Say have you heard the one about the troubled family that forsakes the trials and tribulations of city life for a bucolic new life on a rustic farm out in the middle of nowhere? It’s never a good idea to move into a house when the previous residents of said farm vanished without a trace—and it’s still not a good idea here. Soon teenager Jess (Kristen Stewart) and her three-year-old brother begin seeing ominous apparitions invisible to everyone else. When those specters become violent Jess' sanity is questioned--a double jeopardy for the tormented teen. Stewart Jodie Foster’s endangered daughter in Panic Room is appropriately moody and plucky as the terrorized teen whom no one believes. Penelope Ann Miller and Dylan McDermott are both suitably dense as Mom and Dad with twins Evan and Theodore Turner suitably spooky as the wide-eyed baby brother who can see everything. X-Files regular William B. Davis sans cigarette drops in a couple of times as the local real-estate agent and a grizzled John Corbett plays a shotgun-toting farm hand who the family hires with surprisingly little hesitation. There’s only so much the actors can do with the material and they pretty much do it. Directors Danny and Oxide Pang veterans of such popular Asian scarefests as The Eye and Ab-normal Beauty know their way around a scare and The Messengers has some decent jolts along the way. Ultimately however the peskiest of all problems – the plot – tends to get in the way. As the story pieces fall into place the film itself tends to fall apart. In addition this is yet another horror film that has been given a box-office-friendlier PG-13 rating (in the February issue of Fangoria co-star Corbett makes his displeasure known about this issue). This is the Pang brothers’ first stateside project and despite their stylistic touches there’s an unmistakable sense of selling out.
January 31, 2003 6:11am EST
Some 150 years ago a woman Matilda Nixon was blamed for the kidnapping of two local children and hanged by an angry lynch mob her body burned and scarred by the ray of a nearby lighthouse. After Matilda was buried however the kids turned up unharmed. She now haunts the town of Darkness Falls in the form of the Tooth Fairy and seeks vengeance on the community that lynched her. The film's protagonist is the troubled Kyle Walsh (Chaney Kley) who as a child woke up and saw the Tooth Fairy trying to kill him. He has since left Darkness Falls but returns to help his childhood friend Caitlin (Emma Caulfield) after she informs him that her five-year-old brother suffers inexplicable "night terrors." The Tooth Fairy's Achilles heel is light so when a citywide blackout hits the town no one is safe. The story is completely hokey and sparse on details but it is guaranteed to scare the crap out of anyone--even the most faithful horror aficionados.
Staying true to B-movie horrors Darkness Falls doesn't splurge in the star department. Kley who appeared on the small screen in the series Touched by an Angel and Buffy the Vampire Slayer makes his feature film debut as Kyle. His performance is a little flat here and his reaction to the Tooth Fairy is a little too blasé--even if this is not his first encounter with her. Another TV alum Caulfield (Buffy the Vampire Slayer Beverly Hills 90210) is slightly more convincing as she goes from skeptic to worrier to believer in the sinister Tooth Fairy. As her five-year-old brother Michael Lee Cormie is a thoroughly irritating child actor whose soul purpose in the film is to be cute and act vewy afwaid of the dawk. When he is not busy batting his eyelashes Cormie's character spends most of the film in a hospital bed because we are told he suffers from sleep deprivation. Yet Michael is asleep in almost every hospital scene.
Scribes Joseph Harris and John Fasano churn out a screenplay that is highly derivative of Wes Craven Presents: They released last November which revolved around night terrors and things that go boo! in the dark. But while They's villains--little papier-mâché figurines slathered in K-Y jelly--evoked more laughs than scares Darkness Falls' Tooth Fairy has a more sinister appearance: a wretched winged creature draped in black rags that appears wherever light is obscured while making these gnarly breathing sounds. First-time helmer Jonathan Liebesman manages to evoke fear without heavy special effects or blood and gore but by preying on every child's primal fear--the dark--using tried-and-true scare tactics that for some forsaken reason still work. "Why don't we just keep driving? We're safe in the car " a passenger in a car suggests seconds before old Matilda comes crashing through the windshield. It's a typical horror formula that will (I am ashamed to say) get you every time.