Lifetime Adds a Leading Lady: TV icon Brooke Shields is joining Lifetime’s lady drama Army Wives. According to a press release, Shields will join the cast as “brash and brilliant” Air Force Colonel Katherine “Kat” Young. Kat is a guy’s girl who can definitely hold her own in the boys' club atmosphere of the military, but it won't take long before she’s butting heads with Army General Michael Holden (Brian McNamara). Army Wives fans can look forward to seeing Shields' character in a full-fledged power struggle with Holden to see who’s top dog on the base. But of course it wouldn’t be a Lifetime show unless Kat was holding onto a deep dark secret. “Only after their initial skirmishes does Holden learn of Kat’s tragic past, discovering they have more in common than he thought.” Shields is just one of the new additions to join the drama this season — Ashanti and Torrey DeVitto are also set to join the cast. Fans can catch the Season 7 premiere of Army Wives on Sunday, March 10 at 9 PM. [Lifetime]
A Witchcraft Reunion: Grab your spell books and wands because Disney Channel is reuniting the cast of Wizards of Waverly Place! Selena Gomez is back as Alex — the snarky best friend you’ve always wanted — in a one-hour special airing Friday, March 15 at 8 PM. The Russo family will travel to Tuscany, Italy for a family reunion, but in a attempt to show her serious magical skills, Alex accidently splits her personality in two: good Alex and bad Alex. (Side note: Didn’t they already do an episode like this? I'm pretty sure I've seen this already...) In a totally believable twist, the two Alexes battle for the fate of their family and the world atop the Tower of Pisa. [TV Guide]
Going Through The Gates... Again: Ken Marino and Aasif Mandvi have joined the NBC comedy pilot The Gates. Based on the British series, The Gates is an adult ensemble comedy set at the front gates of an elementary school drop-off and revolves around the parents, school staff and 15-minute social minefield they navigate at the beginning and end of each school day. (Side note: We're getting another case of deja vu here. Wasn't there already a TV series The Gates? On ABC? In the summer of 2010? Yes, yes there was...) This new incarnation centers on type-A Helen (Kathleen Rose Perkins), who just moved to town with her husband Mark (Marino) and their 8-year-old daughter for Helen’s big new job. Mark is described as a loveable, sweet, well-meaning, puppy-dog of a guy, a type B, or C, maybe even D to his wife’s type-A personality. Since he owns a construction business, he’s got a more flexible schedule than Helen and is at their daughter’s school more than his wife. Mandvi will play another dad at the school, a super-driven, competitive Yale-educated lawyer who’s one of these comedically intense guys who pushes his kids way too hard. [Deadline]
Party Down Parties On: This reunion is definitely one worth noting. On Feb. 9, San Francisco’s Sketchfest will reunite the cast of Starz’s brilliant-but-canceled catering comedy Party Down. Adam Scott, Ken Marino, Martin Starr, and Ryan Hansen are already locked in as attendees and it has just been revealed that Lizzy Caplan will join the group at this sold-out event as well. [EW]
It's Still Pilot Season, Y'all: NBC greenlighted a single-camera comedy from The Office developer/executive producer Greg Daniels starring Craig Robinson. The untitled project is about a talented musician with rough edges who adjusts to his new life as a music teacher in a big-city middle school, where he encounters teacher politics and the temptations of single moms. CBS has handed two more pilot orders to comedy Bad Teacher and drama The Advocates. Bad Teacher, a single-camera comedy series adaptation of the hit 2011 movie of the same name, is about a sexy, foul-mouthed divorcee who becomes a teacher to find her next husband. The Advocates, which had a pilot production commitment, centers on a female lawyer and a male ex-con who team up as “victim advocates,” going to the edge of the law to right wrongs and fight for the underdog. [Deadline, Deadline]
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Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.