Mark Wahlberg confirmed reports his brother Donnie and actress/model Jenny Mccarthy wed in Chicago, Illinois on Sunday (31Aug14) by tweeting his congratulations.
The couple teased the media in July (14) when announcing plans to wed in McCarthy's hometown of Chicago on 15 August, but reports suggest the nuptials took place in suburb St. Charles over the weekend - and groom Wahlberg's movie star brother was a no-show. He may have missed the wedding, but Mark made an effort to congratulate his brother on his big day, tweeting, "Congratulations@DonnieWahlberg and @JennyMcCarthy, so happy for you both today."
The actor, his wife Rhea Durham and their kids also filmed an Instagram video congratulating the newlyweds and posted it online, revealing they were celebrating daughter Ella's 11th birthday in Los Angeles.
Meanwhile in St. Charles, McCarthy's former The View co-star Sherri Shepherd was on hand for the ceremony at the Hotel Baker, as well as Wahlberg's New Kids on the Block bandmates Jordan Knight and Danny Wood, according to local newspaper The Courier-News.
The wedding is the second for both stars - Wahlberg has two sons from his nine-year marriage to Kim Fey, which ended in divorce in 2008, and McCarthy shares a son, Evan, with her ex John Asher. They divorced in 2005.
Bravo via Getty Images
Here are this week's highlights from VH1, Celebuzz, Flavorwire, and Hollywood.com.
Lindsay through the yearsAs if you needed yet another reason to rewatch Mean Girls, Celebuzz takes a look back at Lindsay's carreer.
Show off that baby bump!If you need any more proof that motherhood is beautiful, VH1 celebrates famous moms-to-be that bared it all on magazine covers.
Kim Kardashian's mobile game is crazy addictivePut down your iPhone and read up on Flavorwire's experience beating the 'Kim Kardashian: Hollywood' mobile game
Lena Dunam is totally a BelleFrom Hannah to Shoshanna, Hollywood.com matches up the cast of Girls with their Disney counterparts.
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
Follow @Michael Arbeiter
| Follow @Hollywood_com
The cast of Edgar Wright's superhero adventure, Ant-Man is growing at an exponential rate, and after the recent additions of Paul Rudd, Michael Douglas, and Michael Pena to the cast, Evangeline Lilly is now being considered to play the female lead.
Lilly is no stranger to genre film, after spending six years battling smoke monsters on Lost, and appearing in Peter Jackson latest The Hobbit movie. While the jury is still out on who the actress will play in the upcoming film, the scuttlebutt over at Variety is hinting that she might be cast as the daughter of Hank Pym (Douglas), and a love interest to Scott Lang (Rudd, Ant-Man himself). Since Lily is taking her first step into comic book filmmaking, we wondered what roles the rest of her Lost castmates could play. We've already heard rumors of Josh Halloway being considered to play Aquaman, or some other DC fixture, in the bizarrely cast Batman vs. Superman. We think his casting as Aquaman could work, given he plays the hook-handed and more roguish version of the character, and not the vintage boy scout of the sea of yesteryear that probably cries a lot after watching Finding Nemo. So now that we're in Lost mode, which superheroes can we match up with the other islanders?
Matthew Fox (Jack)What Character?: The Red HoodWhy: The Red Hood is a former incarnation of Robin who gets blown up by the Joker and feels betrayed that Batman never killed the dastardly clown in retaliation. Those are some Jack-level daddy issues. We've already seen Fox play maniacal in Tyler Perry Presents: Alex Cross, so maybe he could pull it off in a future Batman movie.
Terry O'Quinn (Locke)What Character?: Lex LuthorWhy: Terry O'Quinn is already bald so that's already a mark in his favor, but his period as "Evil Locke" showed that the actor exuded the right mix intelligence, charisma, megalomania to be Superman's greatest foe.
Naveen Andrews (Sayid)What Character?: ArchangelWhy: Archangel or Warren Kenneth Worthington III was a young rich playboy whose mutant powers manifested into a pair of giant wings that allowed him to fly. Several very comic book-like plot developments turned him into a dark and misunderstood anti-hero. Sayid had a similar slide into darkness during Lost and, Naveen Andrews is well-equipped to play a similar character.
Emilie de Ravin (Claire)What Character?: JubileeWhy: Jubilee is a young and feisty member of the X-Men. Actress Emile De Ravin has a lot of the same exuberance and sweetness that has made the character such a popular addition to the X-Men mythos over the years.
Dominic Monaghan (Charlie)What Character?: SpeedyWhy: Green Arrow's troubled sidekick grappled with a crippling drug addiction, and is generally underappreciated in the comics world for being the sidekick of a character whose only ability is to shoot arrows pretty well. Who is better to play Speedy than Dominic Monaghan, who plays a wounded drug addict extremely well in Lost.
Jorge Garcia (Hurley)What Character?: The KingpinWhy: Jorge Garcia has always played the nice guy, but maybe it's time for some career diversity. We want to see the actor take on a role that's really a 180 from anything that he's done before.
Daniel Dae Kim and Yunjin Kim (Jin and Sun)What Character?: The Wonder TwinsWhy: One of Lost's most crushing moments was the demise of Jin and Sun. In fact, we still wonder why Jin didn't leave Sun behind, no matter how painful it would have been, to raise their baby, but that's an Internet rant for another day. Bringing the actors back in roles where they would hardly ever be separated from each other is the only remedy for our post-Lost blues.
Harold Perrineau (Michael)What Character?: The PunisherWhy: Michael lost his only son on the island, and has done some unsavory things in order to find him. Loss has driven him to do some terrible things, but deep down he's still a good guy, just a bit misguided with the methods he uses.
Malcolm David Kelley (Waaaaaaaaaalt)What Character?: Franklin RichardsWhy: Walt seemed like a normal kid in Lost's first season. That is until he started using creepy backwards speak and was revealed to have some sort of mystical connection with the island that had viewers going "What the f**k is up with that kid". He could definitely play Franklin Richards who also seemed normal, before becoming a reality-warping mutant.
Michael Emerson (Ben Linus)What Character?: Doctor OctopusWhy: Michael Emerson played the manipulative and intelligent Ben Linus in Lost, and he'd be perfect to play Dr. Otto Octavius in the new Spider-Man series.
Years ago if you met someone who wasn't on Facebook, it was like they didn't exist. Nowadays, you absolutely do not meet people who are not on Facebook. But some folks still aren't using and abusing the photo sharing app Instagram! And some of them are celebrities who would probably have amazing Instagram accounts! It's tragic, but true. We love Mariah Carey's Instagram, and Diddy is a blast, but here are a few celebrities who we'd love to see join Instagram.
Not that she'd need any filters, but it would be nice to see an IG selfie from the beautiful Kate Upton. Luckily for us, she's on Twitter, but it's not the same as scrolling down and seeing those beautiful, perfect ... um ... eyes ... in your feed.
The Revenge actress owes it to her dedicated fan base to let us Instagram-stalk her with all her might. Her co-star Christa Brittany and former co-star Ashley Madekwe have some pretty sweet accounts, so we'll have to stick with them while we wait for Emily to join ... and to share some adorable pics of her on-screen and off-screen boo Josh Bowman.
Considering how much this guy likes to show off, you'd think he'd make great use of the app. Plus, he's so good at practically everything he does we think he'd take some pretty brilliant photos, especially during his Parisian trips. However, with a fiancée like Kim Kardashian, there are enough Instagram photos of him going around as it is.
Now that she's officially dating Drake, it's time that she officially join Instagram. How else is he supposed to tag her in all of the adorable pictures of them that are totally headed our way?!
While he does have an official Instagram page, it's not a personal account so it's just not as much fun! We need to see adorable, shirtless pics of him and his That Awkward Moment co-star Michael B. Jordan! We are, however, thankful to Michael B. Jordan for being on Instagram. Seriously.
Summit via Everett Collection
You can imagine that Renny Harlin, director and one quadrant of the writing team for The Legend of Hercules, began his pitch as such: We'll start with a war, because lots of these things start with wars. It feels like this was the principal maxim behind a good deal of the creative choices in this latest update of the Ancient Greek myth. There are always horse riding scenes. There are generally arena battles. There are CGI lions, when you can afford 'em. Oh, and you've got to have a romantic couple canoodling at the base of a waterfall. Weaving them all together cohesively would be a waste of time — just let the common threads take form in a remarkably shouldered Kellan Lutz and action sequences that transubstantiate abjectly to and fro slow-motion.
But pervading through Lutz's shirtless smirks and accent continuity that calls envy from Johnny Depp's Alice in Wonderland performance is the obtrusive lack of thought that went into this picture. A proverbial grab bag of "the basics" of the classic epic genre, The Legend of Hercules boasts familiarity over originality. So much so that the filmmakers didn't stop at Hercules mythology... they barely started with it, in fact. There's more Jesus Christ in the character than there is the Ancient Greek demigod, with no lack of Gladiator to keep things moreover relevant. But even more outrageous than the void of imagination in the construct of Hercules' world is its script — a piece so comically dim, thin, and idiotic that you will laugh. So we can't exactly say this is a totally joyless time at the movies.
Summit via Everett Collection
Surrounding Hercules, a character whose arc takes him from being a nice enough strong dude to a nice enough strong dude who kills people and finally owns up to his fate — "Okay, fine, yes, I guess I'm a god" — are a legion of characters whose makeup and motivations are instituted in their opening scenes and never change thereafter. His de facto stepdad, the teeth-baring King Amphitryon (Scott Adkins), despises the boy for being a living tribute to his supernatural cuckolding; his half-brother Iphicles (Liam Garrigan) is the archetypical scheming, neutered, jealous brother figure right down to the facial scar. The dialogue this family of mongoloids tosses around is stunningly brainless, ditto their character beats. Hercules can't understand how a mystical stranger knows his identity, even though he just moments ago exited a packed coliseum chanting his name. Iphicles defies villainy and menace when he threatens his betrothed Hebe (Gaia Weiss), long in love with Hercules, with the terrible fate of "accepting [him] and loving [their] children equally!" And the dad... jeez, that guy must really be proud of his teeth.
With no artistic feat successfully accomplished (or even braved, really) by this movie, we can at the very least call it inoffensive. There is nothing in The Legend of Hercules with which to take issue beyond its dismal intellect, and in a genre especially prone to regressive activity, this is a noteworthy triumph. But you might not have enough energy by the end to award The Legend of Hercules with this superlative. Either because you'll have laughed yourself into a coma at the film's idiocy, or because you'll have lost all strength trying to fend it off.
Follow @Michael Arbeiter
| Follow @Hollywood_com
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
Follow @Michael Arbeiter
| Follow @Hollywood_com
Film festival hype can either make or break a movie. Some never live up to it and some ride it all the way to Oscar night. Finally we're getting to see if the Sundance Film Festival hype surrounding Fruitvale Station and lead actor Michael B. Jordan's star turn as Oscar, is worth it.
Based on a true story, Fruitvale follows the story of a 22-year-old man as he decides to alter his entire life. He wants to be a better father, son, and lover — but then a devastating train ride ultimately destroys his chances.
We fell in love with Jordan in The Wire, Friday Night Lights, and Chronicle and in Fruitvale, he puts his talents to the test again as another troubled young man looking to become someone new. The movie hits theaters July 16.
Follow Lindsey on Twitter @LDiMat.
More:'Fruitvale' Lives Up to Award Hype Can We Expect More FNL Crossovers? Fruitvale Topes Sundance Awards
From Our Partners:What Happened to 33 Child Stars (Celebuzz)40 Most Revealing See-Through Red Carpet Looks (Vh1)
Lil Wayne may not be back on stage sagging his pants and rapping out the lyrics to "No Worries" just yet, but he is on the track to recovery. On Monday, he was discharged from the hospital after spending six days recovering following multiple seizures.
Young Money Entertainment President Mack Maine revealed the news on Twitter. "Thanks to Cedar Sinai for everything!!! @LilTunechi has been officially been released and is headed home....God is great" he wrote Monday night.
Thanks to Cedar Sinai for everything!!! @liltunechi has been officially been released and is headed home....God is great
— Mack Maine (@mackmaine) March 19, 2013
RELATED: Lil Wayne Tweets He Is Good Despite Reports of Coma
On Friday, many people falsely believed that Lil Wayne was in a medically induced coma. But Weezy cleared up the hoax by taking to Twitter to update fans on his condition. "I'm good everybody," he wrote Friday. "Thx for the prayers and love."
I'm good everybody. Thx for the prayers and love.
— Lil Wayne WEEZY F (@LilTunechi) March 16, 2013
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: Jordan Strauss/Invision/AP Photo]
You Might Also Like:15 Oscar-Winning Nude ScenesYoung Jack Black Is Totally Unrecognizable
Within moments of meeting the cast and director of the new movie Drinking Buddies, you can see exactly why the end product turned out as funny, loose, and honest as it did. Their rapport in real-life is just as fast and loose and funny is it played out on screen. Case in point: while discussing blurring the lines of male-female friendships, the conversation bouncing between director Joe Swanberg, and stars Jake Johnson and Ron Livingston, sounded like something, well, straight out of a comedy.
Joe: " I feel like when people who have had that kind of chemistry, through whatever means have gotten past it, and you've sort of gotten close to the flame and figured out how to stay close and create a boundary, those can become great friendships and you kind of have to push them past the breaking point and let them break a little bit and then you know where that is and then you both just agree to stay on your side of the line from there on out."
Ron: "Or you f**k the whole thing up and move to a different city."
Drinking Buddies, which opened to raves and boisterous laughs at the Paramount Theater at SXSW this weekend, is a sexy, smart will-they-won't-they romantic comedy about two friends Luke and Katie —played by Johnson and co-star/producer Olivia Wilde — who toy with the boundaries of friendship, flirting and their relationships — both to each other, and their significant others Jill and Chris, played by Anna Kendrick and Livingston, respectively.
RELATED: SXSW Review: 'Drinking Buddies' is a Good Time, With Less Filler
But what sets Drinking Buddies apart from all the movies that ask the age old question "Can men and women really be friends?", aside from their refreshingly new take on it, is that this one was heavily improvised. Instead, Swanberg let his tremendously gifted ensemble take an outline and flesh out their characters into fully realized, fully flawed, but relatable people. Swanberg, Johnson, Kendrick, and Livingston all talked to Hollywood.com about the art improv, breaking rom-com stereotypes, and "the magic of four" in comedy.
Swanberg explained why he's a fan of improv, and why it worked so well with Drinking Buddies. "It's so weird that the way that we make movies is that we have these scripts and these characters in our head and then you have to go find people who then either match your pre-conceived idea of the character or can create that character through the performance. But you're plugging real humans into fantasy constructs and it's always seemed bizarre to me."
"When I meet with somebody to talk about doing a movie, it seems crazy to me to not incorporate the things that I like about that person into the movie," Swanberg continued, "Because, isn't that the reason why I hired them, because we had a great conversation or we liked each other? When I watch Drinking Buddies, it's so great for me because it's like all the things I enjoyed being around these four people are there in the movie. They can't not be, because of the way that we work, because we're actually engaging in conversations with each other, making the same kinds of jokes we would make. It's just such a nice little record of that moment of these four people interacting in a way where they're exactly the four people that I was like 'Oh yeah, these guys, they're great!'"
So what real-life things wound up manifesting in the movie? "Jake does this funny voice sometimes that makes me laugh, [and] there's the funny voice in the movie. It's really allowing the things that are charming, or annoying, all of that full spectrum of somebody... it's just creating a stage for those things to be captured, versus that person becoming a character on pre-written stuff."
For Livingston, the improv aspect was "scary and freeing." He explained, "There's that night before you start a film where it's like, 'This is awesome, I don't have to learn any of my lines,' and then you realize, 'But I am gonna have to shoot a scene!'"
But it's that very nature of improv that allowed the cast to create characters that live well outside the confines of most romantic comedy stereotypes. Take, for example, the overused trope of the shrill girlfriend or jerk boyfriend, simply used to lessen an audiences guilt about cheating or as a prop to push the would-be couple together. (Johnson jokingly altered his voice to sound like what that annoying character would have sounded like in their movie, "You're not allowed to hang out with your friends and drink beer! But I love you!") In Drinking Buddies, however, Kendrick's character Jill is anything but. In fact, you find yourself rooting for her, then against.
It was something that was important to Kendrick, creating a character that was not only likable, but walking the fine line of not being the villain. "That was something that, because there was no script per se, I was worried the audience would anticipate her to be that. And that that was something we would have to actively fight against. I didn't feel that Joe was going to push me in that direction, but I was concerned that would be the assumption."
RELATED: 5 Movies to See at SXSW
Kendrick made sure that nailing down what might seem like minor details, would actually be a major influence for how viewers percieve the character. The actress recalled, "I remember my first day [shooting] during the wardrobe fitting, every time I put on something that was a little too school marm-y, I was like, the first time we see her it can't be like, 'So here's the thing about Jill: she sucks'."
But for any comedy to work, improv or otherwise, at the end of the day it really depends on the actors and how they work with the material and each other. In Drinking Buddies, the foursome of Johnson, Wilde, Kendrick, and Livingston, all bounce off of each other in a way that only four could.
"I think it's like a team," Johnson said. "When you have a two-person thing, then you guys have to fill the voids with each other. With four, something like this, everyone in this cast is very good, so you don't need a star on this team, a Michael Jordan per se...you can win with the group. You either go hard for the laugh, or go hard for the moment or go hard to support a laugh or support a moment. With four, if everybody's good, it's fun."
Livingston said he likes how the dynamic of four "can shift to be really balanced or or really unbalanced and all it takes is one person walking away to go from unbalanced back to balanced again", while Kendrick cited "chamber plays, like Dinner with Friends and Closer and Through A Glass Darkly. I think there is something magic about four, for exactly that reason. Things get messy."
RELATED: SXSW Review: 'The Incredible Burt Wonderstone' Should Have Disappeared From SXSW
Of course, for every unplanned, on-the-fly moment of Drinking Buddies, there was one that Swanberg planned: to have a character named Gene Dentler. In Drinking Buddies, Wilde's real-life beau Jason Sudeikis plays her and Johnson's boss Gene Dentler. "That's a cool story that I'm happy to tell," Swanberg said, "My friend David Lowry, he had a movie at Sundance this year called Ain't Them Bodies Saints. They started shooting the same day we started shooting Drinking Buddies and for both of us it was bigger projects than either of us had ever done before. We were texting and we were like, 'We should have the same character in both movies just as a little hat tip. There's a cop named Gene Dentler in his movie and Sudeikis plays Gene Dentler in ours. The name plate on Sudeikis' desk [in Drinking Buddies] that says Gene Dentler, we sent down to Shreveport and he shot it in his movie, too."
In a fittingly off-the-cuff moment, Kendrick marveled at the anecdote, "That's amazing, I had no idea!"
[Photo credit: Ben Richardson]
Follow Aly on Twitter @AlySemigran
From Our Partners:Kim Kardashian's Maternity Style: So Wrong? (Vh1)60 Celebrity Bikini Bodies: Guess Who! (Celebuzz)