I Am Number Four a sci-fi action drama from D.J. Caruso (Disturbia Eagle Eye) about a teenage alien’s earthly travails has the look and feel of a CW series – i.e. lots of attractive young people some of whom possess supernatural abilities and superhuman amounts of angst and alienation. This is not a coincidence: Two of its screenwriters Alfred Gough and Miles Millar happen to be the creators and executive producers of Smallville a series chronicling Superman’s youthful pre-Metropolis years that’s now in its tenth and final season on the CW. (The script is adapted from a novel by Pittacus Lore.)
Unlike Smallville’s solitary Kryptonian I Am Number Four’s hero is not alone. Number Four (Alex Pettyfer) is one of nine gifted residents (each branded with a number for reasons not sufficiently explained in the film) from the planet Lorien who fled to Earth after their civilization was annihilated by the Mogadorians a race of mumbly trenchcoat-clad goons with tattooed scalps hell-bent on ridding the universe of its water polo players. (Indeed Pettyfer’s hair in the film perpetually bears that fresh-out-of-the-water look common also to surfers and lifeguards.) Together with his anointed guardian Henri (Timothy Olyphant) he travels from small town to small town adopting assumed names and trying to keep a low profile so as to avoid detection by the Mogadorians who have followed the Loriens to earth to finish the job.
I Am Number Four skillfully mines much of the same emotional territory of the Twilight saga and its variants albeit from a slightly geekier less melodramatic more male-oriented angle. (Michael Bay produced the film.) Four’s itinerant lifestyle and otherworldly heritage make the adolescent struggle to fit in all the more difficult; he’s anti-social broods a lot and acts out toward Henri telekinetically. (Kudos to Caruso for the unorthodox but effective choice of Olyphant a guy who always looks to me as if he’s about to stab someone as the father-figure). This is likely because Four is in the middle of that awkward alien superhero stage: special powers like hands that glow brightly and emit beams of energy spontaneously reveal themselves at inopportune times causing him to flee from physics class mortified. Pettyfer's really got the tormented bit down; if he can master a few more expressions he's really gonna go places.
Despite these difficult public moments and despite Henri’s repeated warnings to avoid earthly relationships Four manages to strike up an inter-species romance with fellow attractive outcast Sarah (Glee's Dianna Agron) Bella Swan’s blonde equivalent a former cheerleader who has since disavowed her popular-girl past. This in turn invites the fury of Sarah’s former boyfriend and current stalker a bullying jock named Mark (Jake Abel).
Soon however Four’s rites of adolescence must take a backseat to the more pressing matter of defending his species – and his adopted planet – from the Mogadorians who’ve tracked him to his Paradise Ohio location via that advanced alien technology known as YouTube. An apocalyptic battle set at Four’s high school ensues during which he is joined by a fellow Lorien Number Six (Teresa Palmer) a hot-blooded Aussie biker chick whose powers include the ability to communicate exclusively in double entendres. Four is also aided by Sarah a UFO-obsessed sidekick (Callan McAuliffe) and a shape-shifting puppy.
I Am Number Four’s climax largely abandons its appealing Smallville ethos for something more suitable of a film bearing the name of Michael Bay but made with a fraction of the effects budget. The orgy of destruction involving CGI beasts and laser guns and explosions and tons of acrobatic stuntwork comes off a tad cheap if not a little tacky. Hopefully the filmmakers will get a bit more cash to make the sequel which I Am Number Four's ending rather blatantly labors to set up.
WHAT’S IT ABOUT?
Based on the beloved children’s book by Judi and Ron Barrett Cloudy With a Chance of Meatballs tells the tale of Flint Lockwood an eccentric young inventor who spends his days in a makeshift laboratory building monkey-thought translators spray-on shoes “hair unbalder” serums and other strange creations. Regarded as a troublemaker and a nuisance by the residents of the small town of Swallow Falls Flint dreams of one day making something that will win their respect and earn him a place alongside the Edisons and Da Vincis of the world.
Flint thinks his latest invention a machine that turns ordinary water into gourmet meals at the touch of a button just might do the trick. But his big unveiling goes predictably awry when his machine launches like a rocket through Swallow Falls laying waste to the town square before eventually disappearing into the stratosphere.
Just when it appears that the townsfolk have finally had enough of Flint’s antics salvation arrives in the form of cheeseburgers raining from the sky thrilling the throngs of hungry people below. Success! Flint’s machine actually works — albeit not quite in the manner he originally intended.
WHO’S IN IT?
Lending his voice to the character of Flint is Bill Hader a Saturday Night Live regular who’s appeared in small roles in a ton of high-profile comedies including Tropic Thunder Pineapple Express and Night at the Museum: Battle of the Smithsonian. Anna Faris (The House Bunny) co-stars as Sam Sparks a weathergirl whose bubbly on-screen persona masks a keen intellect she’s terrified to reveal — lest she be branded a “nerd” and shunned by the community of shallow talking-head news correspondents.
Evil Dead star Bruce Campbell voices the sleazy manipulative Mayor Shelbourne a wildly ambitious politician who eyes Flint’s invention as his ticket to higher office. James Caan (The Godfather) plays Flint’s well-meaning but emotionally distant father Tim a blue-collar fisherman who can’t find a way to relate to his brainy offspring. And fans of A-Team and Rocky III will instantly recognize the voice of Mr. T as Earl Devereaux the tough-minded town cop whose job is devoted primarily to preventing Flint from inadvertently destroying the town. Rounding out the main cast is Neil Patrick Harris (Harold & Kumar Go to White Castle) as Flint’s trusted monkey assistant Steve.
The animation of Cloudy With a Chance of Meatballs is truly a joy to behold. With each successive meal that falls from the sky comes a brilliant new array of patterns and colors all of which burst from the screening in dazzling 3-D. Directors Phil Lord and Christopher Miller rightly recognize the visual potential of the source material with its endless variety of colorful food items and serve up a delicious buffet of brilliantly-rendered set pieces.
But the film isn’t just a bundle of digital eye candy. Perhaps most pleasantly surprising about the film is the script’s sharp wit and clever observations which help make the experience enjoyable on a cerebral as well as visceral level.
Lord and Miller who also co-wrote the adapted screenplay did a generally solid job expanding the relatively thin source material for the big screen but the story still feels weak at times. It’s just engaging enough to keep you interested but not quite enough to make a lasting impression.
Cloudy With a Chance of Meatballs is something of a culinary rollercoaster. As food first begins to fall from the sky you might find yourself feeling a bit hungry. But as the plot progresses and Flint’s machine starts to spin out of control bombarding the town with every kind of slop imaginable don’t be surprised if your stomach starts to get a little queasy!