Having successfully established herself as a comedic actress in Forgetting Sarah Marshall, Kristen Bell is next set to star in the indie ballet black comedy Dance of the Mirlitons, from young screenwriter and director Evan Greenberg. The story, which Greenberg conceptualized in middle school and finalized while attending NYU, centers on "an ambitious, slightly overweight ballerina with an overbearing mother (Bell) who will stop at nothing to become a star. The girl enters a "Mean Girls"-type environment when she has to prove her worth in class."
The project was picked up by Warner Independent after landing on the 2005 Blacklist (Hollywood's unofficial list of the top ten unproduced screenplays) alongside Juno and Lars and the Real Girl, but lost traction when the studio division closed down in 2008. It took Greenberg "a few years" to reacquire the rights to the script, but "once I got the rights back, it was about [finding] the right partner."
For that, Greenberg reached out to producers Daniel Dubiecki (who worked on the Oscar-nominated Up in the Air) and Joel Michaely, who got the project back on track by focusing on signing a well-known lead for the role of the mother before attempting to secure financial support. And Dubiecki believes Bell's is just the kind of name that will help the project move forward. "Kristen's combination of comedic timing and authenticity will bring this character to the next level, and give this crossover appeal," he said.
Now, Greenberg just needs an actress to play the film's "precocious 10 to 12-year-old" protagonist. "We're looking to discover an unknown," said Greenberg, just as 2000's Billy Elliot surfaced previously unrecognized talent in then 14-year-old Jamie Bell.
While progress on Dance of the Mirlitons has proceeded in fits and starts since Greenberg first shopped his script in 2005, he hopes that with the presence of Kristen Bell, production will begin this winter. "I hope that one day people will talk about how it was one of those movies that came together, fell apart, came together again," he said. "The best projects are the ones that take the most elbow grease to get made."
Invincible is Rudy and The Rookie all rolled into one. Set in the mid-‘70s Mark Wahlberg stars as the real-life Vince Papale a blue-collar Philadelphian down on his luck after his wife leaves him. His only solace is playing football with his cronies and rooting for his beloved Philadelphia Eagles who are in a real rut. Newly hired head coach the legendary Dick Vermeil (Greg Kinnear) decides to infuse some new blood into the team by holding open tryouts. All of Vince’s friends think he’d be perfect and urge him to go for it. He does makes it and is soon playing with some of his idols much to their chagrin. I mean who is this punk anyway? Sure he’s got some excellent instincts but can he really be a NFL player with no experience? Yes in fact he can proving to all those regular Joes out there you can live the dream. Yeah yeah. Unfortunately none of the actors really add anything either. Wahlberg is definitely a natural to play this kind of role having already done so in Rock Star. At least in Invincible he gets to show off some of his athletic abilities rather than just his bare chest in black leather pants. But the performance is run of the mill. As is Kinnear who as Vermeil takes on the headaches of turning a losing team into winners all while his supportive wife sweetly reassures him he’s doing the very best he can. Seen it. To their credit some of the supporting actors—including Kirk Acevedo (The New World) Michael Kelly (Dawn of the Dead) and Michael Rispoli (Mr. 3000)—paint a convincing picture of genuine camaraderie between local Philadelphians. And Elizabeth Banks (The 40 Year-Old Virgin) rounds things out as Vince’s cute love interest (and eventual real-life wife) who knows a few things about football by golly. You’d think Invincible would be a no-brainer feel-good kind of sports flick. It’s based on a real-life person has that whole underdog thing going for it and it’s football. What could go wrong with that? Nothing really besides the fact it’s been done about a hundred times over—and has now been left in the hands of newbies. First-time director Ericson Core a former cinematographer and writer Brad Gann are clearly green doing things by the play book line for line. It’s scary helming a feature film for a big studio like Disney who had such sport hits like The Rookie and Remember the Titans. Perhaps Core wanted to go more out on a limb but was reigned in. Who knows? The football scenes are definitely the highlight and Core handles the action well. I mean you do want Papale to prove himself the natural athlete he truly is and make all his homies proud. But the rest of it is just blah.