TV pilot bonanza! NBC, ABC, CBS, Fox, and The CW have been on a greenlighting binge, ordering 25 pilots for consideration among their fall 2013 lineups. Among them are the TV spinoff of the venerable Beverly Hills Cop franchise, starring Brandon T. Jackson as the son of Eddie Murphy's titular lawman and already given a series order; a new Western from Lost scribe Carlton Cuse for NBC; a Hunger Games-meets-The-Bachelor dystopian sci-fi thriller for The CW; and the first network adaptation of a Swedish crime novel series. 25 is a lot to wrap your head around, so we've ranked what we found to be Top 10 most intriguing of the lost. Don't worry, we'll let you know about the others too on the next page, but these are the ones that really caught our eye.
RELATED: Brandon T. Jackson is Your New 'Beverly Hills Cop'
1. Sleepy Hollow (FOX)
Alias scribes Roberto Orci and Alex Kurtzman gave one beloved franchise a 21st century makeover with their stellar script for 2009's Star Trek. Now they're looking to give Washington Irving's classic American folk tale about upstate New York schoolteacher Ichabod Crane running afoul of the legendary Headless Horseman a modern-day twist. In this version, the pilot for which will be directed by Live Free or Die Hard's Len Wiseman, Crane partners with Sleepy Hollow's female sheriff — something tells us her name might be Katrina Van Tassel — to investigate the battle of good versus evil that has engulfed the soporific burg.
2. Beverly Hills Cop (CBS)
The Shield creator Shawn Ryan didn't skip a beat after the failure of his first incursion into network television: ABC's submarine drama Last Resort. The pilot he wrote for the small screen version of '80s action-comedy juggernaut Beverly Hills Cop focuses on the son of Eddie Murphy's Axel Foley, played by Brandon T. Jackson (Tropic Thunder). Murphy, however, will appear in the pilot and executive produce the show along with Ryan. Mostly, though, after years of gritty, forensics-heavy procedurals it's exciting that CBS is embracing the idea of injecting a little humor into its typically stodgy crime drama format.
RELATED: CBS Snags Eddie Murphy in 'Beverly Hills Cop' Series
3. Sixth Gun (NBC)
Lost's Carlton Cuse is a busy man. He's already exec producing A&E's Bates Motel and FX pilot The Strain, his collaboration with Guillermo del Toro. Now he's serving as EP on Sixth Gun, a Western pilot picked up by NBC with a script by feature writer Ryan Condal, who's penned the upcoming Hercules: The Thracian Wars for Brett Ratner. Sixth Gun is about a legendary six-shooter with possibly supernatural power that falls into the hands of a young girl and makes her the target of every baddie in the West. Paging Hailee Steinfeld.
4. Delirium (FOX)
Based on Lauren Oliver's bestselling sci-fi book trilogy, Delirium is about a future world in which love has been declared illegal and is even rendered obsolete via a mandatory lobotomy-like procedure. Series protagonist Lena Holloway has 95 days before she herself is forced to submit to the love-killing surgery...only to find herself actually falling in love as time runs out. Think Brave New World meets Dollhouse.
5. The Returned (ABC)
The Killing's Aaron Zelman wrote this pilot about a mystical town called Aurora, where residents' dead loved ones return to visit them. Not so much in a zombie way, more like an existential Solaris way. It will probably go easy on the Tarkovsky long takes.
RELATED: 'Star Trek 2' Writers Pen New 'Sleepy Hollow' Series
6. Backstrom (CBS)
Leif G.W. Persson is the first Swedish crime novelist to get a pilot order with a major U.S. network. (Kenneth Branagh's version of Henning Mankell's Wallander airs on PBS.) His character Ernst Backstrom is being described as criminology's answer to Dr. Gregory House: an overweight, misanthropic forensics expert who's great at his job despite his personality disorder.
NEXT: The rest of our Top 10, plus a round-up of other pilots in development at CBS and ABC.
7. The Selection (The CW)
In development at The CW since 2011, the adaptation of Kiera Cass' novel is kind of like a dystopian version of The Bachelor. Correction: a more dystopian version of The Bachelor. 300 years in the future, a working class woman finds herself the winner of a lottery to compete against 25 other would-be brides for the hand of her nation's "Royal Prince." A fierce competition ensues.
8. Untitled Secret Service Thriller (NBC)
A rookie secret service agent finds himself plunged into a major international conspiracy. And that's just his first day on the job! The official logline promises that he will cross moral and legal lines, which can only mean one thing: torture! It's been too long since we heard Jack Bauer scream, "I'm gonna need a hacksaw!"
9. Holding Patterns (NBC)
Writer Justin Spitzer has proven himself a master of hilarious anti-comedy — a longtime producer on The Office, he wrote the classic Stanley-centric ep "Did I Stutter?" — and this new half-hour sitcom should be no exception. It's about a group of people whose lives are forever changed after they suffer, and survive, a plane crash together. Kind of like Lost with a funny bone.
10. The List (FOX)
Sure, the concept sounds like a rip-off of Skyfall but...wait, Skyfall was unbelievably awesome so who cares? The master list of everyone in the Federal Witness Protection Program is stolen, and one by one each member of the program is killed. It's up to a U.S. Marshal to track down the source of the breach and relocate the surviving witnesses before it's too late.
Friends With Better Lives
Each of the thirtysomethings who anchor this multicam sitcom thinks that they have the best life of their circle of friends. Smugness alert!
Single-camera sitcom from writing team Lee Eisenberg and Gene Stupnitzky (Bad Teacher) about a group of women in their 30s who should have their lives figured out, but don't. In fact, not even close. Girls for Generation Y.
Charlie's Angels' helmer McG produces the first of two obvious cash-ins on the nighttime soap success of Revenge. This one is set on the sandy shores of Venice, CA and is about two rival families making power plays against each other. Bitchery required, clothing optional.
The second cash-in on Revenge. A married female photographer begins an affair with the power attorney who's defending a murder suspect. Guess what? Her husband's the prosecutor in the case.
NEXT: The pilots that have been ordered by Fox and The CW.
Untitled Sean Hayes Comedy Pilot
The multicamera sitcom format and Sean Hayes are kind of in a co-dependent relationship. They both need each other to be truly successful. Hayes, for one, would like everyone to forget about his role as Larry in last year's Three Stooges reboot. So he'll be playing a stressed out dad whose 14-year-old daughter moves in with him right around the same time he gets a difficult new boss at work.
Untitled DJ Nash Comedy Pilot
Jason Bateman's Aggregate Films is producing this single-camera comedy written by DJ Nash, and loosely based on his life, centering on a young kid who worships his blind father and struggles with the fallout from his parents' divorce.
Girlfriend in a Coma
Pretty much exactly what it sounds like. After almost two decades in a coma, a 34-year-old woman wakes up to find she has a 17-year-old daughter from a pregnancy she never even knew about. Kind of like Kill Bill, but presumably with fewer geysers of blood. Also, it's supposed to be a half-hour comedy.
In this hour-long drama, the world's most dangerous criminal turns himself in in exchange for an immunity deal in which he'll rat out all of his associates past and present. But does he have an ulterior motive? Intrigue.
Welcome to the Family
An unplanned pregnancy among two of their younger members brings an Anglo family and a Latino family together. The culture clash of the two broods is funny because they're so different, yet so much the same. NBC's most obvious attempt at a half-hour Modern Family clone yet.
I Suck at Girls
Based on Justin Halpern's follow-up book to $#*! My Dad Says, the concept is a coming-of-age sitcom about an incredibly awkward teenage boy. Fox has already given it a series commitment.
To My Assistants
Kind of like a tube version of Horrible Bosses, this half-hour comedy focuses on the harried, overworked, underpaid assistants at a big New York law firm who band together to cope with the wretched antics of their superiors.
Friends & Family
The U.S. version of Britain's Gavin & Stacey, about what happens when a long-distance romance becomes a short-distance romance.
Writers Justin Spitzer and Andrew Gurland scripted the pilot for this comedy about a wacky family trying to fit in to a very normal Midwest community.
Okay, it's kind of a cheat to include this Vampire Diaries spin-off here, since its pilot is already slated to air as a VD episode this April. Joseph Morgan will star as power-drunk werewolf/vampire hybrid Klaus and Daniel Gillies as Elijah when the action moves from Mystic Falls, VA to New Orleans.
Director Taylor Hackford (Ray, Parker) is producing an hour-long drama about a scandal that engulfs a Virginia naval base and the surrounding town. Leave it to The CW to build a show around hot guys in uniform.
Follow Christian Blauvelt on Twitter @Ctblauvelt
[Photo Credits: Paramount Pictures, Harper Collins, Harper Teen, WENN]
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What happens when a supervillain loses his superhero? The peculiar mutual dependence of the comic book protagonist/antagonist relationship and the strange emptiness that arises upon its dissolution forms the basis of Dreamworks’ Megamind an exuberant new animated comedy from director Tom McGrath (The Madagascar films) and writers Alan J. Schoolcraft and Brent Simons.
Funnyman Will Ferrell lends his voice to the title character a blue-skinned green-eyed alien whose mammoth hairless cranium has over the course of his career as a supervillain given life to an endless array of exotic inventions and elaborate schemes all in the service of his lifelong dream of conquering his adopted hometown of Metro City. Despite his creativity and obvious intelligence he’s been continually thwarted in his efforts by the city’s champion Metro Man (Brad Pitt) a preening show-off whose otherworldly physical gifts seem destined to forever trump Megamind’s cerebral ones.
Accustomed as he is to defeat Megamind is as surprised as anyone when he learns that his latest attempt at vanquishing his arch-rival has met with success. At a press conference convened to celebrate his newfound dominion over Metro City he is utterly flummoxed when the town’s ace reporter Roxanne Ritchi (Tina Fey) presses him to reveal what sinister plans he has in store for the panicked populace. So focused was Megamind on his rivalry with Metro Man that he hadn’t bothered to ponder what he’d do in the unlikely event that he won.
Together with his sidekick a fish-headed cyborg named Minion (David Cross) Megamind rampages unhindered through Metro City terrorizing its citizenry and amassing untold riches. But these pursuits don’t yield nearly the joy he’d anticipated they would and having belatedly discovered that the evil journey is more important than the evil destination he begins pining for his old nemesis Metro Man.
I found myself missing him as well. From Dr. Evil to Despicable Me humanizing supervillains for comedic effect has been an exceedingly popular pastime in Hollywood in recent years. Less common is the examination of insufferably pompous “heroes” like Metro Man whose massive egos and diva antics are made tolerable only by their immense contributions to society. (Think Steve Jobs or Eliot Spitzer or Bono ...) Megamind opts to take the road more traveled and at times its story can’t help but feel like a bit of a re-hash despite how artfully rendered it is.
What it lacks in inventiveness Megamind makes up in wit intelligence and customarily gorgeous animation. After a truly dazzling opening act it wanders through a mid-point malaise before gradually gaining momentum as Megamind recognizing how hollow and meaningless his existence is without a worthy adversary with which to spar decides to literally manufacture one. But he is appalled to find that his new creation Titan (Jonah Hill) is far more interested in playing video games and acquiring shiny new toys than re-igniting the age-old battle between good and evil. When Titan's increasing nihilism imperils Metro City it's Megamind who emerges to defend it completing his unlikely journey from villain to hero to finally superhero.
January 07, 2009 4:07pm EST
The Coen brothers could be adding a third Writers Guild of America Award to their impressive trophy case next month if they can nab best original screenplay for their quirky comedy Burn After Reading. The WGA, who announced their nominees today, presented Joel and Ethan Coen with best adapted screenplay last year for No Country for Old Men and best original screenplay in 1997 for Fargo.
Rounding out the contenders this year are Dustin Lance Black for Milk, Woody Allen for Vicky Cristina Barcelona, Tom McCarthy for The Visitor and Robert Siegel for The Wrestler.
The WGA’s best adapted screenplay noms include Eric Roth for The Curious Case of Benjamin Button with story by Roth and Robin Swicord; Jonathan Nolan and Christopher Nolan for The Dark Knight with story by Christopher Nolan and David S. Goyer; John Patrick Shanley for Doubt, based on the stage play; Peter Morgan for Frost/Nixon, based on his stage play; and Simon Beaufoy for Slumdog Millionaire.
WGA members will meet simultaneously in New York and Los Angeles for the award ceremony on Feb. 7.
Burn After Reading, Written by Joel Coen & Ethan Coen, Focus Features
Milk, Written by Dustin Lance Black, Focus Features
Vicky Cristina Barcelona, Written by Woody Allen, The Weinstein Company
The Visitor, Written by Tom McCarthy, Overture Films
The Wrestler, Written by Robert Siegel, Fox Searchlight Pictures
The Curious Case of Benjamin Button, Screenplay by Eric Roth; Screen Story by Eric Roth and Robin Swicord; Based on the Short Story by F. Scott Fitzgerald, Paramount Pictures and Warner Bros. Pictures
The Dark Knight, Screenplay by Jonathan Nolan and Christopher Nolan; Story by Christopher Nolan & David S. Goyer; Based on Characters Appearing in Comic Books Published by DC Comics; Batman Created by Bob Kane, Warner Bros. Pictures
Doubt, Screenplay by John Patrick Shanley, Based on his Stage Play, Miramax Films
Frost/Nixon, Screenplay by Peter Morgan, Based on his Stage Play, Universal Pictures
Slumdog Millionaire, Screenplay by Simon Beaufoy, Based on the Novel Q and A by Vikas Swarup, Fox Searchlight Pictures
Boogie Man: The Lee Atwater Story, Written by Stefan Forbes and Noland Walker, InterPositive Media
Chicago 10, Written by Brett Morgen, Roadside Attractions
Fuel, Written by Johnny O'Hara, Greenlight Theatrical / Intention Media
Gonzo: The Life and Work of Dr. Hunter S. Thompson, Screenplay by Alex Gibney, From the Words of Hunter S. Thompson, Magnolia Pictures
Waltz with Bashir, Written by Ari Folman, Sony Pictures Classics
Dramatic Series Dexter, Written by Scott Buck, Daniel Cerone, Charles H. Eglee, Adam E. Fierro, Lauren Gussis, Clyde Phillips, Scott Reynolds, Melissa Rosenberg, Tim Schlattmann; Showtime
Friday Night Lights, Written by Bridget Carpenter, Kerry Ehrin, Brent Fletcher, Jason Gavin, Carter Harris, Elizabeth Heldens, David Hudgins, Jason Katims, Patrick Massett, Aaron Rahsaan Thomas, John Zinman; NBC
Lost, Written by Carlton Cuse, Drew Goddard, Adam Horowitz, Christina M. Kim, Edward Kitsis, Damon L. Lindelof, Greggory Nations, Kyle Pennington, Elizabeth Sarnoff, Brian K. Vaughan; ABC
Mad Men, Written by Lisa Albert, Jane Anderson, Rick Cleveland, Kater Gordon, David Isaacs, Andre Jacquemetton, Maria Jacquemetton, Marti Noxon, Robin Veith, Matthew Weiner; AMC
The Wire, Written by Ed Burns, Chris Collins, David Mills, David Simon, William F. Zorzi, Richard Price, Dennis Lehane, George Pelecanos; HBO
30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tina Fey, Donald Glover, Andrew Guest, Matt Hubbard, Jon Pollack, John Riggi, Tami Sagher, Ron Weiner; NBC
Entourage, Written by Doug Ellin, Jeremy Miller, Ally Musika, Steve Pink, Rob Weiss; HBO
The Office, Written by Steve Carell, Jennifer Celotta, Greg Daniels, Lee Eisenberg, Anthony Farrell, Brent Forrester, Dan Goor, Charlie Grandy, Mindy Kaling, Ryan Koh, Lester Lewis, Paul Lieberstein, Warren Lieberstein, B.J. Novak, Michael Schur, Aaron Shure, Justin Spitzer, Gene Stupnitsky, Halsted Sullivan; NBC
The Simpsons, Written by J. Stewart Burns, Daniel Chun, Joel H. Cohen, Kevin Curran, John Frink, Tom Gammill, Valentina Garza, Stephanie Gillis, Dan Greaney, Reid Harrison, Ron Hauge, Al Jean, Brian Kelly, Billy Kimball, Rob LaZebnik, Tim Long, Ian Maxtone-Graham, David Mirkin, Bill Odenkirk, Carolyn Omine, Don Payne, Michael Price, Max Pross, Mike Reiss, Mike Scully, Matt Selman, Matt Warburton, Jeff Westbrook, Marc Wilmore, William Wright; Fox
Weeds, Written by Roberto Benabib, Mark A. Burley, Ron Fitzgerald, David Holstein, Rolin Jones, Brendan Kelly, Jenji Kohan, Victoria Morrow, Matthew Salsberg; Showtime
Breaking Bad, Written by Vince Gilligan, Peter Gould, Patty Lin, George Mastras, J Roberts; AMC
Fringe, Written by JJ Abrams, Jason Cahill, Julia Cho, David H. Goodman, Felicia Henderson, Brad Caleb Kane, Alex Kurtzman, Darin Morgan, J.R. Orci, Roberto Orci, Jeff Pinkner, Zack Whedon; Fox
In Treatment, Written by Rodrigo Garcia, Bryan Goluboff, Davey Holmes, William Meritt Johnson, Amy Lippman, Sarah Treem; HBO
Life on Mars, Written by Josh Appelbaum, Andre Nemec, Scott Rosenberg, Becky Hartman Edwards, David Wilcox, Adele Lim, Bryan Oh, Tracy McMillan, Sonny Postiglione, Phil M. Rosenberg, Meredith Averill; ABC
True Blood, Written by Alan Ball, Brian Buckner, Raelle Tucker, Alexander Woo, Nancy Oliver, Chris Offutt; HBO
Episodic Drama - any length - one airing time
“Don’t Ever Change” (House), Written by Doris Egan & Leonard Dick; Fox
“Double Booked” (Burn Notice), Written by Craig O’Neill & Jason Tracey; USA
“Gray Matter” (Breaking Bad), Written by Patty Lin; AMC
“Pilot” (Breaking Bad), Written by Vince Gilligan; AMC
“Pilot” (Eli Stone), Written by Greg Berlanti & Marc Guggenheim; ABC
“There’s Something About Harry” (Dexter), Written by Scott Reynolds; Showtime
Episodic Comedy - any length - one airing time
“Believe in the Stars” (30 Rock), Written by Robert Carlock; NBC
“Cooter” (30 Rock), Written by Tina Fey; NBC
“Crime Aid” (The Office), Written by Charlie Grandy; NBC
“Crush’d” (Ugly Betty), Written by Tracy Poust & Jon Kinnally; ABC
“Succession” (30 Rock), Written by Andrew Guest & John Riggi; NBC
“Vote for This and I Promise to Do Something Crazy at the Emmys” (My Name is Earl), Written by Greg Garcia; NBC
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