler's Total Eclipse of the Heart. Jericho, who fronts rock band Fozzy, was judged the winner.
It wasn't Jericho's first celebrity challenge - the fighter took issue with Mickey Rourke last year (09) after the actor starred in The Wrestler, and offered to fight him in the ring.
Bobby Garfield (David Morse) returns to his small hometown to attend the funeral of his childhood friend and remembers the fateful summer in 1960 when his whole world changed. The story flashes back to when 11-year-old Bobby (Anton Yelchin) and his best friends Carol (Mika Boorem) and Sully-John (Will Rothhaar) capture the pure joy of youthfulness. When a mysterious stranger named Ted Brautigan (Anthony Hopkins) moves upstairs and starts to pay attention to Bobby the boy suddenly realizes what's truly missing from his life--the love of a parent. Bobby's mother Liz (Hope Davis) is embittered by the death of Bobby's father and shows little compassion for her son's growing needs. Ted fills a void with the boy opening his eyes to the world around him and helps Bobby come to terms with his real feelings for Carol--and his mother. But Ted also has some deep dark secrets of his own and Bobby tries hard to stop danger from reaching the old man.
The performances make the film especially in the genuine camaraderie of the kids. Yelchin Boorem and Rothhaar never deliver a false move with an easiness that makes us believe we are simply watching three 11-year-old children grow up together. Yelchin in particular is able to get right to the heart of this young boy who misses his father and clings to the only adult who will listen. And his scenes with Boorem simply break your heart. (Davis) does an admirable job playing a part none too sympathetic. She manages to show a woman whose been beaten down but who does truly love her son in her own way. Morse too is one of those character actors you can plug in any movie and get a performance worth noting. In Hearts you want to see more of him. Of course the film shines brightest when Hopkins is on the screen. It may not be an Oscar-caliber performance but the actor is unparalleled in bringing a character to life--showing the subtleties of an old man looking for some peace in his life.
If you are expecting the Stephen King novel you may be disappointed. Screenwriter William Goldman and director Scott Hicks (Shine) deftly extracted the King formula of telling a story through a child's eye and explaining how the relationships formed as a child shaped the adult later. Hicks did an amazing job with his young actors especially Yelchin and Boorem. But where the novel continued into a supernatural theme explaining Brautigan's fear of being captured by "low men in yellow coats" (a reference to King's The Dark Tower series) the movie downplayed the mystical elements instead giving real explanations for Brautigan's man-on-the-run. That was the one problem with Hearts--we needed more danger. Introducing men from another dimension may not have been the way to go but had there been more tension the film would have resonated more especially when Bobby risked his own safety to save Ted.