WHAT IT’S ABOUT?
Set against the background of 1920s Spain where repression and political upheaval enveloped a nation on the verge of civil war Little Ashes focuses on the emergence of three young artists Salvador Dali Luis Bunuel and Federico Garcia Lorca. When Dali arrives fresh-faced at the University at the age of 18 Bunuel and Lorca welcome him into their decadent group and the trio become fast friends. Their budding friendship is soon threatened however when Dali and Lorca develop a special bond in which their sexual and artistic explorations collide with personal ambition love of country and their own passion for each other.
WHO’S IN IT?
In a performance shot before Twilight made him an international star that women swoon over Robert Pattinson may surprise fans with his spot-on portrayal of the sexually confused over-the-top artist Salvador Dali. With his signature handlebar mustache and a serviceable Spanish accent Pattinson captures the essence of the young Dali convincing in his depiction of the artistic tirades bisexual encounters and egotistical conceit that informed the great painter’s early years. As the object of Dali’s early affections newcomer Javier Beltran is intriguing as the fatalistic and seductive playwright and poet Federico Garcia Lorca while Matthew McNulty is quite fine as Bunuel who himself would go on to become one of Spain’s - and the world’s - most important film directors. As Magdalena and Gala the women who try to tame these artists Marina Gatell and Arly Jover are beautiful and effective even though their roles are really sideshows to the film’s true focus and intentions.
Despite the low budget Madrid in the '20s is nicely suggested and meticulously recreated. Director Paul Morrison has a nice feel for the period and a good eye for casting these tricky roles.
The film tries to bite off more than it can chew covering too much of the era and coming off as a mere overview of these times and key relationships. The idea of seeing the artists as young men is good but not enough time is taken to really show what they are made of. The artistic fire and sexual freedom that must have been prevalent then is glossed over and not totally convincing. This probably would have worked better as a TV mini-series.
BUT SHOULD TWILIGHT FANS LINE UP?
As his first film post-Twilight it won’t matter. Robert Pattinson may be de-fanged here but this independent art-house item won’t be around long enough to become a blip on his new fandom’s radar.
NETFLIX OR MULTIPLEX?
This small flick probably won’t find its way to the local mall. Considering the hard “R” nature of the material Pattinson’s adoring young flock will probably have to wait to see it on DVD anyway.
Fico (Garcia) is a low-key Havana nightclub owner who knows how to stay out of politics--and still remain a player. As he is watching the drum beat of a revolution in his country rumble around him along with his two brothers (Enrique Murciano and Nestor Carbonell) and his father (Tomas Milian) a university professor Fico also harbors a secret unrequited love for his sister-in-law Aurora (Ines Sastre). Along the way Fico comes across a strong-arming gang leader (Dustin Hoffman) and a shadowy unnamed CIA operative (Bill Murray) who both offer their own humorous and biting insights into the insanity unfolding on the small island country. Who will join the revolution what side will they be on and can Fico remain neutral? Naturally Garcia is perfect in the role he directed wrote and produced for himself and he finally shows some of that talent we saw in his Godfather Part III days. As a director he's also developed an eye for talent in casting the subtle and beautiful Ines Sastre as the love interest and two relatively unknown guys as his brothers. The recognizable faces he puts in the film Hoffman and Murray are so out of place they almost take you out of the movie when they appear. They're like a Greek chorus reminding you that Garcia has made many A-list friends in Hollywood and can all on some markers for his personal pet project. Pay attention instead to the actors who play real people such as Jsu Garcia as the young Che Guevara and character actor Juan Fernandez as Batista. Their performances are gripping. It’s hard to knock such a passionate project. Lost City is a heart-felt love poem to Garcia's home country filled with stunning imagery romance tragedy and some really jammin’ music (a few of the songs were even arranged by Garcia himself). The nightclub scenes and the more than 40 musical numbers are definitely the highlight. But the historical references and the long Dr. Zhivago-esque tale of unrequited love and missed opportunities slows the film way down. At two hours and 23 minutes it ends up sounding repetitious. Nevertheless if you have an appreciation for Cuban music or thought Dirty Dancing: Havana Nights was a toe-tappin’ movie Lost City might be time worth spent.