Looks like Westeros could use a Jerry Springer of its own. Despite leaving the show in a shocking, violent manner three years ago, Sean Bean revealed to Vulture that he wants to make another appearance on Game of Thrones… if only to settle a custody dispute. The former Ned Stark was delighted to find out that the show might be planning some flashbacks in the upcoming season that would allow him to drop by the Seven Kingdoms and clear up some “unfinished business”: “I'm obviously not Jon Snow's dad. And you need that to be revealed at some point, don't you? So Bran would kind of be the one having the flashback, and he would see Ned praying, right? And revealing those things?”
Before you get too excited, though, nothing about the flashbacks or Jon Snow’s true lineage has officially been confirmed, but it does seem as if Bean agrees with the popular fan theory that posits that Jon is actually the son of Ned’s sister, Lyanna Stark, and Rhaegar Targaryen. The theory, which is based on several key pieces of evidence presented in the books that unfortunately didn’t make their way into the show, states that Lyanna and Rhaegar ran away together, and when Ned found her in the middle of the war, in a bed filled with blood, he made her a promise that he kept for the rest of his life. That promise was to raise her son as his own, and keep him safe from Robert Baratheon, her betrothed, who would kill the baby for being a Targaryen. As the series has grown in length and popularity over the years, this idea has become one of the most dominant points of speculation, and a video breaking down all of the evidence supporting it recently went viral.
While we still have to wait for George R.R. Martin himself to confirm or refute the theory, it would have a major effect on the series if it were true. Firstly, being the son of Rhaegar would not only mean that Jon is Ned’s nephew, but Daenerys’ as well, which gives him a claim to the Iron Throne. In fact, it would give him a better claim to becoming King of Westeros than the one Dany has, since he would be Rhaegar’s immediate heir. However, it seems unlikely that Jon would be able to actually rule the kingdom, since unless Rhaegar and Lyanna married in secret, he would still be a bastard. He could, of course, be legitimized in some way – much like Ramsay Bolton was at the end of Season 4 – but even then, as a member of Night’s Watch, he wouldn’t be allowed to own property or wear a crown. Depending on what happens in the sixth book, he might be able to find a loophole in those rules, but as of right now, Jon’s loyalty is to the Wall.
Therefore, it’s hard to really predict the exact repercussions that Jon’s true lineage would have on Westeros as a whole. Some fans have speculated that having both Stark and Targaryen blood would make Jon the “Song of Ice and Fire” that is mentioned in the title of the series. Since some Starks are wargs, and some Targaryens have the kind of powers normally associated with dragons, it could be possible that Jon has some kind of power as well, which Martin will likely reveal later in the series.
The “Ice and Fire” could also have something to do with Dany. Fans have been waiting for her and Jon to interact for years now, and if they are related, that could make a meeting between the two much more likely. Perhaps their shared lineage would allow them to form an alliance of some sort, as Dany’s army and Jon’s command of the Wall would be beneficial to both of them. Alternatively, it could create some kind of competition between them, especially since Dany has lived her whole life believing that she is the only person in Westeros who should rightfully inherit the Iron Throne.
There’s also been speculation that Jon being Lyanna’s son makes him the third part of the Three-Headed Dragon that is if often talked about, which prophecies the person meant to rule Westeros. Some fans believe that the three people who make up the dragon’s heads are the children whose mothers died in childbirth: Dany, Tyrion, and Jon. Martin noting that Ned made his promise to Lyanna while she was in a “blood-soaked” bed seems to imply that she died giving birth to Jon, which makes him a likely candidate to be one of the dragon’s heads. Others think that the Three-Headed Dragon is made up of three people with Targaryen blood, since Aemon I conquered Westeros with two other people, and so Jon, Dany and Maester Aemon would be the ones the prophecy refers to. Alternatively, being the embodiment of the “Song of Ice and Fire” thanks to his parents could mean that Jon is Azhor Ahai, the prince who has been promised by the Lord of the Light to lead the people out of darkness. If fans have correctly predicted what will happen in Book 6, then it seems like Jon might indeed be the savior of the Seven Kingdoms.
Regardless of whether any of this is true, Jon discovering who his parents really are would be important to him on a personal level, as it would finally give him a sense of self and belonging. He has spent his whole life feeling like an outsider, and he has never been able to fit in with any group. If he can learn where he truly comes from, he might be able to find some kind of inner peace, and then maybe he can stop moping around so much. Still, we’ll have to wait until Martin finishes the series in order to find out if any of these theories are correct, and get the answers we’ve been clamoring for. Although, at the rate he’s going, we’ll probably never get any answers at all.
Summit via Everett Collection
You can imagine that Renny Harlin, director and one quadrant of the writing team for The Legend of Hercules, began his pitch as such: We'll start with a war, because lots of these things start with wars. It feels like this was the principal maxim behind a good deal of the creative choices in this latest update of the Ancient Greek myth. There are always horse riding scenes. There are generally arena battles. There are CGI lions, when you can afford 'em. Oh, and you've got to have a romantic couple canoodling at the base of a waterfall. Weaving them all together cohesively would be a waste of time — just let the common threads take form in a remarkably shouldered Kellan Lutz and action sequences that transubstantiate abjectly to and fro slow-motion.
But pervading through Lutz's shirtless smirks and accent continuity that calls envy from Johnny Depp's Alice in Wonderland performance is the obtrusive lack of thought that went into this picture. A proverbial grab bag of "the basics" of the classic epic genre, The Legend of Hercules boasts familiarity over originality. So much so that the filmmakers didn't stop at Hercules mythology... they barely started with it, in fact. There's more Jesus Christ in the character than there is the Ancient Greek demigod, with no lack of Gladiator to keep things moreover relevant. But even more outrageous than the void of imagination in the construct of Hercules' world is its script — a piece so comically dim, thin, and idiotic that you will laugh. So we can't exactly say this is a totally joyless time at the movies.
Summit via Everett Collection
Surrounding Hercules, a character whose arc takes him from being a nice enough strong dude to a nice enough strong dude who kills people and finally owns up to his fate — "Okay, fine, yes, I guess I'm a god" — are a legion of characters whose makeup and motivations are instituted in their opening scenes and never change thereafter. His de facto stepdad, the teeth-baring King Amphitryon (Scott Adkins), despises the boy for being a living tribute to his supernatural cuckolding; his half-brother Iphicles (Liam Garrigan) is the archetypical scheming, neutered, jealous brother figure right down to the facial scar. The dialogue this family of mongoloids tosses around is stunningly brainless, ditto their character beats. Hercules can't understand how a mystical stranger knows his identity, even though he just moments ago exited a packed coliseum chanting his name. Iphicles defies villainy and menace when he threatens his betrothed Hebe (Gaia Weiss), long in love with Hercules, with the terrible fate of "accepting [him] and loving [their] children equally!" And the dad... jeez, that guy must really be proud of his teeth.
With no artistic feat successfully accomplished (or even braved, really) by this movie, we can at the very least call it inoffensive. There is nothing in The Legend of Hercules with which to take issue beyond its dismal intellect, and in a genre especially prone to regressive activity, this is a noteworthy triumph. But you might not have enough energy by the end to award The Legend of Hercules with this superlative. Either because you'll have laughed yourself into a coma at the film's idiocy, or because you'll have lost all strength trying to fend it off.
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David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
The Writers Guild of America, west and East announced nominations for outstanding achievement in writing for the screen, television and radio during the 2003 season.
Nominees in the original category went to independent art-house films, including Gurinder Chadha, Paul Mayeda Berges and Guljit Bindra for Fox Searchlight's Bend It Like Beckham; Steven Knight for Miramax's Dirty Pretty Things; and Tom McCarthy for Miramax's The Station Agent.
Nominees for the adapted category went mostly high-profile releases, including Anthony Minghella for Miramax's Cold Mountain; Frances Walsh & Philippa Boyens & Peter Jackson for New Line's The Lord of the Rings: The Return of the King; and Gary Ross for Universal's Seabiscuit.
WGA noms are closely tracked as an indicator of Academy Awards sentiment. Guild winners in the original screenplay category have matched Oscar choices in 11 years over the past 21 while the WGA adapted screenplay award has matched with the Oscar winner in 14 years during the same period.
The films eligible for Writers Guild Awards were released in the year 2003 under the jurisdiction of Writers Guild of America, East and west and affiliate guilds in Australia, Canada, French Canada, Great Britain, Ireland, and New Zealand.
In television, the nominated scripts were originally broadcast between December 1, 2002, and November 30, 2003.
The winners will be announced Saturday, February 21, 2004, at the 56th Annual Writers Guild Awards ceremonies on both coasts.
The Writers Guild of America, west ceremonies will be held in Los Angeles at the Century Plaza Hotel, and the Writers Guild of America, East ceremonies will be held in New York at The Pierre Hotel.
BEND IT LIKE BECKHAM, Written by Gurinder Chadha and Paul Mayeda Berges and Guljit Bindra, Fox Searchlight Pictures
DIRTY PRETTY THINGS, Written by Steven Knight, Miramax Films
IN AMERICA, Written by Jim Sheridan & Naomi Sheridan & Kirsten Sheridan, Fox Searchlight Pictures
LOST IN TRANSLATION, Written by Sofia Coppola, Focus Features
THE STATION AGENT, Written by Tom McCarthy, Miramax Films
AMERICAN SPLENDOR, Written by Robert Pulcini & Shari Springer Berman, Based on the Comic Book Series by Harvey Pekar and the Novel by Harvey Pekar and Joyce Brabner, HBO Films/Fine Line Features
COLD MOUNTAIN, Screenplay by Anthony Minghella, Based on the Novel by Charles Frazier, Miramax Films
THE LORD OF THE RINGS: THE RETURN OF THE KING, Screenplay by Fran Walsh & Philippa Boyens & Peter Jackson, Based on the Novel by J.R.R. Tolkien, New Line Cinema
MYSTIC RIVER, Screenplay by Brian Helgeland, Based on the Novel by Dennis Lehane, Warner Bros. Pictures
SEABISCUIT, Screenplay by Gary Ross, Based on the Book by Laura Hillenbrand, Universal Pictures
Episodic Drama --any length--one airing time
"ABOMINATION (Law & Order: SVU), Written by Michele Fazekas & Tara Butters; NBC
"BOUNTY (Law & Order), Written by Michael S. Chernuchin; NBC
"DISASTER RELIEF (The West Wing), Teleplay by Alexa Junge, Story by Alexa Junge & Lauren Schmidt; NBC
"LOSS (Law & Order: SVU), Written by Michele Fazekas & Tara Butters; NBC
"PILOT (The O.C.), Written by Josh Schwartz; Fox
"7:00 P.M. -- 8:00 P.M. (24), Written by Evan Katz; Fox
Episodic Comedy--any length--one airing time
"DAY CARE" (Malcolm in the Middle), Written by Gary Murphy & Neil Thompson; Fox
"MALCOLM FILMS REESE" (Malcolm in the Middle), Written by Dan Kopelman; Fox
"NO SEX, PLEASE, WE'RE SKITTISH" (Frasier), Written by Bob Daily; NBC
"A WOMAN'S RIGHT TO SHOES" (Sex and the City), Written by Jenny Bicks; HBO
Original Long Form--over one hour--one or two parts, one or two airing times
AND STARRING PANCHO VILLA AS HIMSELF, Written by Larry Gelbart; HBO
Episode 1, "BEYOND THE SKY" and Episode 2, "JACOB AND JESSE" (Taken), Written by Leslie Bohem; USA
CAESAR, Written by Peter Pruce and Craig Warner; TNT
WILDER DAYS, Written by Jeff Stockwell; TNT
Adapted Long Form--over one hour--one or two parts, one or two airing times
NORMAL, Teleplay by Jane Anderson, Based on the play Looking for Normal by Jane Anderson; HBO
OUT OF THE ASHES, Teleplay by Anne Meredith, Based on the book I Was a Doctor in Auschwitz by Dr. Gisella Perl; Showtime
RUDY: THE RUDY GIULIANI STORY, Written by Stanley Weiser, Based on the book Rudy! by Wayne Barrett; USA
THE STRANGER BESIDE ME, Teleplay by Matthew McDuffie and Matthew Tabak, Based on the book by Ann Rule; USA
Animation--any length--one airing time
"THE DAD WHO KNEW TOO LITTLE" (The Simpsons), Written by Matt Selman; Fox
"MOE BABY BLUES" (The Simpsons), Written by J. Stewart Burns; Fox
MY MOTHER THE CARJACKER" (The Simpsons), Written by Michael Price; Fox
"REBORN TO BE WILD" (King of the Hill), Written by Tony Gama-Lobo & Rebecca May; Fox
"RESCUE JET FUSION" (The Adventures of Jimmy Neutron, Boy Genius), Written by Steven Banks; Nickelodeon
"THE STING" (Futurama), Written by Patric M. Verrone; Fox
Comedy/Variety--Music, Awards, Tributes -- Specials -- any length
THE KENNEDY CENTER HONORS, Written by George Stevens, Jr., Sara Lukinson and David Leaf; CBS
THE 75TH ANNUAL ACADEMY AWARDS, Written by Hal Kanter, Rita Cash, Buz Kohan, Special Material Written by Steve Martin, Beth Armogida, Dave Barry, Dave Boone, Andy Breckman, Jon Macks, Rita Rudner, Bruce Vilanch; ABC
Comedy/Variety--(including talk) Series
LATE NIGHT WITH CONAN O'BRIEN, Written by Mike Sweeney, Chris Albers, Jose Arroyo, Andy Blitz, Kevin Dorff, Jonathan Glaser, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Andrew Secunda, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg; NBC
MAD TV, Writing supervised by Scott King, Written by Dick Blasucci, Lauren Dombrowski, Bryan Adams, Bruce McCoy, Michael Hitchcock, Steven Cragg, Chris Cluess, John Crane, Jennifer Joyce, Tami Sagher, David Salzman, Richard Talarico, Jim Wise, Kal Clarke, Sultan Pepper, Bill Kelley, Maiya Williams, Dino Stamatopoulos, Rick Najera, Brooks McBeth, Jason Kordelos, Michael McDonald, Stephnie Weir; FOX
PENN & TELLER: BULLSHIT!, Written by Penn Jillette, Teller, David Wechter, John McLaughlin; Showtime
REAL TIME WITH BILL MAHER, Written by Billy Martin, Scott Carter, David Feldman, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Bill Maher, Ned Rice, Paul F. Tompkins; HBO
ALL MY CHILDREN, Written by Agnes Nixon, Megan McTavish, Gordon Rayfield, Anna Theresa Cascio, Frederick Johnson, Jeff Beldner, Janet Iacobuzio, Lisa Connor, Addie Walsh, Victor Miller, Mimi Leahey, Bettina F. Bradbury, John PiRoman, Karen Lewis, Amanda Robb, Rebecca Taylor, Christina Covino, David A. Levinson; ABC
ONE LIFE TO LIVE, Written by Josh Griffith, Michael Malone, Shelly Altman, Lorraine Broderick, Richard Backus, Ron Carlivati, Anna Theresa Cascio, David Colson, Leslie Nipkow, Michelle Poteet Lisanti, Becky Cole, James Fryman, Katherine Schock, Ginger Redmon, Daniel Griffin; ABC
"DON'T LOOK BACK" (Out There), Written by Willie Reale and Mark Palmer; PBS
FULL COURT MIRACLE, Written by Joel Silverman and Joel Kauffmann & Donald C. Yost; Disney Channel
I WAS A TEENAGE FAUST, Written by Thom Eberhardt; Showtime
THE MALDONADO MIRACLE, Teleplay by Paul W. Cooper, Based upon the novel "The Maldonado Miracle" by Theodore Taylor; Showtime
Documentary - Current Events
"TRUTH, WAR AND CONSEQUENCES" (Frontline), Written by Martin Smith; PBS
"THE WAR BEHIND CLOSED DOORS" (Frontline), Written by Michael J. Kirk; PBS
Documentary - Other Than Current Events
BECOMING AMERICAN: THE CHINESE EXPERIENCE--BETWEEN TWO WORLDS (PART 2), Written by Thomas Lennon & Mi Ling Tsui and Bill Moyers; PBS
"CYBER WAR!" (Frontline), Written by Michael J. Kirk; PBS
"THE ELEGANT UNIVERSE: THE STRING'S THE THING" (Nova), Written by Joseph McMaster; PBS
"THE ELEGANT UNIVERSE: WELCOME TO THE 11TH DIMENSION" (Nova), Written by Julia Cort & Joseph McMaster, PBS
"THE MURDER OF EMMETT TILL" (The American Experience), Written by Marcia Smith, PBS
"SEABISCUIT" (The American Experience), Written by Michelle Ferrari; PBS
News - Regularly Scheduled, Bulletin or Breaking Report
"PASSING OF MUSIC LEGENDS" (CBS News Sunday Morning), Written by Robert Mank;
"CBS SHOWDOWN WITH SADDAM" (CBS News), Written by John Craig Wilson; CBS
News - Analysis, Feature, or Commentary
"BAPTISM BY FIRE" (60 Minutes), Written by Barbara Dury & Morley Safer; CBS
"WALL STREET" (NOW with Bill Moyers), Written by Michael Winship & Bill Moyers; PBS
AUTISM: SHADES OF GRAY, Written by Julia Kathan; ABC News Radio
AFTERNOON DRIVE, Written by Bill Spadaro; 1010 WINS Radio
WORLD NEWS THIS WEEK, Written by Stuart H. Chamberlain, Jr.; ABC News Radio
News--Analysis, Feature or Commentary
REMEMBERING ED BLISS, Written by Mike Silverstein; ABC News Radio
THE ROAD TO LAUGHTER: A TRIBUTE TO BOB HOPE, Written by Steven Gosset; CBS Radio Network
On-Air Promotion (Radio or Television)
BUFFY/ENTERPRISE, Written by Eric Jacobson; CBS/UPN
Pop singer Britney Spears has officially left her teenage years behind her. She celebrated her 20th birthday with her friends and family at the Italian restaurant Solaia in Englewood, N.J., Sunday night, enjoying food, ambiance--and a male stripper. Sitting with her mother and 10-year-old sister Jamie, Ms. Spears giggled and blushed through a steamy dance by hunky stripper Steven Peters. "She told me, 'This is the best birthday present I've ever gotten!'" Peters told Pagesix.com. Although her boyfriend, 'N Sync's Justin Timberlake, was in Las Vegas rehearsing for the Billboard Music Awards, the singer talked to him on the phone while opening his gifts--Baccarat crystal glasses, a baby-blue teddy bear and silver candelabras.
Oscar winner Julia Roberts and music maven Madonna were the only two superstars to make The Hollywood Reporter's list of the 50 most influential women in show business, ranked No. 3 and 42, respectively. Universal Pictures chairman of production Stacey Snider ranked No.1, while Sherry Lansing, Paramount Pictures Motion Picture Group chairman, followed in the number two spot.
Kevin Spacey and Drew Barrymore were awarded with Star of the Year honors at the 61st annual Golden Apple Awards on Sunday. The Hollywood Women's Press Club hosted the luncheon. Sour Apple award recipient Jerry Springer, however, was a no-show.
Rock 'n' roll lyricist Kal Mann, who co-wrote such classic songs as Elvis Presley's "Teddy Bear" and Chubby Checker's "Let's Twist Again," died of Alzheimer's disease last Wednesday in Pompano Beach, Fla. He was 84.
Carol Burnett wed Brian Miller, a percussionist who is also a music contractor for the Hollywood Bowl Orchestra, a few days before her CBS special aired Nov. 26, her spokeswoman told People. This is Burnett's third marriage.
Mark Wahlberg is being sued by his former bodyguard, Leonard Taylor, for $2 million, Taylor's lawyer told Reuters Monday. Taylor alleges the actor assaulted and beat him outside a lower Manhattan restaurant on Nov. 16. A spokesman for Wahlberg declined comment.
A U.S. District Court judge in Michigan reduced a $19 million judgement awarded to a Detroit publishing house for copyright infringement of the Arnold Schwarzenegger film Jingle All the Way, ruling that "the bulk of the award was supportable neither by law nor in fact." Writer Brian Alan Webster and Murray Hill Publications had sued 20th Century Fox, claiming they stole the idea from Webster's screenplay Could This Be Christmas.
British actress Elizabeth Hurley's ex-beau, Steve Bing, is questioning his paternity of Hurley's baby, which she announced she was carrying last month. He released a statement Monday saying they were not in an exclusive relationship when she became pregnant but, "if indeed I am the father, I will be an extremely involved and responsible parent."
Nathan Lane has signed on to star in a biopic of the late comedian Jackie Gleason for Mirage Enterprises, written by Rob Festinger (In the Bedroom). No director has yet been attached.
RealNetworks Inc. and three of the leading record labels--Warner Music, EMI Group and Bertelsmann's BMG--will launch their online subscription venture MusicNet Tuesday. Subscribers will be able to get 100 Webcast sources and 100 downloads a month from a selection of over 75,000 songs.
DreamWorks' smash animated hit Shrek looks to be the top-selling DVD of all time, having sold 5.5 million copies and raking in an estimated $110 million since its Nov. 2 release date.