The 83 year old died in his sleep on 16 October (10), according to the Los Angeles Times.
Born in China, the actor also appeared in The Joy Luck Club and Wedding Crashers and he taught tai chi at the Pacific Asia Museum in Pasadena.
Chi is best known as the butler of series star Jane Wyman's character on the hit 1980s soap.
The story of Lust Caution begins in the midst of WWII in Asia as the Japanese have a stranglehold on key areas of China including Shanghai and Hong Kong. The iron-fisted Chinese who are collaborating with the invaders are led by Mr. Yee (Tony Leung) a cruel and ruthless man who delights in the torture and murder of his fellow countrymen who are fighting against the Japanese occupation. When a patriotic band of college students (made up of four men and two women all part of the drama school) decide to strike a blow for Chinese freedom by assassinating Mr. Yee it falls to Wang (the mesmerizingly beautiful Wei Tang) to infiltrate his home and heart to pave the way for the killing. But as her compatriots--including handsome Kuang played by American-born Chinese rock star Lee-Hom Wang who loves her from afar--bid their time waiting for the moment to strike Mr. Yee and Wang enter into a torrid affair that begins to consume them both. Think of the Hitchcock classic Suspicion shift from Europe to Asia add in intensely explicit sex scenes and a completely unexpected ending and you have Lust Caution--a film that is soon to be considered a classic as well. Veteran actors Tony Leung and Joan Chen lead a fine cast of actors who together create this completely believable glimpse into Chinese culture during the dark days of Japanese occupation. Both give intense performances--he as the powerful emotionless Mr. Yee and she as his vapid shopping and Mah Jong-obsessed wife. But the most amazing performance is that of newcomer Wei Tang the Miss Universe finalist who makes her film debut in Lust Caution. Her fantastic face slim body and almost ethereal presence seem to blot out everyone else when she is on the screen; you can’t help but look at only her. Her transformation in the four-year span of the story is masterful. As she goes from a naïve young student to a mature woman whose physical obsession with a man she despises begins to overwhelm her. The ingénue proves that she is much more than just a pretty face. In fact she deserves an Academy Award nomination for her often subtle always fearless performance that is at the heart of the film. Ang Lee has a unique cinematic ability to begin a story very specific to a time a place and a culture and end with a universal tale that resonates across all societies and peoples. He did it beautifully with Sense and Sensibility Crouching Tiger Hidden Dragon as well as Brokeback Mountain and he’s done it again masterfully with Lust Caution. This newest film is an intense look at how war often causes an individual to make the ultimate sacrifice for the common good yet it also explores another underlying theme: the idea that there is a never-ending battle between the sexes for emotional dominance within a sexual relationship. Ang Lee’s deft hand is evident in every frame including the incredibly explicit (and often violent) sex scenes that have given the film its NC-17 rating. But this is not pornography; every scene is necessary to the story showing us that using sex as a means to an end (no matter how noble that end) is a very dangerous game to play especially during wartime. Look for Ang Lee’s name to come up on the Academy’s list again this year as awards season kicks into high gear. He deserves every honor for this emotionally disturbing masterpiece.
What no "giant sea pods" this time? Instead The Invasion skews the Body Snatchers scenario by making the alien invasion a virus rather than plant life. Said virus which comes to Earth via a mysterious crash of a space shuttle is transmitted by some form of bodily fluid-to-bodily fluid connection. For example throwing up into people's faces or coffee cups is a fun way to spread the disease. The end result however is the same: Once the infected person falls asleep they undergo a transformation and wake up looking the same but are unfeeling and inhuman—and ready to organize. As the infection spreads and more and more people are altered there are a few humans left fighting for their lives including psychiatrist Carol Bennell (Nicole Kidman) and her doctor friend Ben Driscoll (Daniel Craig). Carol’s only hope is to stay awake long enough to find her young son who may hold the key to stopping the devastating invasion. But we won’t tell you how. OK it has something to do with an immunity but that’s all we are going to say. Nicole Kidman has had a string of bad luck since winning that damn Oscar for The Hours. One wonders if maybe the golden statuette might actually be a curse (Cuba Gooding Jr. anyone?). Still regardless of the movie--be it Bewitched The Stepford Wives or Fur: An Imaginary Portrait of Diane Arbus--Kidman manages to turn in a decent performance. The same goes for The Invasion. Her mother bear act is quite believable as she races to find her son (played with spunk by Jackson Bond) while trying to stay awake and pretending to be cold and unemotional among the pod people--oh excuse me the virally infected people. You root for her all the way. Craig doesn’t have as much to do but still delivers when it counts. In a supporting role Jeremy Northam does a nice job as Carol’s ex-husband a CDC doctor who is one of the first to get infected. As does the always good Jeffrey Wright as a very clever genetic scientist. Even Veronica Cartwright one of the survivors in the 1978 Invasion of the Body Snatchers makes a cameo as one of Carol’s patients who tells her “My husband isn’t my husband!” Famous last words. Body snatching must be a popular water-cooler topic at the movie studios. Starting with the 1956 sci-fi classic Invasion of the Body Snatchers in which Kevin McCarthy barely escapes his small town with his life running into highway traffic screaming “They're here already! You're next! You're next You're next...” there have been at least two other versions including the above-mentioned 1978 film and the 1993 film Body Snatchers. To its credit The Invasion switches things up a bit nixing the pods and making it more relevant to our current socio-political climate. It even begs the question: Could we be better off if we didn’t have emotions? But the movie is still mired by its derivativeness and too-pat ending—and it also apparently had problems getting off the shelf. Originally wrapped in early 2006 rumor has it the studio didn’t like German director Oliver Hirschbiegel’s original cut and brought in Matrix’s Andy Wachowski and Larry Wachowski for rewrites and James McTeigue (V for Vendetta) to direct the new scenes. Again to its credit The Invasion surprisingly feels cohesive despite all the different influences. Let’s just say whoever came up with the tense car chase in which Carol tries to throw off the pod people (it's just more effective calling them that) draped all over the car kudos to them.
In true straightforward comic-book style TMNT starts with a brief backstory (without the laborious explanation on why four turtles and a rat become human-like in the first place) and then launches into the heart of the movie. After the defeat of their old arch nemesis The Shredder the Turtles—fun-lovin’ Michelangelo (Mikey Kelly) tech guru Donatello (Mitchell Whitfield) hotheaded Raphael (Nolan North) and pragmatic leader Leonardo (James Arnold Taylor)--have grown apart as a family. While Leo is off honing his craft the turtles no longer fight crime--except Raphael who still fights crime under the pseudonym Nightwatcher. Struggling to keep them together is their rat sensei Master Splinter (the late Mako). But strange things are brewing. Tech-industrialist Max Winters (Patrick Stewart) is amassing an army of ancient monsters to apparently take over the world. With the help of old allies April O'Neil (Sarah Michelle Gellar) and Casey Jones (Chris Evans) the Turtles finally come together as brothers to fight the good fight and once again face the mysterious Foot Clan who have put their own ninja skills behind Winters' endeavors. As opposed to hiring just A-list actors TMNT is a nice eclectic mix of veteran voice-over artists who give the Turtles their voices and regular actors such as Gellar Stewart and Evans. Crouching Tiger Hidden Dragon’s Ziyi Zhang also gets in on the action providing the voice of the Foot Clan leader Karai who was once an enemy of the Turtles but now sees the value in what they do. Of course there isn’t a Robin Williams or Ben Stiller to laugh with but Kelly is pretty funny as Michelangelo who has had to resort to entertaining kids at birthday parties as “Cowabunga Carl ” a clown-for-hire in a “fake” turtle suit. It will all depend on whether those ninja-fightin’ pizza-eatin’ giant turtles still have a monetary appeal but methinks a new TMNT movie franchise has been born. The comic book was created in 1984 by Peter Laird and Kevin Eastman as a spoof to the superhero stories and quickly took off into merchandising heaven with a toy license and then a television series. The original 1990 live-action movie used state-of-the-art animatronics but somehow felt static and fake. Since the last TMNT movie in 1993 the whole Turtle phenomenon has sort of fallen off the radar at least in the U.S. so the time was ripe for a renovation. Using the innovative CGI we know and love this new TMNT--created by a team of animators from California and Hong Kong under the watchful direction of Kevin Munroe--gives the Turtles not to mention all the otherworldly monsters they have to fight a realistic look and feel. With this kind of freedom the film can focus on the action which is the best part of the TMNT lore. Though the demographics may skew male ages 8-11 (as well as those 8-to-11-year-old boys who loved it back in the day and are now grown men) TMNT is just your basic supercharged animated fun.
Top Bejing cop Liu Jian (Jet Li) conveniently called "Johnny" for us Americans is called by French police to capture a Chinese druglord hiding out in Paris. Johnny teams with a devious and dishonest French cop Richard (Tcheky Karyo) who double-crosses him leaving him framed for a murder and on the lam. Not only is Richard head of the Parisian police he happens to be the City of Lights' leading pimp and he's forced ex-junkie Jessica (Bridget Fonda) into cheap whoredom by holding her young daughter hostage. Johnny befriends Jessica and together they go after Richard armed with her street smarts and his--acupuncture needle bracelet? No kidding it's Johnny's secret weapon that he uses to put his enemies out of action.
Let's face it Jet Li's way better at kung fu than tongue fu--the poor guy couldn't act his way out of a paper bag. But like his character Johnny Li is just a good guy trying to do the best job he can and you have to give him some credit for trying hard. Besides he's a damn good martial artist. Karyo is way over the top chewing the scenery like it was his last meal--he is impossibly vile killing and maiming just 'cause. But Fonda takes the cake for worst performance as--would you believe--a whiny melodramatic "farmer's daughter from North Dakota" turned out against her will. (Honestly what's her track record lately? Monkeybone? Lake Placid? Somebody call John Travolta--they've found his next leading lady!)
Director Chris Nahon known for making commercials begs borrows and steals from Luc Besson (La Femme Nikita starring none other than Bridget Fonda)--ooh guess what? Besson is KOD's co-writer and producer. Well at least the Nahon-Besson team could have connected the dots before trying to make the audience do it for them. Nothing's explained; even the most obvious questions go unanswered. Why is the bad guy so bad? Where are the cops as a fight rages on and on in the police headquarters? Not to mention these martial arts scenes (why else would you watch this? Certainly not for Li's "acting") lack creative flowing choreography and instead are choppily cut gratuitously vicious and sometimes downright gross (like a guy gets two chopsticks to the throat) acts of violence.
A few years back, Jet Li’s ass-kicking dexterity was known only to a select few -- namely, geeky Far East cinephiles immersed in a world of fanzines and fringe video stores. And in two major U.S. flicks' time, the Chinese martial artist turned movie star has joined the ranks of other imported Hong Kong cinematic icons -- such as Jackie Chan and Chow Yun-Fat -- in successfully making the crossover from the niche market of Asian cinema to the cash cow of Hollywood.
And the bucks (plus the roles) don’t stop there. Daily Variety reported today that the actor has just signed with Warner Bros. to co-produce and star in another action flick titled "The First King." Based on Li’s own idea, the film is said to be an action-adventure that’s inspired by the first monarch of China who comes back to life in modern times. And word has it that Li’s also in talks to co-star in the adaptation of "The Green Hornet" and in both of "The Matrix" sequels.
Certainly, the success of "Lethal Weapon 4" and "Romeo Must Die" and the bombardment of offers easily attest to Jet Li’s career longevity in Hollywood. But the fact of the matter is, the 37-year-old actor’s been around a helluva lot longer than the recent exposure explosion would have people think.
Li made more than 25 films (all action-oriented) before landing the against-type role of the villain in 1998’s "Lethal Weapon 4." Like many actors, Li started out doing something else -- in his case, Li was a four-time Chinese Men’s All-Around National Wushu Champion in China (vocabulary lesson: "Wushu" means "martial arts" in Mandarin) in the mid-70s. He segued into martial-arts flicks in Hong Kong and China with "Shaolin Temple," an old-school kung fu period piece in 1980.
During his prolific career, Li has worked with Hong Kong new wave director Tsui Hark, chubby martial-arts star Sammo Hung (TV's "Martial Law") and directed his own film (1986’s "Born to Defense").
But what’s more, he’s got what every supercool subculture icon’s got: a massive cult following and an interminable list of films to prove it (see filmography below).
The origin of the Jet Li cult phenomenon is unclear, but it can be traced to the fervor of avid Hong Kong cinema fans and in-the-know Asian expatriates.
"[The Jet Li cult following began with] the same people who’re into Hong Kong films -- just like Chow Yun-Fat and Jackie Chan. And it spreads with words of mouth. Of course, our magazine helps a lot also," Eric Nakamura, publisher and co-editor of Asian pop culture mag Giant Robot, told Hollywood.com.
And what is Li’s specific appeal? The bona-fide kung fu and the physics-defying moves, what else?
"I think [his appeal] is just that he’s a martial artist. He looks really good, and he’s more serious [than someone such as] Jackie Chan. Jet is a lot fresher," said Nakamura.
In even more flowery prose, another longtime Jet Li fan agrees.
"I don't think anyone (whether interested in martial arts or not) could sit through one of Jets films and not appreciate his outstanding form, speed and precision. Jet moves with the fluidity and grace of a true martial-arts expert," wrote the co-creator of the online Jet Li fansite The Ultimate Jet Li Website (www.jet-li.co.uk).
Here is Li’s complete filmography, courtesy of the Jet Li HQ Web bsite (http://www.geocities.com/Hollywood/Cinema/1320/film.html ):
Shaolin Temple (1982) Shaolin Temple 2: Kids from Shaolin (1984) Shaolin Temple 3: Martial Arts of Shaolin (1986) Marvelous Kung Fu of Shaolin (aka Abbot Hai Teng of Shaolin) (1986) Born to Defence (1986) Dragons of the Orient (1988) Dragon Fight (1988) The Master (1989) Once Upon a Time in China (1990) Once Upon a Time in China 2 (1991) Once Upon a Time in China 3 (1992) Swordsman 2 (1992) Fong Sai Yuk (1993) Fong Sai Yuk 2 (1993) Last Hero in China (1993) Kung Fu Cult Master (1993) Tai Chi Master (1993) Shaolin Kung Fu (1994) New Legend of Shaolin (1994) Bodyguard from Beijing (1994) Fist of Legend (1994) My Father is a Hero (1995) High Risk (1995) Dr Wai and the Scripture without Words (1996) Black Mask (1996) Once Upon a Time in China and America (1997) The Hitman (1997) Lethal Weapon 4 (1998) Romeo Must Die (2000)