WHAT IT’S ABOUT?
Set against the background of 1920s Spain where repression and political upheaval enveloped a nation on the verge of civil war Little Ashes focuses on the emergence of three young artists Salvador Dali Luis Bunuel and Federico Garcia Lorca. When Dali arrives fresh-faced at the University at the age of 18 Bunuel and Lorca welcome him into their decadent group and the trio become fast friends. Their budding friendship is soon threatened however when Dali and Lorca develop a special bond in which their sexual and artistic explorations collide with personal ambition love of country and their own passion for each other.
WHO’S IN IT?
In a performance shot before Twilight made him an international star that women swoon over Robert Pattinson may surprise fans with his spot-on portrayal of the sexually confused over-the-top artist Salvador Dali. With his signature handlebar mustache and a serviceable Spanish accent Pattinson captures the essence of the young Dali convincing in his depiction of the artistic tirades bisexual encounters and egotistical conceit that informed the great painter’s early years. As the object of Dali’s early affections newcomer Javier Beltran is intriguing as the fatalistic and seductive playwright and poet Federico Garcia Lorca while Matthew McNulty is quite fine as Bunuel who himself would go on to become one of Spain’s - and the world’s - most important film directors. As Magdalena and Gala the women who try to tame these artists Marina Gatell and Arly Jover are beautiful and effective even though their roles are really sideshows to the film’s true focus and intentions.
Despite the low budget Madrid in the '20s is nicely suggested and meticulously recreated. Director Paul Morrison has a nice feel for the period and a good eye for casting these tricky roles.
The film tries to bite off more than it can chew covering too much of the era and coming off as a mere overview of these times and key relationships. The idea of seeing the artists as young men is good but not enough time is taken to really show what they are made of. The artistic fire and sexual freedom that must have been prevalent then is glossed over and not totally convincing. This probably would have worked better as a TV mini-series.
BUT SHOULD TWILIGHT FANS LINE UP?
As his first film post-Twilight it won’t matter. Robert Pattinson may be de-fanged here but this independent art-house item won’t be around long enough to become a blip on his new fandom’s radar.
NETFLIX OR MULTIPLEX?
This small flick probably won’t find its way to the local mall. Considering the hard “R” nature of the material Pattinson’s adoring young flock will probably have to wait to see it on DVD anyway.
Walt Disney animation’s first foray into 3D ‘toon making isn’t just a technical triumph it thankfully also tells the clever story of Bolt (John Travolta). He’s a superstar TV canine who believes the superpowers he displays weekly on his series are for real --especially when it comes to the protection of his master and co-star Penny (Miley Cyrus). One day however the dog is accidentally shipped from his Hollywood soundstage to New York City. Lost alone and confused on the streets of the Big Apple Bolt is still living the show vowing to get to Penny who he believes has been kidnapped by the “green-eyed man.” And so he embarks on a cross-country journey to L.A. to save Penny. Along the way he is joined by an abandoned wily housecat Mittens (Susie Essman) and a TV-loving hamster Rhino (Mark Walton) who believes everything he sees on the tube is ALSO real. Of course Bolt is in for rude awakening when he finds out he is just a regular dog but he still needs to get to Penny -- even if it means she might not be there for him when he returns. Disney is not a studio that generally depends on superstar voices for their animated films but in casting Travolta and tween queen Cyrus they have scored a bullseye. Travolta’s Bolt is a delightful cross between the self-assured superstar and a pooch in denial. The actor doesn’t phone it in but instead creates an original and loveable dog that stands proudly in Disney’s large canon of canine greats. The action scenes created for Bolt’s TV series are lots of fun and the interactions with his traveling companions are choice. As Penny Cyrus is sympathetic sincere and she even gets to sing a duet with Travolta “I Thought I Lost You ” which she co-wrote. The show is nearly stolen though by comedian Susie Essman (Curb Your Enthusiasm) as Mittens -- a smart determined and emotionally wounded pet cat abandoned by her owners and forced to wander the streets alone. And by Mark Walton as the hilarious Rhino the obsessive fanboy hamster who rolls around in his ball. Walton is actually an animator in real life who happened to be so good at voicing Rhino during tests they just gave him the job. Disney vets Chris Williams and Byron Howard capably usher the venerable Disney label into the brave new world of 3D animation and the results are promising -- putting the audience right in the center of Bolt’s universe. The TV series action set pieces are particularly effective in using the technology. It’s not even necessary to see the film in 3D because the whole CG process has come a long way in a few short years and Bolt is one of the best looking most accomplished animated films in memory -- glasses or no glasses. Williams and Howard expertly blend humor pathos and blockbuster-style action scenes effortlessly giving “Bolt” an appeal beyond just the target kid demo.