WHAT IT’S ABOUT?
For real estate broker Peter Klaven the bride wasn’t hard to land; it’s finding a best man that’s proving the real challenge. After he gets engaged to sweet Zooey he realizes he has no close male friendships so he sets off on a series of “man dates” to rectify the situation until he finally stumbles upon Sydney Fife a care-free bachelor and Peter’s polar opposite. An immediate best-buddy connection is formed as the two bond to Rush music and engage in honest mano et mano conversation. But when the bromance gets a little too intense it causes ripples in his relationship with Zooey and threatens the wedding.
WHO’S IN IT?
With a cast who mainly cut their teeth in TV sitcoms and improv this is can’t-miss comedy providing the best role Paul Rudd has had to date. Playing Peter as the ultimate female-loving straight guy a potential bride’s dream because he likes to cuddle up on the couch and watch chick flicks like Chocolat Rudd is hilarious especially later on as he tries the male-bonding thing with Sydney -- using hip phrases and non-sequiturs he is incapable of uttering with any level of competence. There’s a grounded sweetness to Rudd in this role and he never loses sight of the character. Rudd and Jason Segel (Forgetting Sarah Marshall) are sensationally funny together -- the best movie buddy team in years. That’s largely because Segel also is down-to-earth in a role that could have soared over the top but never does. The two are always believable and that’s key to making the comedy work as well as it does. Rashida Jones is refreshingly likeable and sweetly understanding if frustrated as Peter’s fiancée. As her BFFs are: Jaime Pressly (My Name Is Earl) who is always battling with her hubby (a riotous Jon Favreau) and Sarah Burns as the awkwardly man-hungry Hailey are highly amusing. SNL’s Andy Samberg is surprisingly understated as Peter’s gay brother and there are nice moments from J.K Simmons (Juno) and Jane Curtin as their parents. And watch out for Thomas Lennon who steals his few scenes as Doug a spurned early “man date” of Peter’s. The original Incredible Hulk Lou Ferrigno also turns up as himself in a wryly amusing running gag.
This is a broad comic premise but it’s never allowed to careen out of control allowing everyone to create three-dimensional human beings despite the hijinks going on around them. The bits with Rudd and Segel jamming on Rush songs are great and so is the endless stream of corny catchphrases such as Rudd’s "we’re just chillaxin’" and Segel’s "Dude Von Dudenstein."
Considering the smart instinctual comic chops that writer/director John Hamburg (Along Came Polly) displays here he could have cut back on the raunch which gets piled on a little thick at times for the film’s own good; although compared to last week’s dreadful buddy bomb Miss March this is Disney stuff.
There are too many to name but the Chinese restaurant engagement dinner is a comic knockout particularly when it comes to Segel’s toast -- full of thinly disguised and totally inappropriate sexual innuendo.
A billionaire TV producer (Robert Mammone) has a great idea for a reality show that he wants to put on the Internet and his goal is to beat the 40 million Super Bowl audience. He has compiled a crack team of young hip and immoral tech geeks directed by Goldman (Rick Hoffman) and puts cameras throughout a remote island where former prisoners are going to kill each other while audiences watch after shelling out the pay-per-view fee. The location is done on a remote secret island and the death row prisoners are bought from prisons around the world with the promise that the survivor gets to walk free. Among the contestants are a rogue Aussie named McStarley (Vinnie Jones) a martial arts expert (Masa Yamaguchi) a husband-and-wife team (Manu Bennett and Dasi Ruz) a monstrous killer who doesn't do much more than grunt (Nathan Jones) and others known only as The Italian The German and other monikers quickly forgotten. Enter the sole American Jack Conrad (Steve Austin) who's in a South American prison for some obscure reason and is recognized on TV by his wife (Madeleine West) who tries to save him. However it looks like Conrad is pretty good at helping himself. Don't expect the acting to be much more evolved than what could be seen among the World Wrestling Entertainment superstars especially since many of them were plucked from the ring to star in this morality tale. But Austin (who had in a strong cameo in Adam Sandler's Longest Yard) proves he has a sense of humor as well as strength. Vinnie Jones is ridiculously over-the-top as the Aussie who's the hand-picked winner of this game shown setting up alliances Survivor style only to turn on them later. The supporting cast are refreshingly entertaining but one-note caricatures both in the contest and running the contest. It's obvious that they aren't going to be around long but the actors do milk their tiny roles for every bit of attention they can get. Rick Hoffman as the brilliant camera mastermind of the project is both whiny sniveling and mean-spirited so when he joins some of the rest of the crew and suddenly develops a backbone and a conscience he ends up stealing the movie with his acerbic humor. But it's the understated American hero Conrad who holds a mirror up to the people who like to watch this stuff. Director Scott Wiper who co-wrote this story has also acted in similar movies like this (A Better Way to Die). It’s obvious he knows what he’s doing with The Condemned and develops a sense of voyeuristic angst like those of us who can't keep our eyes off a train wreck. Like the darkly subversive Belgian film Man Bites Dog the camera crew remains safely distant and remote until the reality directly involves them. Then the crew wonders "What the hell are we doing?" while the audience might be thinking "What the hell are we watching?" Much like Series 7: The Contenders Rollerball and other movies which show a dark and bloody near future this kind of reality doesn't seem too far away and maybe proves that movies which provide this type of gladiator spectacle target a certain segment of the human population who need to blow off steam.