There's an allure to imperfection. With his latest drama Lawless director John Hillcoat taps directly into the side of human nature that draws us to it. Hillcoat finds it in Prohibition history a time when the regulations of alcohol consumption were subverted by most of the population; He finds it in the rural landscapes of Virginia: dingy raw and mesmerizing. And most importantly he finds it in his main character Jack Bondurant (Shia LaBeouf) the scrappy third brother of a moonshining family who is desperate to prove his worth. Jack forcefully injects himself into the family business only to discover there's an underbelly to the underbelly. Lawless is a beautiful film that's violent as hell striking in a way only unfiltered Americana could be.
Acting as the driver for his two outlaw brothers Forrest (Tom Hardy) and Howard (Jason Clarke) isn't enough for Jack. He's enticed by the power of the gangster figure and entranced by what moonshine money can buy. So like any fledgling entrepreneur Jack takes matters into his own hands. Recruiting crippled family friend/distillery mastermind Cricket (Dane DeHaan) the young whippersnapper sets out to brew his own batch sell it to top dog Floyd Banner and make the family rich. The plan works — but it puts the Bondurant boys in over their heads with a new threat: the corrupt law enforcers of Chicago.
Unlike many stories of crime life Lawless isn't about escalation. The movie drifts back and forth leisurely popping in moments like the beats of a great TV episode. One second the Bondurants could be talking shop with their female shopkeep Maggie Beauford (Jessica Chastain). The next Forrest is beating the bloody pulp out of a cop blackmailing their operation. The plot isn't thick; Hillcoat and screenwriter Nick Cave preferring to bask in the landscapes the quiet moments the haunting terror that comes with a life on the other side of the tracks. A feature film doesn't offer enough time for Lawless to build — it recalls cinema-level TV currently playing on outlets like HBO and AMC that have truly spoiled us — but what the duo accomplish is engrossing.
Accompanying the glowing visuals and Cave's knockout workout on the music side (a toe-tapping mix of spirituals bluegrass and the writer/musician's spine-tingling violin) are muted performances from some of Hollywood's rising stars. Despite LaBeouf's off-screen antics he lights up Lawless and nails the in-deep whippersnapper. His playful relationship with a local religious girl (Mia Wasikowska) solidifies him as a leading man but like everything in the movie you want more. Tom Hardy is one of the few performers who can "uurrr" and "mmmnerm" his way through a scene and come out on top. His greatest sparring partner isn't a hulking thug but Chastain who brings out the heart of the impenetrable beast. The real gem of Lawless is Guy Pearce as the Bondurant trio's biggest threat. Shaved eyebrows pristine city clothes and a temper like a rabid wolverine Pearce's Charlie Rakes is the most frightening villain of 2012. He viciously chews up every moment he's on screen. That's even before he starts drawing blood.
Lawless is the perfect movie for the late August haze — not quite the Oscary prestige picture or the summertime shoot-'em-up. It's drama that has its moonshine and swigs it too. Just don't drink too much.
By all appearances The Killer Inside Me’s setting of Central City Texas is the epitome of the cinematic small town complete with slow–drawl country music tunes a businessman who practically owns the town and a doe-eyed lady who most of the townsfolk love but whose heart belongs to the deputy sheriff. Lou Ford (Casey Affleck) though is no ordinary deputy sheriff as we learn when he is ordered to evict a local prostitute Joyce Lakeland (the always gorgeous Jessica Alba) because she has taken up with the son of town boss Chester Conway (Ned Beatty). Unfortunately for Conway this is Jessica Alba we're talking about! After a rather interesting exchange with Joyce Ford takes up with her himself and hatches a plan for them to skip town together. When Ford’s fiancé Amy Stanton (a fetching Kate Hudson) suspects an affair between the two trouble ensues and a maelstrom of murder mischief and mayhem soon envelops Central City.
Based on the novel by Jim Thompson who also wrote The Grifters and The Getaway as well as screenplays for Stanley Kubrick’s films The Killing and Paths of Glory The Killer Inside Me is one of the better films of its ilk wherein the “hero” is actually a disturbed — and disturbing — individual. Directed by Michael Winterbottom (A Mighty Heart) and featuring a supporting cast of actors that could each carry their own film (and indeed some have) including Bill Pullman Simon Baker and Elias "I’m not Christopher Meloni and he is not me" Koteas this movie should be penciled into everyone’s must–see list.
To answer the main question on the minds of the panting fanboys: Yes both of the film's buxom beauties Alba and Hudson show heaping gobs of skin. Unfortunately this is film noir a genre in which attractive female characters seldom survive to see the final credits roll.
With that in mind a word of warning: The Killer Inside Me does get a bit gratuitous with its violence and while it's not Bad Lieutenant- or David Lynch-level gratuitous it's still out-there blunt-trauma-to-the-head violent. Winterbottom makes the dangerous choice of rarely cutting away from the looks on the faces of those involved in these scenes and we as viewers become willing accomplices in Ford’s actions. In the film’s defense the violence is actually used for character development and there are enough moments of subtle bleak black humor to counterbalance it. But if you're the squeamish type you might wish to stay home.
Long out of the shadow of his more famous brother Casey Affleck comes out of his own shadow in The Killer Inside Me creating a character as charismatically menacing as a villainous protagonist could be; an Anton Chigurh you could bring home to meet your family. With no shred of his “Baastaahn” accent apparent Affleck speaks in a southern drawl that sounds like he's about to crack at any instant; because usually he is. It's the kind of role that will be talked about for years (if this film gets the proper promotion that is) and in my opinion will make him a very early candidate for Best Actor.