Few of the powerful men who helped shape America in the 20th century are as polarizing as J. Edgar Hoover considering the peaks and valleys of his nearly half-century-long reign as the director of the FBI and his closely guarded private life. However while there is much to debate about whether the heroism of Hoover’s early career outweighs the knee-jerk paranoia that clouded the end of his run at the Bureau and about what really turned on this lifelong bachelor one aspect of Hoover’s life is inarguable: this was a man who possessed a rare gift for establishing and maintaining order. Everything that fell under his control was meticulously kept in its place from the fingerprints on file in the FBI’s database to the cleanly shaved faces of his loyal G-Men.
It’s an unfortunate irony then that J. Edgar the biopic focused on this ruthlessly organized administrative genius is such a sloppy awkwardly assembled mess. Its lack of tidiness hardly suits its central character and is also shockingly uncharacteristic of director Clint Eastwood. The filmmaker’s recent creative renaissance which began in 2003 with the moody Boston tragedy Mystic River may not have been one defined by absolute perfection—the World War II epic Flags of Our Fathers for example is no better than an admirable mixed bag—but it comes to a grinding halt with J. Edgar Eastwood’s least satisfying and least coherent effort since 1999’s True Crime. There’s no faulting the attention paid to surface period details—every tailored suit and vintage car registers as authentic—but on the most fundamental level Eastwood and writer Dustin Lance Black (an Academy Award winner for Milk as off his game as Eastwood here) haven’t figured out what kind of movie they want to shape around Hoover’s life. For two-thirds of its running time J. Edgar devotes itself to an overly dry recitation of facts about its title character which is about as viscerally thrilling as reading Hoover’s Wikipedia page and then makes a late-inning bid for romantic melodrama totally at odds with the bloodless history-lesson approach favored by the preceding 90 minutes.
The non-chronological narrative structure Black adopts to tell Hoover’s story only adds to the overall disjointedness. Star Leonardo DiCaprio is first seen caked in old-age makeup as Hoover conscious he’s nearing the end of his tenure at the Bureau dictates his memoirs to an obliging junior agent (Ed Westwick). As Hoover describes how he began his career the movie jumps back in time to depict that origin giving the false impression that the dictation scenes with old Hoover will act as necessary structural connective tissue. Instead Black eventually abandons the narrative device altogether leaving the movie rudderless in its leaps backwards and forwards through time. As a result the shuffling of scenes depicting the young Hoover achieving great success alongside his right-hand man Clyde Tolson (Armie Hammer) and those portraying the aging Hoover abusing his power by wire-tapping progressive luminaries (such as Martin Luther King Jr.) that he mistrusts feels frustratingly arbitrary. There’s no real rhyme or reason to why one scene follows another.
DiCaprio does his best to anchor the proceedings with a precise authoritative lead performance. Although his voice is softer than Hoover’s he mimics the crimefighter’s trademark cadence with organic ease and more importantly he manifests Hoover’s unbending fastidiousness in a number of ingenious details like in the way that Hoover reflexively adjusts a dining-room chair while in mid-conversation. But Black’s limited view of Hoover as a tyrannical egotist—the script is close to a hatchet job—denies DiCaprio the chance to play a fully three-dimensional version of the FBI pioneer. Hoover is granted the most humanity in his scenes opposite Hammer’s Tolson which are by far the most compelling in the movie. Possessing no knowledge of the secretive Hoover’s romantic life Eastwood and Black speculate that Hoover and Tolson’s relationship was defined by a mutual attraction that Tolson wanted to pursue but Hoover was too timid to even acknowledge. Hammer so sharp as the privileged Winklevoss twins in The Social Network is the only supporting player given much to do—Naomi Watts’ talents are wasted as Hoover’s generically long-suffering secretary while poor Judi Dench must have had most of her scenes as Hoover’s reactionary mother left on the cutting-room floor—and he runs with it. His mega-watt charisma is like a guarantee of future stardom and he’s actually far more effortless behind the old-age makeup than veterans DiCaprio and Watts manage to be.
While the unrequited love story between Hoover and Tolson is clearly meant to provide J. Edgar with an emotional backbone the movie takes so long to get to it that it feels instead like an afterthought. Where in all the dutiful historical-checklist-tending that dominates the film is the Eastwood who flooded the likes of The Bridges of Madison County Letters From Iwo Jima and last year’s criminally underrated Hereafter with oceans of pure feeling? He’s a neo-classical humanist master who has somehow ended up making a cold dull movie that reduces one of recent history’s most enigmatic giants to a tiresome jerk.
Top Story: "Love Doctor" Luther Vandross Suffers Stroke
R&B singer-songwriter Luther Vandross suffered a stroke Wednesday, just days before his 52nd birthday, his label J Records said on Thursday. The singer, who has battled weight and health problems for years, is undergoing medical treatment at an undisclosed hospital. "Vandross is under medical care, and his family and friends are hopeful for a speedy recovery," Carmen Romano, the entertainer's business manager, told Reuters. The five-time Grammy winner became a frequent fixture on the urban music charts, but mainstream success eluded him until 1989, when he enjoyed his first Top 10 pop hit with "Here and Now," from the compilation album, "The Best of Luther Vandross ... The Best of Love. " The song has since become a classic wedding ballad.
Couric and Leno Trade Places for a Day
NBC's Today show co-host Katie Couric and Tonight Show host Jay Leno will switch jobs for a day on May 12, Reuters reports. "People like her, she has an infectious personality, and she's so cute that if she bombs, she can get away with it because she's cute," Leno told Access Hollywood. Leno will interview U.S. officials on the reconstruction of Iraq while Couric will talk to Joan Rivers about the comedian's latest plastic surgery.
"Friends" Stars Design Recliners for Charity
Friends stars Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer have teamed up with La-Z-Boy to design six unique versions of the popular reclining chair, a spokesman for the company said. The recliners will be auctioned on eBay from May 12- 22, with proceeds going to the Elizabeth Glaser Pediatric AIDS Foundation.
Pam Grier's "Wilder" Gets DVD Release
Wilder, a never-released action film starring Pam Grier as a tough single-mom cop, will come out on video on May 13. Produced by Canadian-based Cinequest Films three years ago, the film will be distributed on DVD and VHS by Florida-based firm MTI. According to The Hollywood Reporter, the company has come on strong in the home video market during the past year by digging up little-known pics with popular stars and developing a brand of twisted B-horror films with outrageous plots that border on comedic insanity.
HBO Pulls Oliver Stone's Castro Documentary
HBO has pulled director Oliver Stone's documentary about Cuban President Fidel Castro from its May schedule because of Cuba's recent crackdown on dissidents. "In light of recent events, we felt unless Oliver Stone can return to Cuba and interview Castro...it was somewhat dated and incomplete," an HBO spokeswoman told Reuters Thursday. Comandante was made in February 2002 with Stone and his crew taping some 30 hours of conversations with Castro over a three-day period.
Dr. Robert Atkins Dies
Dr. Robert C. Atkins, who endured decades of criticism over his low-carbohydrate, high-protein diet, died Thursday at the New York Weill-Cornell Medical Center after suffering a severe head injury during a fall, The Associated Press reports. He was 72. Atkins' book, Dr. Atkins' Diet Revolution, was dismissed as nutritional folly by the American Medical Association when it was first published in 1972, but his approach was finally vindicated earlier this year when a half-dozen studies showed people on the Atkins diet lost weight without compromising their health.
Detroit Preps for Hip-Hop Summit
Eminem and hip-hop veterans Rev. Run (Run D.M.C.) and Doug E. Fresh are among those who will take part in the Hip-Hop Summit Action Network's (HSAN) April 26 Detroit summit, Billboard.com reports. The event, which will take place at the city's 13,000-capacity Cobo Hall, will focus on youth empowerment and will operate under the theme "Remix: Rebuilding, Refocusing, Reinvesting, Resurgence." Tickets, which are free of charge, are available on a first come, first served basis.
Role Call: Willis Forgets Amnesia Pic
Bruce Willis has dropped out of the amnesia thriller Me Again two months before it was set to shoot. According to Variety, producer-distributor Intermedia, which recently laid off employees and slashed production deals, could no longer afford Willis' $25 million price tag and the actor did not want to renegotiate his salary. Willis was also due to collect nearly $5 million more for the producing efforts of his partner in Cheyenne Enterprises, Arnold Rifkin, and his brother, producer David Willis. Diane Lane remains in the pic's female lead.
The self-proclaimed King of Pop plans to unite with today's biggest names in music to perform his hit songs at his 30th anniversary gala, scheduled for Sept. 7 and 10 at New York City's Madison Square Garden.
Jackson and pop Britney Spears will duet on "The Way You Make Me Feel" from his 1987 album Bad, MTV reports. Boy band 'N Sync will join The Jackson 5 onstage for "Dancing Machine."
Latin singer Ricky Martin will shake his bon bon onstage when he dances to "Don't Stop 'Till You Get Enough." Marc Anthony will croon "She's Out of My Life." Anthony, who is scheduled to perform both nights, also may sing his upcoming Rob Thomas-penned single, "Tragedy."
Rap artists Lil' Kim, Mya, Deborah Cox and Tamia will contribute to "Heal the World." Missy Elliot and newcomer Nelly Furtado are expected to perform Elliot's "Get Ur Freak On."
Whitney Houston, though not confirmed, may sing a ballad, and teen country star Billy Gilman will cover 1972's "Ben," Jackson's first No. 1 solo single.
Lenny Kravitz and Guns N' Roses former guitarist Slash, both of whom have worked with Jackson in the past, are slated to perform "Beat It" with Jackson.
Jackson's close friend Liza Minnelli will perform "You Are Not Alone" with a 300-member gospel choir on Sept. 10.
Shaggy, Jill Scott, Monica, and Luther Vandross have still not decided what they will perform.
Diana Ross, however, will no longer participate.
Jackson and his brothers began rehearsing for the show in Los Angeles on Friday.
A combined total of 40,000 tickets for the concerts--priced $45 to $2,500 per ticket--sold out just five hours after going on sale on July 31, Launch.com reported.
Previous rumors that Jermane and Randy Jackson had refused to attend the Jackson 5 reunion for the Michael Jackson: 30 Anniversary Celebration, The Solo Years can now be dismissed. All five brothers from the eponymous Jackson 5 music group have confirmed their attendance at the event.
After feuding for the last month with the show's producer, David Gest, over the ticket prices, the guest list and the lineups for the all-star events, Jermaine agreed on Friday to perform at the September 7 and 10 shows, to be held at New York's Madison Square Garden.
"Having been accused of not wanting to be a part of my brother's 30th anniversary concert for publicity reasons is not right," Jermaine Jackson said in a statement Friday. "My concern was that our loyal fans were not invited nor able to attend because of excessive prices," he told SonicNet.com.
A combined total of 40,000 tickets for the September 7 and 10 Michael Jackson celebration concerts--priced $45 to $2,500 per ticket--sold out just five hours after going on sale on July 31, Launch. com reported.
"I place my family above all else and I would like to perform with my brothers in spite of all that has gone on. I'm sorry that loyalty to my fans and family has been perceived as betrayal," Jermaine added.
The Jackson brothers convened in Los Angeles on Friday to begin rehearsing for the shows.
A complete list of confirmed special guests goes as follows:
Friday, September 7: Marc Anthony; Ray Charles; Deborah Cox; Destiny's Child; Gloria Estefan; Billy Gilman; Whitney Houston; James Ingram; Quincy Jones & the Legends of Jazz including Al Jarreau, Herbie Mann, Les McCann, David "Fathead" Newman, Jimmy Smith, Clark Terry & Cassandra Wilson; Liza Minnelli; Monica; Mya; *NSYNC; Jill Scott; Shaggy featuring Ricardo "Rikrok" Ducent & Rayvon; Britney Spears; Tamia; 3T; Usher.
Monday, September 10: Marc Anthony; Mary J. Blige; Deborah Cox; Missy "Misdemeanor" Elliott; Gloria Gaynor; Al Jarreau; Gladys Knight; Lil' Romeo; Ricky Martin; Liza Minnelli; Monica; Mya; 98 Degrees; Jill Scott; Usher; Luther Vandross; Dionne Warwick.
In addition, stars from television, sports, movies, and the recording industry will honor Jackson during the concerts. Confirmed guests include: Marlon Brando; Elizabeth Taylor; Samuel L. Jackson; Willem Dafoe; William Shatner; Dr. Dre; Snoop Dogg; Yoko Ono; Sean Lennon; Jane Russell; Chris Tucker; Liam Neeson; Vanessa Redgrave; Franco Nero; Muhammad Ali; Kobe Bryant; Magic Johnson; Esther Williams; Gregory Peck; Jennifer Jones; Angie Dickinson; Master P; Robert Wagner; Jill St. John; Sir John Mills; Hayley Mills; Janet Leigh; Reggie Miller; Ann Miller; Jane Powell; Macaulay Culkin; Patricia Neal.