Motion picture executive who cut his administrative teeth with Paramount beginning in the 1970s and who, despite his occasionally accepting positions with other companies, has always returned to the f...
|Rasputin (Hbo)||1996 1995 - 1996||Executive Producer||n/a||1|
|The Evening Star||1996||Producer||n/a||3|
|A Smile Like Yours||1997||Producer||n/a||3|
|The Opposite of Sex||1998||Producer||n/a||3|
|The Whole Shebang||2004||Producer||n/a||3|
|The Substitute||Executive Producer||n/a||1|
|Big Night||1996||Executive Producer||n/a||1|
|The Brady Bunch Movie||1995||Producer||n/a||3|
|Let It Be Me||Producer||n/a||3|
|National Lampoon's Barely Legal||2005||Executive Producer||n/a||1|
|Wrote screenplay for "The Great Texas Dynamite Chase", produced by New World Pictures|
|Appointed president of the motion picture division of the Weintraub Entertainment Group|
|Resigned from his position at Weintraub|
|Promoted to vice president, production|
|Left Paramount to head Sidney Beckerman's production company at United Artists|
|Returned to Paramount as executive director of production|
|Served as president of Paramount's motion picture group from September 25, 1990 until November 1, 1991|
|Joined Paramount Pictures as an analyst in their story department|
|Held similar positions at Walt Disney and Touchstone Pictures|
|Entered into an exclusive three-year producing deal with Paramount in late November|
|Named executive vice president, production|
|California Institute of the Arts|
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