On paper Sylvain White’s ensemble thriller The Losers doesn’t display much promise. Its budget (around $25 million) is miniscule by action-movie standards; its cast apart from female lead Zoe Saldana is unexceptional; and its plot about a group of disgraced Special Forces operatives who seek revenge against the shady arms dealer (Jason Patric) who had them framed is hardly original. And yet The Losers makes for a surprisingly entertaining ride an apt prelude to the summer blockbuster season. Call it The B-Team.
Though based on a graphic novel (what Hollywood movie today isn’t?) The Losers boasts no superheroes just a quintet of mercenaries with complementary skills and catchy names like Cougar and Pooch. Presumed dead after being double-crossed during a black ops mission in the Bolivian jungle they languish in a third-world limbo until a mysterious woman named Aisha (Saldana) approaches their leader Clay (Jeffrey Dean Morgan) with an enticing opportunity.
The Losers establishes a lively pace from the outset and with the exception of one appallingly disjointed planning scene director White adroitly handles the challenges of a plus-size cast. Save for a few extraneous twists that mar the film’s second half screenwriters James Vanderbilt and Peter Berg maintain a straightforward storyline keeping the tone determinedly light (always best when dealing with the constraints of a PG-13 rating) but never too cartoonish -- at least not by comic book-movie standards.
Morgan who previously underwhelmed in Zack Snyder’s doomed Watchmen adaptation isn’t the ideal choice to headline the film’s male cast and he appears hopelessly overmatched by Saldana. This wouldn’t be so much of a problem if The Losers didn’t try to sell us on a hastily-hatched romantic subplot between the two which serves only to provide us with a few scantily-clad glimpses of the sultry Avatar star. Needless to say there are worse sins a filmmaker can commit.
The only aspect of The Losers that truly vexed me was the performance of one of its castmembers. I doubt that Joe Johnston director of the upcoming Captain America adaptation caught a screening of this film before he chose to award Chris Evans the coveted starring role in the big-budget comic-book flick. Because if he had I’m certain he’d have chosen differently. Evans’ clownish wiseass routine is instantly and perpetually grating. Even when delivering the most innocuous of line readings he radiates a natural douchiness that no Super Serum can fix.
WHAT IT’S ABOUT?
Pixar makes it ten gems in a row with this enchanting animated story of 78-year-old Carl Fredricksen a recent widower who decides to fulfill his (plus his late wife’s) lifelong dream of tying thousands of balloons to their house and floating off to a mountaintop in South America. But he soon discovers a stowaway in the form of Russell a precocious eight-year-old “Wilderness Explorer” who he reluctantly allows to accompany him on his journey. Together the unlikely pair embark on the adventure of a lifetime encountering Kevin a rare 13-foot tall-flightless bird; Dug an overly-friendly talking pooch; and Charles Muntz a once-famous adventurer who now lives alone in a massive airship surrounded by a pack of attack dogs.
WHO’S IN IT?
Sticking to their general custom of casting actors not big stars in key voice roles Pixar assembled a superb cast for Up led by veteran TV star Ed Asner (The Mary Tyler Moore Show) as the aged Carl who takes flight in his house and finds there is a lot to learn about life even as you near death. Asner’s grumpy delivery provides the perfect counterpoint to nine-year-old Jordan Nagai’s Russell a bright and optimistic kid who proves an invaluable assistant to Carl throughout their journey. Christopher Plummer (The Sound of Music) is authoritative and intriguing as the obsessed Muntz and John Ratzenberger (Cheers) extends his streak of Pixar films to 10 as a construction engineer who tries to convince Carl to sell his house. Bob Peterson does delightful double duty as two of the key dog voices lovable Dug and the menacing Alpha head of the pack.
Like Pixar’s previous Oscar-winning masterpiece Wall-E Up is a ‘toon that is not content to explore the same places we’ve seen in previous animated blockbusters. Centering an action comedy around a 78-year-old man isn’t a strategy you’ll find in the youth-obsessed Hollywood recipe book but it pays great dividends here with a moral that life’s greatest adventure is the one you share with someone you love. The non-humans — particularly Kevin and Dug — are hilarious and unique and a silent sequence detailing the courtship and marriage of the Fredricksens is a sweet touch that could have come straight out of a Charlie Chaplin movie.
With a string of critically-acclaimed hits that includes Toy Story Finding Nemo The Incredibles Ratatouille Wall-E and now Up Pixar is ruining it for everyone else. There is simply no way they can be topped when it comes to pushing the boundaries of animated movies. Bad for other studios. Good for us.
Could Up which just became the first animated film to open the Cannes Film Festival also become the first to be nominated for the Best Picture Oscar since Beauty and the Beast in 1991 (before the Animation category was even established)? At this point in the year it’s actually a good bet. Whatever the case expect Up to earn several nominations come Oscar time.
A swashbuckling swordfight across the skies between two near-octogenarians? It’s the best action scene in a summer full of ‘em.
NETFLIX OR MULTIPLEX?
Oh pleeeeeease! Get to a theater fast. Up is also available in 3-D at select locations. Either way it’s a must-see.