John Davis, executive producer of 'The Blacklist' and founder of Davis Entertainment with over 40 movie projects in various stages of development, gives us a page from his producer’s playbook and shares his views on what it takes to make it in Hollywood. To read the full story, check it out at Studio System News!
Now that The CW has canceled 90210 after five seasons, a question hangs over the heads of the actors who comprise the drama's hot, young ensemble: What next?
With their show's series finale airing Monday, May 13, the talented 90210 cast members have plenty of options ahead of them — especially since the decision to axe the show came in the thick of pilot season. The biggest (and best) idea at this point would be to capitalize on their CW fame and hop onto another show on the same network, either joining a recurring series or a new pilot. The CW loves to keep its actors in the family and recycle them across its different series (for which we are eternally grateful: If not for Cult, how else would we see the amazing Matt Davis every week after Alaric left us with tear-streaked faces following his Vampire Diaries death?). With that in mind, we've brainstormed some dream roles for each of the displaced 90210 kids. Here's what we came up with:
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AnnaLynne McCord has both the looks and attitude perfect to play a young, successful Manhattan woman in the '80s on The Carrie Diaries. Perhaps Carrie Bradshaw will need another mentor now that her first one is her boss at Interview magazine. Shenae Grimes has the sweet country girl act down pat (Annie was a nice girl from Kansas transplanted into Beverly Hills at the start of 90210), so maybe she can head to Bluebell, Alabama and befriend Hart of Dixie's Zoey Hart — the doctor's going to need a pal after her recent heartbreak thanks to Wade's infidelity. Matt Lanter's got the build and bravado to go up against Arrow's Oliver Queen in an action-packed fight, one that we are more than glad to witness. Especially if it's shirtless. But would he be a friend or foe to our favorite archer?
Jessica Stroup bears a certain family resemblance to Dillon Casey's Sean Pierce on Nikita, so she'd be perfect as one of the sisters he had to leave behind after he faked his death last week. Jessica Lowndes has the perfect dark looks to portray a vampire (either good or evil) on The Vampire Diaries — or the potential spin off series, The Originals. Michael Steger would be great in Greg Berlanti and Julie Plec's pilot The Tomorrow People, about young people who represent the next stage in human evolution. Tristan Wilds could check out Sera Gamble's pilot Company Town, a drama revolving around a scandal at a Naval base in Virginia.
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There are also other networks, though that's sometimes easy to forget between all the shirtlessness — why would you click anywhere else? Trevor Donovan has already signed on to guest star for three episodes on ABC Family's Melissa and Joey (in fact, his stint was announced mere hours after 90210's cancellation... now that's speedy, even by Hollywood's standards). Joining a show on a different network would give the actors a chance to build their fan base outside of The CW's target demo.
Of course, there's always the option to leave acting behind and fade away into obscurity... but something tells us these beautiful people will choose to stay on our TV screens one way or another. And that's right where we want them! What do you think the 90210 alums should do next?
Follow Sydney on Twitter: @SydneyBucksbaum
[Photo Credit: Patrick Ecclesine/The CW]
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If there's a cinematic alchemy award to be given this year director Bill Condon deserves to take it home after magically turning the tedious Twilight franchise into entertainment gold. 2011's Part 1 was a horror camp romp that turned the supernatural love triangle — the naval gazing trio of Bella Edward and Jacob — on its head. Breaking Dawn - Part 2 continues the madcap exploration of a world populated by vampires and werewolves mining even more comedy thrills and genuine character moments out of conceit than ever before. The film occasionally sidesteps back into Edward and Bella's meandering romance (an evident hurdle of author Stephenie Meyer's source material) but the duller moments are overshadowed by the movie's nimble pace and playful attitude. Breaking Dawn - Part 2 will elicit laughs aplenty — but thankfully they're all on purpose.
Part 2 picks up immediately following the events of the first film Bella (Kristen Stewart) having been turned into a vampire by Edward (Robert Pattinson) to save her life after the torturous delivery of her half-human half-vampire child Renesmee. She awakes to discover super senses heightened agility increased strength… and a thirst for blood. One dead cougar later Bella and the gang are able to focus on the real troubles ahead: Renesmee is rapidly growing (think Jack) and vampiric overlords The Volturi perceive her a threat to vampiric secrecy. Knowing the Volturi will travel to Forks WA to kill the young girl (a 10-year-old just a month after being born) The Cullens amass an army of bloodsucking friends to end the oppression once and for all.
Packed with an absurd amount of backstory and mythology-twisting plot points (some vampires can shoot lightning now?) Condon and series screenwriter Melissa Rosenberg mine revel in the beefed up ensemble of Breaking Dawn - Part 2 and thanks to a wildly funny cast it never feels like pointless deviation. Along with the usual suspects Lee Pace adds swagger to the series as a grungy alt-rock vampire Noel Fisher appears as a hilarious over-the-top battle-ready Russian coven member and Michael Sheen returns has Volturi head honcho Aro and steels the show. Flamboyant diabolical and a steady stream of maniacal laughter Sheen owns Condon's high camp vision for Twilight and he lights up the screen. There are a few throw away nations of vampires — the oddly stereotypical Egyptian and Amazonians sects are there mostly there to off-set the extreme whiteness — but the actors involved bring liveliness to a franchise known for being soulless. Even Stewart Pattinson and Taylor Lautner give personal bests in this installment — a scene between Bella and her dad Charlie (Billy Burke) is genuinely heartfelt while Jacob's overprotective hero schtick finally lands.
Whereas Breaking Dawn - Part 1 stuck mostly to the personal story relying on the intimate moments as Bella and Edward took the big plunge into marriage and sex Part 2 paints with broader strokes and Condon has a ball. Delving into the history of the vampires and the vampire world outside Forks is Pandora's Box for the director. One scene where we learn why kids scare the heck of the Volturi captures a scope of medieval epics — along with the bloodshed. Twilight might be known for its sexual moments but Breaking Dawn - Part 2 will go down for its abundance of decapitations. The big set piece in the finale is something to behold both in the craftsmanship of the spectacle and in its bizarre nature.
The Twilight Saga: Breaking Dawn - Part 2 had the audience hooting hollering and even gasping as it twisted and turned to the final moments. There's little doubt that even the biggest naysayer of the franchise would do the same. No irony here: the conclusion of Twilight is a blast.
There's an allure to imperfection. With his latest drama Lawless director John Hillcoat taps directly into the side of human nature that draws us to it. Hillcoat finds it in Prohibition history a time when the regulations of alcohol consumption were subverted by most of the population; He finds it in the rural landscapes of Virginia: dingy raw and mesmerizing. And most importantly he finds it in his main character Jack Bondurant (Shia LaBeouf) the scrappy third brother of a moonshining family who is desperate to prove his worth. Jack forcefully injects himself into the family business only to discover there's an underbelly to the underbelly. Lawless is a beautiful film that's violent as hell striking in a way only unfiltered Americana could be.
Acting as the driver for his two outlaw brothers Forrest (Tom Hardy) and Howard (Jason Clarke) isn't enough for Jack. He's enticed by the power of the gangster figure and entranced by what moonshine money can buy. So like any fledgling entrepreneur Jack takes matters into his own hands. Recruiting crippled family friend/distillery mastermind Cricket (Dane DeHaan) the young whippersnapper sets out to brew his own batch sell it to top dog Floyd Banner and make the family rich. The plan works — but it puts the Bondurant boys in over their heads with a new threat: the corrupt law enforcers of Chicago.
Unlike many stories of crime life Lawless isn't about escalation. The movie drifts back and forth leisurely popping in moments like the beats of a great TV episode. One second the Bondurants could be talking shop with their female shopkeep Maggie Beauford (Jessica Chastain). The next Forrest is beating the bloody pulp out of a cop blackmailing their operation. The plot isn't thick; Hillcoat and screenwriter Nick Cave preferring to bask in the landscapes the quiet moments the haunting terror that comes with a life on the other side of the tracks. A feature film doesn't offer enough time for Lawless to build — it recalls cinema-level TV currently playing on outlets like HBO and AMC that have truly spoiled us — but what the duo accomplish is engrossing.
Accompanying the glowing visuals and Cave's knockout workout on the music side (a toe-tapping mix of spirituals bluegrass and the writer/musician's spine-tingling violin) are muted performances from some of Hollywood's rising stars. Despite LaBeouf's off-screen antics he lights up Lawless and nails the in-deep whippersnapper. His playful relationship with a local religious girl (Mia Wasikowska) solidifies him as a leading man but like everything in the movie you want more. Tom Hardy is one of the few performers who can "uurrr" and "mmmnerm" his way through a scene and come out on top. His greatest sparring partner isn't a hulking thug but Chastain who brings out the heart of the impenetrable beast. The real gem of Lawless is Guy Pearce as the Bondurant trio's biggest threat. Shaved eyebrows pristine city clothes and a temper like a rabid wolverine Pearce's Charlie Rakes is the most frightening villain of 2012. He viciously chews up every moment he's on screen. That's even before he starts drawing blood.
Lawless is the perfect movie for the late August haze — not quite the Oscary prestige picture or the summertime shoot-'em-up. It's drama that has its moonshine and swigs it too. Just don't drink too much.
A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
Davis-McGhee, who became Walt Disney’s first film star at the age of four, died on 15 August (09) at her home in Corona, California.
She won over audiences as the curly-haired star of a series of short silent films in the 1920s called Alice in Cartoonland - eight years before the network's iconic Mickey Mouse character took over as Disney's most celebrated star.
She went on to film Alice’s Wonderland, playing a young girl who falls into a dream world similar to the original story o.
Alice’s Adventures in Wonderland - and made more than 12 Alice films by 1924.
Three other child actresses succeeded her in the role after Davis-McGhee dropped out over a pay dispute. However, she continued to act, playing small film roles for other studios, including parts in 1946's The Harvey Girls and 1941 movie Week-End in Havana. She also voiced some supporting characters in Pinocchio.
Davis-McGhee is survived by her daughters Margaret Sufke and Laurieanne Zandbergen - by her late husband Robert McGhee - and three grandchildren.
The actress passed away of natural causes on Saturday (15Aug09) at her home in Corona, California.
Davis was just four years old when she was hired by struggling filmmaker Disney in 1923 to star in Alice's Wonderland, becoming the first actress to take the title role in his pioneering Alice silent movies.
She went on to star in 13 Alice comedies before her contract was dropped and she was replaced by other girls.
Davis also appeared in films like 1932's Three On A Match before finding work as an interior decorator and magazine editor later in life.
Peter O'Toole's portrayal of T.E. Lawrence in David Lean epic Lawrence of Arabia has topped a new list of the greatest movie performances.
The iconic actor sprained both his ankles, dislocated his spine and knocked himself out twice while making the 1962 movie, and admits he became "obsessed" with adventurer Lawrence.
But it seems it was all worth it--the portrayal beat Marlon Brando's role as Terry Malloy in On the Waterfront and Meryl Streep's acclaimed part (Sophie Zawistowska) in Sophie's Choice in the 100 Greatest Performances of All Time list in movie magazine Premiere.
In a related poll, Naomi Watts and Laura Elena Herring (Mulholland Drive), Laurence Olivier and Michael Caine (Sleuth), and Richard Burton and Elizabeth Taylor (Who's Afraid of Virginia Woolf?) were named among the Dynamic Duos of movie history.
The top 10 greatest performances are:
1. Peter O'Toole as T.E. Lawrence (Lawrence of Arabia)
2. Marlon Brando as Terry Malloy (On the Waterfront)
3. Meryl Streep as Sophie Zawistowska (Sophie's Choice)
4. Al Pacino as Sonny Wortzik (Dog Day Afternoon)
5. Bette Davis as Margo Channing (All About Eve)
6. James Cagney as George M. Cohan (Yankee Doodle Dandy)
7. Dustin Hoffman as Ratso Rizzo (Midnight Cowboy)
8. James Stewart as George Bailey (It's a Wonderful Life)
9. Gene Wilder as Dr. Frederick Frankenstein (Young Frankenstein)
10. Robert De Niro as Jake La Motta (Raging Bull)
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He shoots, he doesn't "Score!" Oscar winner Russell Crowe is allegedly an aficionado of Scores strip club in Manhattan, reportedly dropping five grand on three strippers at Christmas-time, PageSix.com reports. The report also reveals that the hunky actor failed to convince the strippers to remove their G-strings or accompany him back to his hotel room.
Nicole Kidman's bank account isn't the only thing that's growing bigger these days. For the upcoming flick The Hours the star of Moulin Rouge had to endure two hours in the make-up chair (which Sky News says she "hated") to add some needed mass to her proboscis to approximate that of author Virginia Woolf. Ah, the sacrifices Nicole's willing to make for her art--first kissing Ewan McGregor and now this.
Disturbed director David Lynch (Mulholland Drive) has been tapped to head the panel of judges at the next Cannes Film Festival. And here we thought the only American entertainer the French liked was Jerry Lewis.
Third time's the charm? Former Seinfeld cast member Julia Louis-Dreyfus (Elaine) is trying her hand at a prime time sitcom, following in the failed footsteps of Michael Richards (Kramer) and Jason Alexander (George), whose projects both failed to last a full season. Watching Ellie debuts Feb. 26 on NBC, and will likely be cancelled by mid-April.
Comedian Chris Rock and wife Malaak Compton-Rock are expecting their first child, People magazine reports. The couple has been married for five years.
The Laramie Project officially opened the Sundance Film Festival on Thursday night. The Laramie Project deals with the murder of a gay man in Laramie, Wyo., whose only crime was being openly gay. Shocked viewers were heard to say, "That doesn't look like a bobsled." The Winter Olympics start in Park City, Utah about a month after Sundance ends.
Another day, another awards announcement. The Producers Guild of America has released their nominations for the best of TV and film. Shrek becomes the first animated film to be considered for the PGA's Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures. Shrek is also the first ogre and the first fully green creature to be considered for such an honor.
On Wednesday, Michael Jackson came in first and third in the television ratings for 18-49 year olds. Jacko's appearance on the American Music Awards propelled ABC to a victory in the most coveted demographic, while his repeated special on CBS finished third. No word on whether Jacko pulled in the highly coveted llama demographic.
Showtime and MTV have confirmed that they are working on a cable network targeted at gays and lesbians. This news crushes Jerry Falwell's plans to do the same.
Leaving No Doubt about her future matrimonial plans, a spokesman for Gwen Stefani said the 32-year-old Ska-rocker is getting hitched to Bush frontman Gavin Rossdale, 34, Reuters reports. Rossdale admitted that Stefani was pressuring him to make a commitment last November.
Ray Charles has Australia on his mind? The 71-year-old legendary musician is headed down under in February for a series of concerts in Oz, Reuters announces.
In an ironic twist that only the U.S. court system could come up with, Rapper DMX has worked out an astounding plea agreement with Bergen County, N.J., prosecutors. DMX, who was charged with 13 counts of animal cruelty, two counts of maintaining a nuisance and one count each of disorderly conduct and possession of drug paraphernalia in 2001--and charged with possession of a deadly weapon and child endangerment in 1999--will make public service announcements for kids telling them of the dangers of guns and asking them to be kinder to animals. Otherwise, they might become successful recording artists who cross over to making movies...
Martin Luther King's life (and 73rd birthday) will be celebrated in a Smithsonian exhibit starting on King's birthday this Sunday at Detroit's Charles H. Wright Museum of African American History, The Associated Press reports. The traveling exhibit, which features works of more than 100 artists who carry on King's work through their art, will visit six cities over the next two years.
Doubling their displeasure, twin teen stars Mary-Kate and Ashley Olsen have dropped out of So Little Time, their highly successful sitcom on ABC Family Channel. ABC cites the twins' demands for a $400,000 raise in their allowance as the sticking point. Mary-Kate and Ashley are currently looking to get onboard a movie ride, but can only do so if they're this tall.
The Highlands Grand opened with a gala fest Wednesday night. Attendees--including Jennifer Love Hewitt, Jerri Manthey (Survivor) and former NBA hoopster John Salley--were treated to designer grub by Wolfgang Puck, choreographed dance numbers by Alex Magno (Madonna's Drowned World Tour) and places to sit.