In the romantic comedy What’s Your Number? Anna Faris plays Ally Darling a fun-loving 30-something who learns via a magazine article that a woman’s chances of marrying become infinitesimal if she’s slept with more than 20 men – a number which just so happens to be Ally’s exact tally. Apparently the highly suggestible sort she accepts the magazine’s somewhat dubious findings at face value. Loath to embrace a spinster future she gives up sex and concocts a scheme to revisit each of her past lovers to see if any of them might actually be The One enlisting the aid of Colin (Chris Evans) a crass but amiable ladies’ man from across the hall who dabbles in detective work to track them down.
The immutable laws of rom-com dynamics dictate what happens next. One by one Ally pursues each of her exes to see if any of her old flames might be worth reigniting even as it becomes increasingly obvious that she and Colin are meant for each other. Ally’s quixotic endeavor lands her in one awkward and humiliating situation after another. True love eludes her; laughter eludes us. Faris is one of the most skilled comedic actresses in Hollywood today but even her formidable talents can’t do much with the hackneyed scenarios proffered by Gabrielle Allan and Jennifer Crittenden’s middling script.
Faris and Evans make a pleasing pair and their chemistry is one of the few aspects of What’s Your Number? that doesn’t feel forced. It’s what keeps it afloat in between each unfunny gag. Sure Ally and Colin’s eventual union is telegraphed from the opening frames but that isn’t necessarily a problem. What is a problem is the story’s slavish adherence to formula which renders not just the outcome but also the preceding plot points achingly predictable.
What’s Your Number?’s R rating and saucy subject matter portend raunch but in truth the film’s humor is actually quite tame save for a handful of filthy lines. For all its flaws the script is not without wit. There just isn’t nearly enough of it.
Louis Leterrier’s remake of Clash of the Titans the 1981 cult favorite that fused Greek mythology with sci-fi theatrics is a grand experiment in the ancient art of alchemy a big-budget attempt to spin fanboy nostalgia for a 30-year-old novelty into contemporary box-office gold. The main ingredients in this ambitious concoction are a potent arsenal of CGI weaponry and the star of the biggest movie ever Sam Worthington who inherits Harry Hamlin’s role as the heroic Perseus. But it’s what’s missing from the formula that ultimately dooms this remake.
Clash of the Titans redux mimics the original film’s epic ethos and preference for spectacle over all else but its storyline differs dramatically. Perseus is still the half-breed product of a one-night stand between the god Zeus and a human hottie and he still must to defeat the monstrous Kraken in order to save the lovely Princess Andromeda. Almost everything in between however has been altered — and not necessarily for the better.
The new version casts the Greek city of Argos as the primary battleground in a proxy war fought by dueling Olympian superpowers Zeus (Liam Neeson) and Hades (Ralph Fiennes). Born of a god but raised by and partial to humans Worthington’s Perseus battles not for the hand of Andromeda (Alexa Davalos) — as Hamlin’s character did — but instead for the people of Argos who stand to perish along with their princess at the hands of the dreaded Kraken. The film’s love story if it can be called that consists of the briefest of flirtations between Perseus and Io (Gemma Arterton) his self-appointed spiritual guide. (Cursed with immortality by the gods Io’s been secretly watching him all his life — which ostensibly makes her a glorified stalker.)
This detail is a small but crucial one. Strong-willed Perseus braves an obstacle course of giant scorpions gorgons and other horrors laid out for him by the wheezy fiend Hades but it’s never quite clear why he bothers with it all since what’s at stake is a princess he isn’t particularly interested in and a community of people he doesn’t really know — and who frankly don’t seem all that worth saving. His deadbeat dad up on Mount Olympus certainly isn't worth dying for nor are the battlefield compatriots he met barely a week prior. And while I’m sure that a few inviting glances from Gemma Arterton are positively delightful I wouldn’t risk being doused in flesh-eating scorpion venom for them.
This narrative oversight triggers a drain in enthusiasm that persists throughout the film. For a movie so epic in scale Clash of the Titans makes for a disappointingly bland ride. Leterrier’s CGI set pieces are at times magnificent but they’re proffered in the service of weak story filled with characters whose motivations are either unclear or unconvincing. During the film’s climax when Neeson’s Zeus utters the portentous words “Release the Kraken ” what should be an emotional high point instead feels perfunctory and anticlimactic. The only excitement it spawns comes from the knowledge that the end is mercifully imminent.
Based on the prize-winning novel by Zoe Heller Notes on a Scandal is a case study in obsessive relationships. When Sheba Hart (Cate Blanchett) joins a London secondary school as the new art teacher fellow teacher Barbara Covett (Judi Dench) who rules her young charges with an iron fist senses a kindred spirit—and perhaps salvation to her lonely existence. But as Barbara notes in her acerbic diary she is not the only one drawn to the luminous Sheba. She soon begins an illicit affair with one of her high school students (Andrew Simpson) and Barbara suddenly becomes the keeper of Sheba’s secret. Barbara could expose Sheba to both her husband (Bill Nighy) and the world but instead Barbara manipulates it for her own nefarious and selfish reasons. And in playing this dangerously compulsive game Barbara’s own secrets come tumbling to the fore exposing the deceptions at the core of each of the women's lives. Dench and Blanchett give tour-de-force performances yet again. Blanchett’s natural effervescence provides the beacon for all the wanted—and unwanted—attention Sheba receives but it’s her fragile emotional state that draws you in. Played like a wounded butterfly Sheba is too weak to either stave off a dalliance with the young gent—played with convincing lustfulness by newcomer Simpson—or tell the stifling Barbara to bugger off despite the consequences. Then there’s Dench as Barbara representing the opposite end of the spectrum as Notes’ driving force. She’s a bull dog whose withering glares stop her students in their tracks and cutting remarks slice her fellow colleagues to bits all punctuated by her caustic running commentary. Still when Barbara turns madly obsessive with her soft underbelly eventually exposed she crumbles with the best of them. And the best part of Notes is watching these two brilliant actress go toe-to-toe for the first time on film. The underrated Nighy also does a fine job ditching his Pirates of the Caribbean’s tentacles to play Sheba’s down-to-earth yet hapless husband. A top-notch cast all around. Director Richard Eyre is no stranger to crafting intimate pro-actor dramas having helmed such films as Stage Beauty and the Oscar-nominated Iris. He understands where to move the camera to best frame his players as they pour their hearts out on screen. And with Notes on a Scandal Eyre knows that besides his two leading ladies the real star of the film is playwright/screenwriter Patrick Marber’s superb adaptation of Heller’s introspective novel. Voice-over narration is always a tricky film device but for Notes on a Scandal it’s absolutely essential and Marber faithfully captures the inner-workings of Barbara’s skewed thoughts which she fervently writes down in her diary in such delectable ways. Then he entwines the twisty events around these two women. Much like his other work including the exquisite Closer Marber hands in another true gem. Combined with all this is another haunting pulse-pounding score from Philip Glass (The Hours) who sets the tone so perfectly. Notes on a Scandal is definitely one for the Academy Awards’ books.
Michael Imperioli said it best-- there are "a lot of new faces."
That's the perfect way to describe the morning's 2005 Primetime Emmy Award nominations that turned out to be a great awakening for some of TVs newcomers, but a rude awakening for those first-timers who got snubbed.
The Academy of Television Arts & Sciences Chairman of the Board Dick Askin, along with a very un-gangster-like Imperioli of The Sopranos and Still Standing's Jami Gertz, not looking so Square Pegs in a cleavage baring bustier top (and at 5:30 in the morning, no less), announced the 57th annual Emmy nominations live from the Leonard H. Goldenson Theatre in North Hollywood.
Askin told Hollywood.com there are about twice as many new faces compared to last year.
And here's a little bit of trivia: Did you know the Emmy nomination broadcast is the only press conference with a jib camera spanning the room (That's right, not even the Oscars has one-you know, that long poled camera arm that can practically reach across a room.) This morning the jib had the best gig in the house; to focus solely on the golden girl herself-Emmy-high atop a platform. With publicists, agents and camera crews filling the theatre, it's not surprising this morning is an event all its own.
The biggest news came for those housewives, who aren't looking so desperate-all but two, at least. Each first-time nominees-- Marcia Cross, Teri Hatcher and Felicity Huffman-- all got nods for Outstanding Lead Actress in a Comedy Series, leaving Nicolette Sheridan and Eva Longoria, well, desperate. That feat hasn't been done since Golden Girls 20 years ago.
The nominated housewives are also going up against Malcolm in the Middle's Jane Kaczmarek, who has now garnered six nominations for her role on the hit Fox series, but has never won; and Patricia Heaton, who everybody loves in Everybody Loves Raymond (even this morning's audience cheered for the actress, who's already taken home two statues for her portrayal as Ray Romano's wife.) Romano and the series also got nods for Outstanding Lead Actor and Comedy Series, with Ray also winning twice before. We'll see if the third time's the charm. Peter Boyle, Brad Garrett and Doris Roberts also made the list in the Supporting Actor categories.
And you might recognize other first-time nominees, most of whom hail from the big screen-- Patricia Arquette (Outstanding Lead Actress in a Drama Series, Medium), Hugh Laurie (Outstanding Lead Actor in a Drama Series, House), Ian McShane (Outstanding Lead Actor in a Drama Series, Deadwood), S. Epatha Merkerson (Outstanding Lead Actress in a Miniseries or Movie, Lackawanna Blues), Debra Winger (Outstanding Lead Actress in a Miniseries or Movie, Dawn Anna), Ed Harris (Outstanding Lead Actor in a Miniseries or Movie, Empire Falls), Jonathan Rhys Meyers (Outstanding Lead Actor in a Miniseries or Movie, Elvis), Geoffrey Rush (Outstanding Lead Actor in a Miniseries or Movie, The Life and Death of Peter Sellers), Jason Bateman (Outstanding Lead Actor in a Comedy Series, Arrested Development), Zach Braff (Outstanding Lead Actor in a Comedy Series, Scrubs), Charlize Theron (Outstanding Supporting Actress in a Miniseries or Movie, The Life and Death of Peter Sellers) and Philip Seymour Hoffman (Outstanding Supporting Actor in a Miniseries or Movie, Empire Falls), to name a lot.
Other silver screen favorites include Halle Berry for her work in Their Eyes Are Watching God, Blythe Danner for Back When We Were Grownups, Kenneth Branagh for Warm Springs, William H. Macy for The Wool Cap and Tony Shalhoub for Monk.
Husband and wife nominated teams this year include Macy and Huffman and Paul Newman and Joanne Woodward (both for Empire Falls).
Gertz, who commented that she's "been around the block, as they say," has many favorites who are in the running to take home a statue, but she couldn't pick just one to win: "I just want all my friends to win," Jami said, who include Outstanding Lead Actor in a Drama Series nominees Kiefer Sutherland (who's been nominated three times before for 24 and has never won), Hank Azaria (Huff) and James Spader (Boston Legal).
In other legal briefs, The Practice alum Camryn Manheim grabbed a spot in the Supporting Actress/Miniseries category for her portrayal of Elvis's mother in Elvis (to which Gertz did a perfect rendition of that famous Elvis accent), and Boston Legal's William Shatner for Supporting Actor in a Drama Series.
Lost could only be found in one of the acting categories for Naveen Andrews and Terry O'Quinn for Supporting Actor in a Drama Series, but it did nab a top nod for Outstanding Drama Series. And history repeats itself with The West Wing up for Outstanding Drama Series (which holds the titles for most Emmys won by a series in its first and single season with 9), but the Academy didn't salute the President (a.k.a. Martin Sheen) or Allison Janney, who always wins the Emmy. But Stockard Channing and Alan Alda won the Academy's recognition in the Supporting categories.
In a twist, those two high-tech mystery solving ensembles CSI and Law & Order also disappeared from this year's list in the acting categories, except for Mariska Hargitay for Outstanding Lead Actress in a Drama Series, who's going head-to-head against fellow crime fighter Jennifer Garner (Alias), Frances Conroy (Six Feet Under), Glenn Close (The Shield) and Arquette (Medium). Nip/Tuck was also cut out of the running with the lead characters garnering zero nods.
Nominated shows coming in on top include Desperate Housewives with 15 nods, Will & Grace 15, Everybody Loves Raymond 13, Lost 12, Arrested Development 11, Deadwood 11, 24 11 and Empire Falls, 10.
HBO picked up the most nominations with 93, even without help from the ineligible Curb Your Enthusiasm and The Sopranos, but is down from last year because of the absence of Angels In America, which holds the record for most Emmy's won by a miniseries. CBS leads the networks with 59; NBC 54; ABC 51 and Fox 49-all of which have made a comeback this year.
"Another trend I think is the return of the broadcast networks. I mean, all of their nominations are significantly up from last year. ABC was up 65% in numbers and CBS was 75%,"said Askin.
And expect a few modern upgrades to this year's Emmy show.
"There's going to be a lot of things different. I can't tell you anything about the show yet 'cause it's kind of in the planning stages right now. We don't want to change it dramatically, but we want to kind of update it for today's audience," said Askin.
ATAS will hand out the Emmy trophies on Sunday, Sept. 22 at a black-tie ceremony at the Shrine Auditorium in Los Angeles.
A partial list of nominees as follows:
Outstanding Comedy Series
Arrested Development, Fox
Desperate Housewives, ABC
Everybody Loves Raymond, CBS
Will & Grace, NBC
Outstanding Drama Series
Six Feet Under, HBO
The West Wing, NBC
Outstanding Lead Actor in a Comedy Series
Jason Bateman, Arrested Development
Ray Romano, Everybody Loves Raymond
Tony Shalhoub, Monk
Zach Braff, Scrubs
Eric McCormack, Will & Grace
Outstanding Lead Actress in a Comedy Series
Marcia Cross, Desperate Housewives
Teri Hatcher, Desperate Housewives
Felicity Huffman, Desperate Housewives
Patricia Heaton, Everybody Loves Raymond
Jane Kaczmarek, Malcolm in the Middle
Outstanding Supporting Actor in a Comedy Series
Jeffrey Tambor, Arrested Development
Jeremy Piven, Entourage
Peter Boyle, Everybody Loves Raymond
Brad Garrett, Everybody Loves Raymond
Sean Hayes, Will & Grace
Outstanding Supporting Actress in a Comedy Series
Jessica Walter, Arrested Development
Doris Roberts, Everybody Loves Raymond
Holland Taylor, Two and a Half Men
Conchata Ferrell, Two and a Half Men
Megan Mullally, Will & Grace
Outstanding Lead Actor in a Drama Series
James Spader, Boston Legal
Ian McShane, Deadwood
Hugh Laurie, House
Hank Azaria, Huff
Kiefer Sutherland, 24
Outstanding Lead Actress in a Drama Series
Jennifer Garner, Alias
Mariska Hargitay, Law & Order: Special Victims Unit
Patricia Arquette, Medium
Glenn Close, The Shield
Frances Conroy, Six Feet Under
Outstanding Supporting Actor in a Drama Series
William Shatner, Boston Legal
Oliver Platt, Huff
Naveen Andrews, Lost
Terry O'Quinn, Lost
Alan Alda, The West Wing
Outstanding Supporting Actress in a Drama Series
Sandra Oh, Grey's Anatomy
Blythe Danner, Huff
Tyne Daly, Judging Amy
CCH Pounder, The Shield
Stockard Channing, The West Wing
Empire Falls, HBO
The 4400, USA
The Lost Prince (Masterpiece Theatre), PBS
Outstanding Made for Television Movie
Lackawanna Blues, HBO
The Life and Death of Peter Sellers, HBO
The Office Special, BBC America
Warm Springs, HBO
The Wool Cap, TNT
Outstanding Lead Actor in a Miniseries or a Movie
Jonathan Rhys Meyers, Elvis
Ed Harris, Empire Falls
Geoffrey Rush, The Life and Death of Peter Sellers
Kenneth Branagh, Warm Springs
William H. Macy, The Wool Cap
Outstanding Lead Actress in a Miniseries or a Movie
Blythe Danner, Back When We Were Grownups (Hallmark Hall Of Fame
Debra Winger, Dawn Anna
S. Epatha Merkerson, Lackawanna Blues
Halle Berry, Their Eyes Were Watching God
Cynthia Nixon, Warm Springs
Outstanding Supporting Actor in a Miniseries or a Movie
Randy Quaid, Elvis
Paul Newman, Empire Falls
Philip Seymour Hoffman, Empire Falls
Christopher Plummer, Our Fathers
Brian Dennehy, Our Fathers
Outstanding Supporting Actress in a Miniseries or a Movie
Camryn Manheim, Elvis
Joanne Woodward, Empire Falls
Charlize Theron, The Life and Death of Peter Sellers
Jane Alexander, Warm Springs
Kathy Bates, Warm Springs
Outstanding Variety, Music or Comedy Series
Da Ali G Show, HBO
The Daily Show with Jon Stewart, Comedy Central
Late Night with Conan O'Brien, NBC
Late Show with David Letterman, CBS
Real Time with Bill Maher, HBO
Outstanding Reality Program
Antiques Roadshow, PBS
Extreme Makeover: Home Edition, ABC
Penn & Teller: Bullshit!, Showtime
Project Greenlight, Bravo
Queer Eye For The Straight Guy, Bravo
Outstanding Reality-Competition Program
The Amazing Race, CBS
American Idol, Fox
The Apprentice, NBC
Project Runway, Bravo
Set in the 1970s male-dominated news world the dashing mustached Ron Burgundy (Will Ferrell) is indeed a legend as San Diego's top-rated anchorman. He and his news team--including field reporter and all-around ladies man Brian Fantana (Paul Rudd) sports cowboy Champ Kind (David Koechner) and mindless weatherman Brick Tamland (Steve Carell)--live life large as local television icons boozing and womanizing with the best of them. As Ron puts it they have been coming to the "same party for 12 years--and in no way is that depressing." But their world is about to turn upside down when an ambitious newswoman Veronica Corningstone (Christina Applegate) is hired by the managing news producer (Fred Willard) to spice things up. The guys aren't worried at first treating her like any other woman that is to say sexually harassing her--and despite that Veronica and Ron hit it off. But soon Ms. Corningstone's true agenda is revealed--she wants to land an anchor spot and she isn't about the let anything stand in her way including a perfectly coiffed slightly hairy idiot newsman named Ron Burgundy. Of course this means war.
No longer is Ferrell just a side character illuminating the proceedings with his hilarity. Along with pals Jack Black Vince Vaughn and Ben Stiller (who make strategic cameos in Anchorman--but we aren't telling how 'cause that'll ruin the fun) the former Saturday Night Live alum has become one of the new kings of cinematic comedy. People expect Ferrell to be gut-bustin' funny now and luckily he delivers once again as Ron Burgundy. With a voice that "could make a wolverine purr " Burgundy is all hot air great hair and polyester debonair a dim bulb who tries to understand the news stories he recites but gives up quickly because it requires too much thought and simply reads the teleprompter exactly as it is written. Ferrell is at his best when he is allowed to free-associate either by himself (while getting ready to go on the air) or with his co-stars Rudd Koechner and Carell (singing a strangely harmonious rendition of "Afternoon Delight"). Keep your eyes on Carell--he is a comic gem on the rise. The Daily Show co-star had a brief but memorable turn in last year's Bruce Almighty as an anchorman (ironic huh?) Jim Carrey messes with but in Anchorman Carell is absolutely side-splitting as Brick who doesn't have a single brain cell working rattling off non sequiturs like "I ate an entire red candle " when talking about a party the night before. Christina Applegate subjected to this lunacy holds her own god bless her and does an admirable job playing the straight woman to this group of wackos.
Adam McKay former SNL head writer makes his directorial and screenwriting debut with Anchorman. The story has a fairly classic and simplistic framework--Burgundy starts out on top falls to rock bottom and climbs his way back up again--but it's pretty evident early on that with the likes of Ferrell and the rest all McKay has to do is turn the camera on them and let it all happen. Watching Burgundy incoherent breaking down in a phone booth after his dog is supposedly booted off a bridge by an irate motorcyclist or the news team rumble where San Diego news rivals go at each other with nasty weapons it's funny stuff. But rather than just let the comedy come from the story á la Old School Anchorman throws in some antics that probably sounded comical on paper but end up being silly and forced. For example Veronica and Ron going to "pleasure town " (sexual bliss) with animated furry animals and rainbows instead of seeing the love act itself or the gang trying to get out of a bear pit after they've woken up the hibernating animals that's a little over the top. At least Anchorman never goes for the toilet humor--nope you won't find a vomit urine semen or poop joke in this film. You will however find gratuitous shots of Ferrell's hairy chest. Shiver.