Matt Bomer is a Sexy Ex-Boyfriend: Announcing casting choices on Twitter is The New Normal for Ryan Murphy (see what I did there?!), as he took to the social media network to announce that White Collar (and big brother to Blaine on Glee)'s own Matt Bomer will be showing up on NBC's The New Normal. According to Murphy, Bomer will play "the sexy ex-boyfriend" of Bryan (Andrew Rannells). [EW]
Lost Creator Finds The Sixth Gun: Carlton Cuse and screenwriter Ryan Condal adapting the graphic novel series The Sixth Gun for a potential series on NBC. It's about six mythical guns in the Old West. When the Sixth Gun--the most powerful and dangerous of the group, obviously--resurfaces in the hands of an innocent girl named Becky Montcrief, dark forces abound! Oh no! [Hollywood Reporter]
Abby Lee Miller is Back: Dance Moms, the semi-controversial programming surrounding Abby Lee Miller's dance school in Pennsylvania is coming back for a third season. So for those of you that love to watch stage moms and a lady aggressively yell at children, you're in luck! More for you! [Deadline]
Bonnie & Clyde Get a Modern Makeover: FOX is apparently giving a modern-day makeover to the story of infamous Depression-era bank-robbing couple Bonnie Parker and Clyde Barrow (aka Bonnie & Clyde. You've heard of 'em). The project is currently in development as a serialized drama. Don't worry, the sexy and young (of course, because this is Hollywood) couple are going to do a whole Robin Hood-style thing (criminals with a heart of gold!), and will apparently capture the hearts of a nation in recession as they become total celebrities. [Deadline]
[Photo Credit: DailyCeleb]
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TV Tidbits: Ty Burrell Gets a Less Modern Family, McSteamy Will Rise Again
TV Tidbits: Kaley Cuoco Will Host Again, Megan Mullally's Back on 'Parks and Rec'
TV Tidbits: Reese Witherspoon Has Great TV 'Expectations'
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
Let's clear up your confusion right out of the gate: this movie was, up until very recently, titled Everybody Loves Whales. It's not anymore (it's Big Miracle, now...personally, I'm not fond of the change), but the sentiment remains.
John Krasinski plays a likeable shlub (naturally) who works as a reporter in the slow-news town of Barrow, Alaska. Just in time to meet his "big scoop deadline," Krasinski discovers that three whales are trapped in the confines of an ice formation off the coast and cannot get back into the ocean. His bleeding-heart ex-girlfriend Drew Barrymore latches onto the platform "There is always something you can do." You know, to help. So, she does.
She gets townspeople, laborers, the government—even the Soviets! Oh, did we mention this took place in a time when there were Soviets? Yeah, the trailer kind of threw that into our laps, too. No matter; the gutsy gal on a heatwarming mission to save one of the world's most lovable species of animal with the help of a motley crew of newly inspired strangers is so unbelievably delightful that you'll wish you were saving a whale right now.
The stellar supporting cast includes Kristen Bell, Dermot Mulroney, Vinessa Shaw, Tim Blake Nelson, Stephen Root and the great Ted Danson. The film, directed by Ken Kwapis, who, beyond everything else that's pretty cool about him, has the perfect director name, and will reach theaters February 3, 2012: just in time to save a whale. Because it's ALWAYS time to save a whale.
The Oscar-winner has joined the cast of David Cromer's off-Broadway production at the Barrow Street Theatre, which opened to rave reviews in February, 2009.
Hunt will be seen in a limited run from 6 July (10) until 1 August (10).
The actress previously appeared in a Tony Award-winning production of Our Town at New York's Lincoln Center in 2009.
In Barrow Alaska there comes a time each winter when sunlight fades out and darkness rolls in like an unwelcome visitor—for a month. Many people abandon the small town without hesitation while those who stay brace themselves for a storm of inhumane relentless frigidity and a test of sanity. But this year one group keeps the town warm—with blood—for its 30 days of night. The town’s two remaining law enforcers Eben (Josh Hartnett) and Stella (Melissa George) are forewarned by a strange drifter (Ben Foster) that “something’s comin’ ” but before they can even finish scoffing the sun has set and the vampires have descended or ascended upon Barrow for blood and recruitment. With only himself and Stella to keep the few living well alive Eben is forced to go on the defensive for the full 30 days. But as he soon learns these vamps are a smart breed with a perpetual case of the munchies. Just when you think Josh Hartnett has finally chosen the right role to suit his dark features and limited range—he decides not to play a vampire. Still 30 Days' constant darkness and overall chaos would seem to accentuate his positives by drowning out his negatives much the way Sin City spun and sold his small role but that’s not quite so. It turns out he’s capable of the quickie action or momentary drama but the scenes in which he is to save the er night—well it’s a good thing the Hartnett-as-Superman rumor was just that. As Hartnett’s partner in non-crime/estranged lover George (Turistas) manages to create some tension without resorting to shrieking or the drama-school histrionics we’ve come to expect from supporting actresses in horrors. Also successful is the ever-versatile Ray Winstone (The Departed) playing a grizzly outsider-turned-insider who joins the anti-vampire crusade. In a role surprisingly tiny considering his current rate of ascension in the industry Foster (3:10 to Yuma) is the best and creepiest this movie has to offer. And in the vampire corner is Danny Huston (The Number 23) who is horrifying as hell on first look only to de-emphasize that appearance by crowing and chatting instead of simply chugging blood. On the first day of night the vampires will seem scary; by the 30th day they’ll seem more like zombies—unless that’s just you projecting onto them. Director David Slade whose previous feature (the indie Hard Candy) could not have been more different from this one will initially win over horror-philes with 30 Days. After all it starts off on a high note with an almost apocalyptic aura to the impending darkness and its consequences. The story is set up adequately and the scares to come are alluded to without getting too greedy. And Slade doesn’t let us down immediately following sundown with jolting flashes of the beasts readying to overtake the small town. But once he gives them faces and personalities it doesn’t take long for the suspense to die—and die some more. That’s almost midway in after which point it becomes clear that the movie will consist only of a heavily abridged countdown to that 30th night and predictable bloodshed. As Slade nears the film’s climax 30 Days nears videogame-like music and machismo before its slightly more compelling conclusion is reached. On a brighter note the lightless Alaskan town—although obviously not totally pitch black for the movie’s sake—does look positively bleak especially when the cinematography takes to the skies.
Ben Affleck ("Dogma") wasn't cruisin' in a Batmobile, but the rumored Caped Crusader contender got cozy anyway with the Massachusetts justice system.
On Christmas Eve, Affleck, with ex-girlfriend-turned-just-friend Gwyneth Paltrow ("The Talented Mr. Ripley") in tow, showed up at Southern Berkshire District Court in Great Barrington, Mass., to pay a $135 fine for driving with a suspended license. Affleck was ticketed for speeding in Lee, Mass., on Aug. 11. The 27-year-old actor was reportedly on his way to visit Paltrow, who was acting in a play at the nearby Williamstown Theater Festival.
In their joint courthouse appearance, Affleck and Paltrow posed for pictures and signed autographs, according to the New York Daily News. Affleck's lawyer, David Hoose, said yesterday that the actor had a valid California license but was unaware his license was suspended in Massachusetts, apparently because of unpaid traffic violations.
GONE A' COURTING - Rap mogul Sean "Puffy" Combs is free on $10,000 bail after being formally charged Monday with criminal possession of a weapon and possession of stolen property in the wake of a New York nightclub shooting that left three injured.
All potential charges, meanwhile, against Combs' girlfriend, actress/singer Jennifer Lopez ("Out of Sight"), also in hot water after the shooting, have been dropped.
A court hearing for Combs is set for Feb. 14.
Combs declared his innocence to reporters outside Manhattan Criminal Court. "I do not own a gun," he said. "I do not carry a gun. The charges and allegations against me are 100 percent false, I feel confident that in the next couple of days, I will be vindicated and everything will be all right."
Prosecutors said Combs, 30, got into an argument with other patrons at Club New York in Manhattan shortly before 3 a.m. (EST) Monday. After one patron threw money at him, Combs and Jamal Barrow, a member of his entourage, reportedly pulled out weapons, with Barrow allegedly firing. A woman was shot in the face and two men were wounded in the shoulder; all three were listed in stable condition.
Authorities say Combs sped away from the club with Lopez ("Out of Sight") -- their Jeep chased by police until it was forced off the street. The celebrity couple, Barrow and one other person were taken in for questioning.
Barrow, 21, faces charges of attempted murder and reckless endangerment.
GONE A' PLANTIN' - Sylvester Stallone has a new hobby while waiting for those "Rambo" sequels to take form: gardening.
Stallone has agreed to replant the hundreds of trees and bushes unlawfully cut down on his Miami property by staff members. (Apparently city officials there need to pre-approve trimming plans.)
The action-star's lawyer said Stallone "had no knowledge that the trees had been taken down," according to the Hollywood Reporter. The cost to replace the scrubbed shrubbery has been estimated at between $200,000-$500,000 by nursery owners.
JUST GONE - Singer Dave Matthews ("Crash") will have to wait a while longer to make his feature film debut. Production on a remake of the nature drama "Where the Red Fern Grows," featuring the rocker, has been halted until next month due to financial difficulties.
The $3-$3.5 million film, co-starring Ned Beatty, Dabney Coleman and Mac Davis, ran up debts of almost $700,000, according to the Hollywood Reporter, leaving producers unable to finish the project.
Matthews, who fronts the Dave Matthews Band, recently released "Listener Supported," a double-CD live album.