U.S. soap star Jensen Buchanan has split from her husband after 10 years. The former One Life to Live actress' partner, top Hollywood agent Sam Gores, has moved to end the marriage by filing divorce papers in Los Angeles.
In documents Gores, whose company Paradigm Talent Agency also represents Buchanan, cites irreconcilable differences as the reason for the split.
They wed in 2003. Gores also has The Black Eyed Peas, Adrien Brody, Laurence Fishburne and Andy García on his books.
Let's face it the world of Hollywood pirating — with its peglegs eyepatches shoulder parrots and bounty of other swashbuckling tropes — is pretty silly. Even a high seas adventure like Pirates of the Caribbean has the ridiculous Jack Sparrow to help it hobble along. Pushing the comedy can only work in pirate movie's favor and Aardman Animation's Pirates! A Band of Misfits goes all out seizing the absurdity with a flare only British sensibilities could conjure. The film is a treasure trove of design and technical wizardry but for those less interested in the intricacies of stop motion animation Pirates!'s simple story packs plenty of low-key laughs that viewers all ages can pick up.
The Pirate Captain (Hugh Grant) is at wit's end. While he's enjoyed his time leading a ragtag group of wannabe pirates including Albino Pirate (Anton Yelchin) Pirate with Gout (Brendan Gleeson) Surprisingly Curvaceous Pirate (Ashley Jensen) and his number two Pirate with a Scarf (Martin Freeman) a lifestyle of eating ham and barely making ends meet is losing its luster. When Pirate Captain shows up to the annual Pirate of the Year submission day he's once again outdone by Black Bellamy (Jeremy Piven) who rides in on a whale full of gold. Driven by competition Pirate Captain reassembles his crew hits the open waters and begins a new wave of pillaging. It's all for naught until the pirates cross paths with Charles Darwin (David Tennant) who identifies Pirate Captain's "parrot" as an extinct dodo bird. Suddenly the pirates have a new (and lucrative) calling: science.
There's an unexpected intelligence to Pirates!. The movie based on a children's book of the same name centers on Pirate Captain's mid-life crisis delves into the world of 18th century science and pegs Queen Victoria (Imelda Staunton) as the mastermind bad guy behind the elimination of the pirate occupation. That gives the accompanying adults plenty to chew (and laugh) on but director Peter Lord doesn't stray away from an ol' fashioned slapstick routine. There's a marvelous stray bathtub sequence halfway through the film a wild ride through Charles Darwin's old tudor house that's a true spectacle. But even a simple gag involving baking soda and vinegar exploding sud bubbles is expertly crafted and executed by Lord.
The stop motion technique never feels limited in Pirates! even with a great deal of walking and talking scenes. Gideon Defoe's script is elevated by the vocal performances; Grant is perfectly cast as the faux-burly Pirate Captain while Martin Freeman's perfected "timid skeptic" routine from The Office and Sherlock is once again on full display. The Aardman team continues to have a knack for gesturing their puppets uniquely natural and human. Even with all the enormous pirate ships detailed cityscapes and dazzling action Pirates! is at its best when it focuses on the sillier calmer moments.
The tangibility of Pirates! A Band of Misfits comes through in its physical stop-motion animation techniques but also its genuine heart. There's a rare reality to the storytelling even at its most fantastical. While the film doesn't hit the same emotional chords as some of Pixar or Dreamworks' best you would need an X-marked map to find a Hollywood cartoon as sweet and heartfelt. So don't walk the plank on this one — board with kids in tow immediately.
In the cinematic desert that is the January-February movie-release schedule one gains a greater appreciation for mere competence. And that’s precisely what you’ll get with Man on a Ledge a mid-budget thriller with modest aspirations and genuine popcorn appeal. Sam Worthington (Avatar Clash of the Titans) stars as Nick Cassidy a former New York City cop wrongly convicted for the theft of a prized diamond. After exhausting all judicial avenues for exoneration he takes the unusual and seemingly desperate next step of planting himself on a ledge outside the penthouse of midtown’s Roosevelt Hotel and threatening to jump. An NYPD psychologist (Elizabeth Banks) is summoned to talk him down unaware that Nick harbors an ulterior motive. From his perch above midtown he is secretly orchestrating a scheme to take revenge against the corrupt corporate chieftain (Ed Harris) who engineered his demise and prove his innocence once and for all.
Director Asger Leth making his U.S. feature-film debut with Man on a Ledge keeps the pace brisk and never allows the tone to stray into self-seriousness which is crucial for a movie whose premise is so devoutly ridiculous. The script from Pablo F. Fenjves provides enough feints and twists to keep us engaged. Jamie Bell and Genesis Rodriguez aren’t the most believable of couples but there’s a screwball charm to their comic routine as amateur thieves charged with aiding Nick’s scheme. (Leth can’t resist inserting an entirely superfluous – but nonetheless greatly appreciated – scene of the criminally gorgeous Rodriguez stripping down to a thong in the middle of a heist.) Worthington makes for a likable populist protagonist even if his Australian accent betrays him on copious occasions and Harris’ disturbingly emaciated frame lends an added menace to his devious plutocrat villain.
Now it’s Milo’s (Zlatko Buric) turn the big bad drug dealer from the original Pusher. It begins with him going to a Narcotics Anonymous meeting. He says he wants to get clean so he can have a better relationship with his daughter Milena (Marinela Dekic). In the next scene Milo goes back to scoring drugs but he’s also planning Milena’s birthday party. As the big night nears Milo finds out that his latest score was ecstasy not heroin but sorting that out doesn’t seem so much of a priority to him. Milo gets busy cooking for his family gathering while his underlings try to sort out the X/dope mess. Milena’s got her own interests too and she’s not afraid of her badass father. The twist of the family story is a nice change-up for the Pusher series but it still delves into the violent world of drugs and qualifies as a worthy entry to the franchise. Buric plays a much older Milo here than he did in the first Pusher. With a deep sorry mumble he’s going through the motions of older age. He gets exasperated with his crew for pestering him while he’s trying to attend to his family and he seems like a normal dad in that way. Family fights are the same normal blow ups with quick forgiveness that happen at any Thanksgiving day gathering. As the night wears on Buric shows Milo’s growing intensity. His silent brooding means he is evaluating his distractions but really remains calm in even the worst of drug mishaps. It’s way cooler than the panicked street hoods of the first two Pushers. Now you can watch a real pro at work. As Milena Dekick doesn’t have too much personality. Is she spoiled? We get hints of that. Is she just controlling? Probably and with good reason living in that family. The other crew members are just generic criminals. Focusing on the family and Milo’s attempted recovery from addiction is a good twist. All the street dealing was getting old especially in Pusher II. This seems like a more adult Pusher dealing with real issues everyone has in some way--work family etc. It’s just most people aren’t thugs. Like a My Big Fat European Pusher this third one creates more excitement around the party preparations than the crime world. Still the movie is a Pusher so you’re waiting for the crime story to pop back in. The violence is plenty brutal but it’s torture not action. There’s no suspense because this is Milo the man in charge. It really makes one wish they’d just combined all three perspectives into one massive expose rather than dragging it out through three films.