Go ahead and throw logic out the window on this one folks. A mysterious Tibetan monk with no name (Chow Yun-Fat) has spent a lifetime protecting an ancient document known as the Scroll of the Ultimate--a parchment that will yield unlimited power to anyone who reads it. After running around the globe for 60 years the Monk knows it's time to hang up his robes and find a new guardian but spotting a successor isn't easy in the hustle bustle of the 21st century where Tibetan traditions and rituals are almost non-existent. Maybe the next protector should be the crafty rebellious pickpocket Kar (Seann William Scott) who learned martial arts from watching kung-fu movies; after all Kar helps the Monk escape from the scroll's most avid pursuer Strucker (Karel Roden) a sadistic old Nazi who wants to use the its power to rid the planet of inferior races. Or maybe the Monk's successor is the elusive but beautiful bad girl Jade (James King) whose skills are numerous and who seems to pop up to help Kar whenever he gets in a jam. Whomever the Monk eventually chooses they must first unite to battle the ultimate enemy--and keep the scroll safe.
If it weren't for Yun-Fat Bulletproof Monk would be pretty hopeless. The charismatic actor finds a nice balance no matter what he does and in this case he resists the obvious temptation to play the Monk as a fish out of water in the big city. Since he's long been one of Chinese cinema's most well-known action heroes he's definitely in his element in Monk standing on top of a car with guns blazing and the Zen master persona he discovered in Crouching Tiger Hidden Dragon serves him well here too. The script requires him to spout off fortune-cookie mumbo jumbo but he manages to do it without sounding ridiculous. The petite King actually holds her own as the brawny-yet-brainy tough chick but the wisecracking Scott is completely out of his element for the first time in his career. He handles the little comedic tidbits well but in no way is it possible to believe that the "Dude" who couldn't find his car and the jackass who drank someone else's bodily fluids in American Pie can be a martial arts hero who saves the planet. It just isn't going to happen.
Bulletproof Monk relies on the ghosts of movies past including Crouching Tiger and the 1986 Eddie Murphy stinker The Golden Child for its plot which results in a film that's chock full of cliches especially the evil Nazi who has spent 60 years chasing after the scroll using his tow-headed granddaughter whose cover is an organization for human rights to do the dirty work. A few bright moments with Yun-Fat coupled with director Paul Hunter's good use of fast-paced martial arts action make the rest of this unimaginative movie somewhat palatable--even novices Williams and King look good doing the moves--but all in all Bulletproof Monk is shooting blanks.
With its twisty-turning plot and military setting Basic could be the love child of an illicit affair between The Usual Suspects and The General's Daughter; it even borrows the star of the latter. In Basic John Travolta plays Tom Hardy a former Army Ranger and interrogator extraordinaire who's now a DEA agent in Panama suspended from duty on suspicion of bribery. He's hitting the rebellious law enforcement officer's requisite bottle of Jack Daniels heavily--until an old friend on the local army base Col. Bill Styles (Tim Daly) calls him in to investigate the disappearances and probable deaths of an elite group of trainees and their commander Sgt. Nathan West (Samuel L Jackson) during a training session in the Panamanian jungle. Staff investigator Lt. Julia Osbourne (Connie Nielsen) a plucky Southern gal who's none too pleased with Hardy's invasion of her turf is assigned to help Hardy question the unit's surviving members Kendall (Giovanni Ribisi) and Dunbar (Brian Van Holt). As their stories unfold over a series of flashbacks the interrogators discover a military underworld of drugs murder and coercion--and the mysterious existence of a rogue Ranger unit called "Section 8." Now for an interrogation of our own. Is the plot convoluted? Sir yes sir! Is it too tricky for its own good? Sir yes sir! Thank you soldier. You may stand down.
The trigger-finger pointing winking cluck-clucking "gotcha" persona Travolta (Swordfish Domestic Disturbance) creates in Hardy is as appropriate to the story as it can possibly be; the way he manipulates his subjects under interrogation is much the same way the story manipulates its audience. He leads them--and the observant Lt. Osbourne--to believe one thing then pulls the rug out from under them to prove the old cliché of military movies: that nothing is as it seems. In Nielsen's (The Hunted One Hour Photo) Osbourne we're given a character who could lead us through the jungle of the plot (she discovers the "facts" at the same time as the audience so her reaction is meant I suppose to be ours) but since Hardy spends much of his time making her look and feel like an idiot she comes off as one and frankly so do we. The talented Jackson (Changing Lanes) mostly does the bellowing drill sergeant bit while Ribisi (Heaven) as the homosexual son of a high-ranking general talks like he has cotton wool in his mouth and moves and twitches like he's mildly brain-impaired. (His character's not supposed to be; he only got shot in the leg.) One bright spot in this movie is the featured role for hunky Van Holt (Windtalkers Black Hawk Down) whose chiseled good looks and heroic demeanor make him a shoo-in should anyone ever make a live-action Johnny Bravo movie.
Director John McTiernan has given audiences some heavy-duty action in Die Hard Die Hard With a Vengeance and The Hunt for Red October but he's also the director who brought us such gems as Rollerball and Last Action Hero so it's not surprising that in Basic we get some action and intrigue paired with the out-there story stylings and narrative confusion of some of his less successful work. Here each flashback brings new information that conflicts with what we've been told before and the story never really resolves those conflicts in any satisfying way. The "big twist" at the end instead of bringing it all together creates gaping holes in the plot or at least creates so much doubt in the story we've just spent an hour and a half watching that it's easy to get fed up with trying to figure it out. Naturally no one likes to be spoon-fed plot resolutions but in order for twists to work they have to give the audience something to focus its doubt on--they can't just call the whole kit and caboodle into question. We have to be able eventually to figure it out. But hey maybe we aren't supposed to work out the details; after all this movie with its catchy one-word title and colorful cast of characters is just begging for a sequel: Basic 2: Explaining the First Movie.
So much for TV's same old, same old.
The nominations for the 54th Annual Primetime Emmys signaled a significant shift in the landscape of television's most honored series and performers, with perennial favorites like ER, The Practice, The X-Files and NYPD Blue (the latter ineligible due to a lack of new episodes) losing steam among Academy of Television Arts & Sciences voters in favor of up-and-coming shows like Six Feet Under, Alias, 24 and CSI: Crime Scene Investigation.
Nobody better signified the Emmy voters' changing tastes than Will & Grace star and this morning's nomination announcer Eric McCormack. After ER actress Laura Innes read off a list of names in the lead actor in a comedy category that did not include his own, he executed a perfectly timed, Jack Benny-esque slow look over his shoulder to assure he had heard correctly.
"It's just as well," the Emmy winner--and impending father-to-be--sighed. "You know how hard it is to get a sitter." The nonplussed star nevertheless beamed when his show and co-stars Debra Messing, Sean Hayes and Megan Mullally each received nominations.
McCormack played his shut-out for laughs, but a dramatic shift in preferences marked this year's nominations. Still, despite having no new episodes of The Sopranos to submit, HBO again emerged as the network with the most nominations, an astounding 93 nods. Six Feet Under delivered the most of any series this year with 23, and the pay cable net also scored nods for its enduring Sex and the City (ten), newcomer Curb Your Enthusiasm, miniseries Band of Brothers and several of its pay cable movies.
The new crop of freshman faves include Alias (nine noms, including acting accolades for Jennifer Garner and Victor Garber), 24 (ten, including nods for best drama and lead actor Kiefer Sutherland) and comedian Bernie Mac, who got his first nomination in the lead actor in a comedy series for the initial season of his eponymous Fox sitcom. Michael Chiklis, star of the scathing new F/X crime drama The Shield, also earned his first kudo as lead actor in drama.
But in spite of near shut-outs in major categories for former Emmy shoo-ins like ER, The Practice, Ally McBeal and Law & Order, at least one principal network had plenty of reasons to be as proud as a peacock. NBC nabbed 89 nominations, bolstered by the still-powerhouse The West Wing (21 nods), Will & Grace (13) and a resurgently popular Friends (11). Indeed, this year marked the strongest showing yet by the latter show's cast members, who for the first time decided to submit themselves in the comedy lead categories rather than the supporting slots.
The gambit paid off: buoyed by this season's Rachel-Joey-Ross triangle, Jennifer Aniston and Matt LeBlanc scored nods, though David Schwimmer was edged out by Matthew Perry. Aniston's real-life hubby Brad Pitt even earned a nomination for his guest appearance on the series.
The network's graying show Frasier still snared a very respectable nine nominations, including acting nods for lead Kelsey Grammer and supporting actor David Hyde Pierce, along with guest actors Brian Cox, Adam Arkin and Anthony LaPaglia. The series is only two Emmy wins away from tying the all-time win mark set by The Mary Tyler Moore Show.
It seems that actors looking to make a bid for the winged trophies need only get their agents to wrangle them a role on The West Wing. Not only did previous Emmy winners Martin Sheen and Allison Janney (bumped up this year to the lead actress category) score approval, the Oval Office drama earned supporting nominations for regular cast members Dule Hill, John Spencer, Richard Schiff, Bradley Whitford, Janel Moloney, Stockard Channing and Mary-Louise Parker, as well as for guest actors Ron Silver, Tim Matheson and Mark Harmon.
Whitford and Jane Kaczmarek continue to be the favorite real-life husband-and-wife choice among Emmy voters, with Kaczmarek getting a lead comedy actress nod for her role on Fox's , while her TV hubby Bryan Cranston got his first-ever lead comedy actor nod for the series.
CBS must love Everybody Loves Raymond for turning out one of its strongest performances yet with 11 nominations, and each of the sitcom's lead actors earned a berth in their respective categories, as did guest actress Katherine Helmond. The eye net's sophomore series CSI: Crime Scene Investigation, one of the most-watched shows on TV, garnered six nods, including one for outstanding drama series, yet none of the show's actors were singled out.
"Singled out" sounds like a term the Sex and the City gals would never want to hear, but while Sarah Jessica Parker, Kim Cattrall, Cynthia Nixon and even veteran character actress Frances Sternhagen (who plays Charlotte's blue-blood mother-in-law Bunny) woke up to Emmy nominations, Kristin Davis somehow slipped through the cracks again despite an emotionally weighty season.
Finally, it apparently helps you get an Emmy nomination if you already have an Academy Award, or at least a nomination, on your mantel. Among the performers previously tapped for film's Golden Guy who earned Emmy nods in various categories this year: Albert Finney, Angela Bassett, Sissy Spacek, Jim Broadbent, Susan Sarandon, Jon Voight, Vanessa Redgrave, Laura Linney, Kenneth Branagh, Joan Allen, Michael Douglas, Anjelica Huston, Glenn Close and Cloris Leachman. Even Tom Hanks and directors Steven Spielberg and Ridley Scott got acknowledged in the producer categories.
ATAS will hand out the Emmy trophies on Sunday, Sept. 22, at a black-tie ceremony at the Shrine Auditorium in Los Angeles.
Highlights of the 2001-2002 Primetime Emmy Award Nominations:
Outstanding Drama Series
CSI: Crime Scene Investigation (CBS)
Law & Order (NBC)
Six Feet Under (HBO)
The West Wing (NBC)
Outstanding Lead Actor in a Drama Series
Michael Chiklis, The Shield
Michael C. Hall, Six Feet Under
Peter Krause, Six Feet Under
Kiefer Sutherland, 24
Martin Sheen, The West Wing
Outstanding Lead Actress in a Drama Series
Jennifer Garner, Alias
Amy Brenneman, Judging Amy
Rachel Griffiths, Six Feet Under
Frances Conroy, Six Feet Under
Allison Janney, The West Wing
Outstanding Supporting Actor in a Drama Series
Victor Garber, Alias
Freddy Rodriguez, Six Feet Under
Dulé Hill, The West Wing
John Spencer, The West Wing
Bradley Whitford, The West Wing
Richard Schiff, The West Wing
Outstanding Supporting Actress in a Drama Series
Tyne Daly, Judging Amy
Lauren Ambrose, Six Feet Under
Mary-Louise Parker, The West Wing
Stockard Channing, The West Wing
Janel Moloney, The West Wing
Outstanding Comedy Series
Curb Your Enthusiasm (HBO)
Everybody Loves Raymond (CBS)
Sex and the City (HBO)
Will & Grace (NBC)
Outstanding Lead Actor in a Comedy Series
Bernie Mac, The Bernie Mac Show
Ray Romano, Everybody Loves Raymond
Kelsey Grammer, Frasier
Matt LeBlanc, Friends
Matthew Perry, Friends
Outstanding Lead Actress in a Comedy Series
Patricia Heaton, Everybody Loves Raymond
Jennifer Aniston, Friends
Jane Kaczmarek, Malcolm in the Middle
Sarah Jessica Parker, Sex and the City
Debra Messing, Will & Grace
Outstanding Supporting Actor in a Comedy Series
Peter Boyle, Everybody Loves Raymond
Brad Garrett, Everybody Loves Raymond
David Hyde Pierce, Frasier
Bryan Cranston, Malcolm in the Middle
Sean Hayes, Will & Grace
Outstanding Supporting Actress in a Comedy Series
Doris Roberts, Everybody Loves Raymond
Wendie Malick, Just Shoot Me
Cynthia Nixon, Sex and the City
Kim Cattrall, Sex and the City
Megan Mullally, Will & Grace
MINISERIES AND MOVIES
Band of Brothers (HBO)
The Mists of Avalon (TNT)
Outstanding Made for Television Movie
Dinner With Friends (HBO)
The Gathering Storm (HBO)
James Dean (TNT)
The Laramie Project (HBO)
Path To War (HBO)
Outstanding Lead Actor in a Miniseries or a Movie
Albert Finney, The Gathering Storm
James Franco, James Dean
Sir Michael Gambon, Path To War
Kenneth Branagh, Shackleton
Beau Bridges, We Were the Mulvaneys
Outstanding Lead Actress in a Miniseries or a Movie
Vanessa Redgrave, The Gathering Storm
Angela Bassett, The Rosa Parks Story
Blythe Danner, We Were the Mulvaneys
Laura Linney, Wild Iris
Gena Rowlands, Wild Iris
Outstanding Supporting Actor in a Miniseries or a Movie
Jim Broadbent, The Gathering Storm
Michael Moriarty, James Dean
Alec Baldwin, Path To War
Don Cheadle, Things Behind the Sun
Jon Voight, Uprising
Outstanding Supporting Actress in a Miniseries or a Movie
Sissy Spacek, Last Call
Stockard Channing, The Matthew Shepard Story
Joan Allen, The Mists of Avalon
Anjelica Huston, The Mists of Avalon
Dame Diana Rigg, Victoria and Albert
Outstanding Guest Actor in aDrama Series
John Larroquette, The Practice
Charles S. Dutton, The Practice
Ron Silver, The West Wing
Tim Matheson, The West Wing
Mark Harmon, The West Wing
Outstanding Guest Actress in a Drama Series
Mary McDonnell, ER
Martha Plimpton, Law & Order: Special Victims Unit
Patricia Clarkson, Six Feet Under
Lili Taylor, Six Feet Under
Illeana Douglas, Six Feet Under
Outstanding Guest Actor in a Comedy Series
Adam Arkin, Frasier
Anthony LaPaglia, Frasier
Brian Cox, Frasier
Brad Pitt, Friends
Michael Douglas, Will & Grace
Outstanding Guest Actress in a Comedy Series
Katherine Helmond, Everybody Loves Raymond
Susan Sarandon, Malcolm in the Middle
Cloris Leachman, Malcolm in the Middle
Frances Sternhagen, Sex and the City
Glenn Close, Will & Grace