Troubled by unfortunate event after unfortunate event The Watch sidesteps faux pas to come out on top as a consistently funny sci-fi comedy that doesn't let its high concept tangle up a bevy of one-liners. The script penned by Jared Stern Seth Rogen and Evan Goldberg assumes you've seen a few movies before entering the theater (mainly any sci-fi movie made in the 1980s). "Summer movie logic" is the foundation for The Watch's ridiculous plot which finds four adult nincompoops teaming up to form a Neighborhood Watch trying to solve the murder of a local Costco employee and eventually pursuing a killer extraterrestrial. Instead of making sense of it all The Watch wisely focuses on its four leads: Ben Stiller Vince Vaughn Jonah Hill and The IT Crowd's Richard Ayoade — a quartet whose bro banter goes a long way in spicing up the dust-covered material. There's nothing revelatory to be found in The Watch but the cast's knack for improv a poetry of the profane makes the adventure worth…viewing.
Director Akiva Schaffer (Hot Rod) establishes his two-dimensional characters quickly and bluntly smashing together broad personality types like a Hadron Collider of cinematic comedy. Stiller's Evan is a micromanaging do-gooder who can't find time for his wife; Hill's Franklin is a mildly disturbed weapons enthusiast yearning to join the police; Ayoade is the quaint weirdo who joins the Watch to fill the void left by his divorce; Vince Vaughn is Vince Vaughn: a loud crass gent looking for a bit of male bonding. The ragtag team assembles to fight crime but they spend most of their time drinking beers in a minivan — an affair they dub "stakeouts." A perfect opportunity for banter.
For a movie about enforcing the law and alien invasions there's a surprising lack of action in The Watch. Long stretches of the film see the central players yapping back and forth about everything: Russian nesting dolls peeing in cans or the similar viscosities of alien goo and human excrement. Charisma goes a long way and Vaughn does much of the heavy lifting making up for lost time out of the spotlight (he's been virtually nonexistent since 2005's Wedding Crashers). The man spits out jokes like no other — the rest of the cast barely keeps up. Ayoade balances out Vaughn's bombardment with a tempered timed delivery that's uniquely British and rarely found on the American big screen. Even when nothing's happening in The Watch it's rarely boring.
The Watch is at its best when it goes a step further mixing the group in with outsiders and throwing them off their rhythm. Billy Crudup cuts loose as a creepy neighbor and its delightfully weird while the always-impressive Rosemarie DeWitt as Evan's wife Abby brings unexpected warmth to the couple's relationship. Sadly The Watch mishandles its greatest asset: the aliens. The film never finds a pitch perfect blend of comedy and science fiction (Ghostbusters or Galaxy Quest this is not); a few scenes where the two come together hint at the best possible scenario but more often than not The Watch avoids its sci-fi roots. A moment in which the guys haul a dead alien back to their man cave plays like an E.T.-inspired version of The Hangover credits. It's lewd and ridiculous but the rest of the film struggles to maintain that energy.
Stiller Vaughn Hill and Ayoade have all proved themselves able funnymen capable of taking weak and tired material up a notch which they're forced to do in every moment of The Watch. Schaffer can handle his talent but his direction isn't adding anything to the mix. By the third slow-motion-set-to-gangster-rap scene The Lonely Island member's obsession with non-cool-coolness is officially just an attempt at being cool (which is not all that funny). The Watch has a greater opportunity than most comedy blockbusters to go absolutely bonkers: it's rated R. But instead of taking its twist and running with it the movie plays it safe. In this case safe is non-stop jokes about the many facets of human reproduction.
WHAT’S IT ABOUT?
Based on the beloved children’s book by Judi and Ron Barrett Cloudy With a Chance of Meatballs tells the tale of Flint Lockwood an eccentric young inventor who spends his days in a makeshift laboratory building monkey-thought translators spray-on shoes “hair unbalder” serums and other strange creations. Regarded as a troublemaker and a nuisance by the residents of the small town of Swallow Falls Flint dreams of one day making something that will win their respect and earn him a place alongside the Edisons and Da Vincis of the world.
Flint thinks his latest invention a machine that turns ordinary water into gourmet meals at the touch of a button just might do the trick. But his big unveiling goes predictably awry when his machine launches like a rocket through Swallow Falls laying waste to the town square before eventually disappearing into the stratosphere.
Just when it appears that the townsfolk have finally had enough of Flint’s antics salvation arrives in the form of cheeseburgers raining from the sky thrilling the throngs of hungry people below. Success! Flint’s machine actually works — albeit not quite in the manner he originally intended.
WHO’S IN IT?
Lending his voice to the character of Flint is Bill Hader a Saturday Night Live regular who’s appeared in small roles in a ton of high-profile comedies including Tropic Thunder Pineapple Express and Night at the Museum: Battle of the Smithsonian. Anna Faris (The House Bunny) co-stars as Sam Sparks a weathergirl whose bubbly on-screen persona masks a keen intellect she’s terrified to reveal — lest she be branded a “nerd” and shunned by the community of shallow talking-head news correspondents.
Evil Dead star Bruce Campbell voices the sleazy manipulative Mayor Shelbourne a wildly ambitious politician who eyes Flint’s invention as his ticket to higher office. James Caan (The Godfather) plays Flint’s well-meaning but emotionally distant father Tim a blue-collar fisherman who can’t find a way to relate to his brainy offspring. And fans of A-Team and Rocky III will instantly recognize the voice of Mr. T as Earl Devereaux the tough-minded town cop whose job is devoted primarily to preventing Flint from inadvertently destroying the town. Rounding out the main cast is Neil Patrick Harris (Harold & Kumar Go to White Castle) as Flint’s trusted monkey assistant Steve.
The animation of Cloudy With a Chance of Meatballs is truly a joy to behold. With each successive meal that falls from the sky comes a brilliant new array of patterns and colors all of which burst from the screening in dazzling 3-D. Directors Phil Lord and Christopher Miller rightly recognize the visual potential of the source material with its endless variety of colorful food items and serve up a delicious buffet of brilliantly-rendered set pieces.
But the film isn’t just a bundle of digital eye candy. Perhaps most pleasantly surprising about the film is the script’s sharp wit and clever observations which help make the experience enjoyable on a cerebral as well as visceral level.
Lord and Miller who also co-wrote the adapted screenplay did a generally solid job expanding the relatively thin source material for the big screen but the story still feels weak at times. It’s just engaging enough to keep you interested but not quite enough to make a lasting impression.
Cloudy With a Chance of Meatballs is something of a culinary rollercoaster. As food first begins to fall from the sky you might find yourself feeling a bit hungry. But as the plot progresses and Flint’s machine starts to spin out of control bombarding the town with every kind of slop imaginable don’t be surprised if your stomach starts to get a little queasy!