Ten years ago, Doug Liman was prepping a little film called The Bourne Identity, based on Robert Ludlum's beloved spy from the days of the Cold War. He updated the setting and turned the material into an exciting contemporary action film with strong, well defined characters and full-throttle pacing. Bourne made major bucks for Universal and turned the struggling filmmaker into an in-demand director. Since then, he's produced TV shows (The O.C., Knight Rider, Covert Affairs) and made successful motion pictures (Mr. and Mrs. Smith, Jumper), cementing his status in Hollywood as a go-to action auteur.
Liman recently finished up work on the political thriller Fair Game and is sifting through scripts and optioning properties as he decides which one deserves his attention first. In addition to developing All You Need Is Kill and an untitled Three Musketeers project at Warner Bros. (among many other projects), he has today signed on to helm an adaptation of Monte Reel's non-fiction book "The Last of the Tribe: The Epic Quest to Save a Lone Man in the Amazon." The story chronicles the search for the last surviving member of an Amazon tribe from the perspective of the government agents charged with both verifying his existence and preserving his way of life.
Chockstone Pictures has acquired the film rights to the novel, which Liman will produce along with Ed Saxon, Dave Bartis, Steve and Paula Mae Schwartz. Mark Bailey is adapting the screenplay and will serve as exec producer on the pic. Chockstone most recently helped bring the Cormac McCarthy novel The Road to the big screen and also helped Terrence Malick make The Tree of Life, which is supposed to release sometime this year.
The Last Of The Tribe sounds pretty interesting as an anthropological study and could make a cool adventure pic, but Liman needs to set his priorities. If there's one thing that I've learned from interviewing filmmakers, it's that producers have the luxury of working on multiple projects at once while directors need to focus on them one at a time. Sometimes it takes a director two to three years to properly finish the movie; it seems like a long time, but its a necessary sacrifice to turn in the best product. When a filmmaker is juggling as many gigs as Liman is (he has six projects in development, all of which he's circling as a directing vehicle), the work tends to suffer (See: David Goyer's Blade: Trinity or John McTiernan's The 13th Warrior). They won't all wait for him, so he'll have to decide where he wants to take his career next or risk the creative quality of some of the films.
Walt Disney animation’s first foray into 3D ‘toon making isn’t just a technical triumph it thankfully also tells the clever story of Bolt (John Travolta). He’s a superstar TV canine who believes the superpowers he displays weekly on his series are for real --especially when it comes to the protection of his master and co-star Penny (Miley Cyrus). One day however the dog is accidentally shipped from his Hollywood soundstage to New York City. Lost alone and confused on the streets of the Big Apple Bolt is still living the show vowing to get to Penny who he believes has been kidnapped by the “green-eyed man.” And so he embarks on a cross-country journey to L.A. to save Penny. Along the way he is joined by an abandoned wily housecat Mittens (Susie Essman) and a TV-loving hamster Rhino (Mark Walton) who believes everything he sees on the tube is ALSO real. Of course Bolt is in for rude awakening when he finds out he is just a regular dog but he still needs to get to Penny -- even if it means she might not be there for him when he returns. Disney is not a studio that generally depends on superstar voices for their animated films but in casting Travolta and tween queen Cyrus they have scored a bullseye. Travolta’s Bolt is a delightful cross between the self-assured superstar and a pooch in denial. The actor doesn’t phone it in but instead creates an original and loveable dog that stands proudly in Disney’s large canon of canine greats. The action scenes created for Bolt’s TV series are lots of fun and the interactions with his traveling companions are choice. As Penny Cyrus is sympathetic sincere and she even gets to sing a duet with Travolta “I Thought I Lost You ” which she co-wrote. The show is nearly stolen though by comedian Susie Essman (Curb Your Enthusiasm) as Mittens -- a smart determined and emotionally wounded pet cat abandoned by her owners and forced to wander the streets alone. And by Mark Walton as the hilarious Rhino the obsessive fanboy hamster who rolls around in his ball. Walton is actually an animator in real life who happened to be so good at voicing Rhino during tests they just gave him the job. Disney vets Chris Williams and Byron Howard capably usher the venerable Disney label into the brave new world of 3D animation and the results are promising -- putting the audience right in the center of Bolt’s universe. The TV series action set pieces are particularly effective in using the technology. It’s not even necessary to see the film in 3D because the whole CG process has come a long way in a few short years and Bolt is one of the best looking most accomplished animated films in memory -- glasses or no glasses. Williams and Howard expertly blend humor pathos and blockbuster-style action scenes effortlessly giving “Bolt” an appeal beyond just the target kid demo.
Author Stephanie Meyer unleashed a phenomenon with her Twilight novels a teen vampire romance that has spurned a teen cult following. The good news is the movie is surprisingly just as potent -- a spellbinding terribly romantic hypnotic and entertaining film. At its heart are the elements that make any teen drama work; in this case it’s forbidden love. It starts with 16 year-old Bella Swan (Kristen Stewart) who relocates from her sunny Phoenix to the cold gray foreboding atmosphere of Forks Washington to live with her father. At her new high school she meets the incredibly attractive but mysterious Cullen clan including the allusive Edward (Robert Pattinson) who immediately intrigues her. What she doesn’t know yet is that Edward and his “family” are a group of vegetarian vampires who drink only animal blood and must live in the terminally cloudy region of Northwest. Edward tries to drive a determined Bella away by revealing his true identity but soon realizes she is the girl of his dreams. But as the two begin their complicated romance things get dicey when another group of um meat-lovin’ vampires target Bella. Teen Beat should clear their covers for a new group of stars sure to become huge with the female teen set -- and probably their mothers as well. Exuding a brooding reserve and air of mystery the follicley-endowed Robert Pattinson is reminiscent of James Dean and completely believable as a conflicted bloodsucker who becomes dangerously attracted to a mere mortal. His Edward’s unpredictable nature becomes irresistible for the attractive Kristen Stewart’s Bella as she grows closer to him despite his attempts to keep her at arm’s length. Not since Baby yearned for Johnny Castle in Dirty Dancing has there been such an effective pairing for the acne-challenged set. Pattinson and Stewart simmer with teen angst and desire and could be the next big thing -- especially if there are more Twilight sequels to follow. The Cullen clan led by foster parents Peter Facinelli and Elizabeth Reaser is perfectly cast with a good looking bunch of vampiric thesps including newcomers Ashley Green Kellan Lutz Jackson Rathbone and Nikki Reed. Red-headed Rachelle LeFevre as bad vamp Victoria is ideal along with Cam Gigandet and Edi Gathegi as the guys in her group of nomadic vampires. Director Catherine Hardwicke has certainly shown she understands the ever-changing moods of youth with her previous efforts (Thirteen Lords of Dogtown). But those flicks were just warm-ups for what she taps into with Twilight. She creates a wonderful creepy kind of muted dark and cloudy society with imposing camera angles and aching teen lust from her bright red-lipped hormonally charged leads. And thankfully she leaves the fangs on the cutting room floor. These vampires are actually relatable and Hardwick takes what could have been an awful juvenile programmer and lifts it into a different league creating not only a movie that should cross over beyond it’s target demo but one that makes us genuinely excited for the inevitable sequels.
If you think you saw the last of the Cruise/Kidman train wreck, think again.
Cruise will be in Sydney, Australia on Wednesday to promote his new film, Vanilla Sky, alongside co-star and girlfriend Penelope Cruz. Problem is: Nicole Kidman will also be in Sydney--her hometown--on that day, attempting to enjoy the holidays with her family.
Regardless, Cruise is not concerned about bumping into his ex.
"I'm looking forward to it," he told Reuters. "It's a place where my children live. My children are half Australian.'' Cruise and Kidman have two adopted children: Isabella, 8, and Connor, 6. They have agreed to jointly raise the kids.
According to Variety, Universal Pictures is planning to produce a biopic about the life of Joseph Greenstein, the 5' 4" Polish wrestler who came to fame as a circus sideshow freak in the 1900s. A producer of the film, Ed Saxon, is calling the story a combination of Forrest Gump and MTV's stunt show Jackass.
The Fast and the Furious star Rick Yune is being cast as the next villain in the James Bond series of films, according to The Hollywood Reporter. Yune will play a man who becomes disfigured after using a new facial-mutation device. John Cleese is slated to reprise his role as R, as Judi Dench is in the role as M.
According to CNN, Bulgaria's The Naked Truth--a news program launched last week featuring female anchors who strip down to their panties while reading the day's headlines--has already received higher ratings than any other news program in the country.
For the first time in over three months, Paula Poundstone--who pleaded no contest to charges of felony child endangerment on Sept. 12--performed a comedy routine Friday at the Rio Theatre in Santa Cruz, Calif. "This is my first night performing since I've been a criminal," joked the self-deprecating comedienne.
Almost three years since they separated, Garth Brooks and wife Sandy have finalized their divorce, citing irreconcilable differences.
LeAnn Rimes' official web site has revealed that the 19 year old is now engaged to dancer Dean Sheremet. Rimes' spokespeople were not available for comment on Monday, says The Associated Press.
On Monday, ex-heavyweight fighter Mitchell Rose filed a complaint with police in Bedford-Stuyvesant, New York, claiming that Mike Tyson began an unprovoked brawl with Rose on Sunday morning outside of a local eatery. Tyson's spokespeople deny the allegations. No charges have been pressed against either party, PageSix.com reports.
R.E.M. guitarist Peter Buck, who was charged with assault while drunk aboard an airplane in April 2001, is to be tried for his actions in a London court in March, 2002, according to People magazine.
Starsky and Hutch star David Soul won his libel suit against theater critic Matthew Wright of London's The Mirror newspaper. According to People, Soul was awarded $29,000 in the suit, which he brought against Wright for making derogatory comments about Soul's performance in a 1998 play--a play that Wright did not even attend.
Actor James Cromwell (L.A. Confidential) is now banned from Wendy's restaurants in Farifax County, Va. for one year. The ban stems from Cromwell's no contest plea in a Va. court on Monday in which he was charged with trespassing while attending an animal-rights protest at a Fairfax County Wendy's in July.
The artist and writer who co-created the Casper, the Friendly Ghost franchise, Seymour Reit, died on November 21, The Associated Press revealed on Monday. Reit was 83.