Pint-sized British TV and Internet celebrity Sophia Grace Brownlee is set to make her movie debut as Little Red Riding Hood in the star-studded big screen adaptation of Stephen Sondheim and James Lapine's musical Into The Woods. The little girl's uncle, Lucas Brownlee, let the casting news slip in a tweet on Tuesday (06Aug13).
He wrote, "Its official, @PrincessSGB has landed the part of little red riding hood in the disney movie into the wood (sic)... Alongside jonny depp (sic), james corden, chris pine and meryl streep amongst others, out on boxing day 2014."
His niece shot to stardom after performing her favourite cover tunes and posting footage online. She has since become a regular on Ellen DeGeneres' U.S. TV show alongside her young cousin Rosie.
“Review Proof” is a phrase that gets tossed around from time to time when a film in question is clearly made to be enjoyed on a basic level. It implies that the filmmakers behind it knew they were making a less-than-stellar movie but it didn’t matter because they also knew that they had a built-in audience that wouldn’t care about all the problems that emerge along the way. Basically “Review Proof” is code for “If you didn’t like it it wasn’t made for you.”
I however do not think that any film is “Review Proof.” It doesn’t matter if you’re making a feature adaptation of a fake trailer about a Mexican day laborer (Danny Trejo) out for head-chopping revenge against the man who framed him for murder (Jeff Fahey) and the man who killed his family (Steven Seagal) or a film about the liberation of a concentration camp. All films even the silly ones need to deliver on a fundamental set of criteria of dynamic characters involved in an interesting storyline that’s edited together coherently. If any of those elements are too far out of line it cripples the entire thing.
With Robert Rodriguez and Ethan Maniquis' grindhouse throwback film Machete there’s nothing wrong with the characters. Trejo was born to play the eponymous all-that-is-man stoic hero but the glue that holds the often messy film together are all of the supporting players particularly Fahey Jessica Alba Don Johnson and Seagal each of whom is having a ton of fun chewing into their extreme characters (no one can be just a federal agent or just a racist sheriff or just a drug lord; they have to be the most outlandish these-colors-don’t-run version possible). The film’s story isn’t exactly original but the “framed for an assassination” plot is a tried and true staple of the action genre for a reason so it hardly holds the film back. That pinpoints the weakest link in this rather simple chain as the film’s editing.
Unless one is curious as to how long a certain scene was one should never be motivated to look at their watch during a movie. But during Machete I couldn’t help but find myself constantly reaching for it as though it were some kind of lifeline wondering when the minute hand would discover the magic number that could rescue me from the increasingly grating affair. It’s disappointing that a film with as many decapitations and naked Lindsay Lohans as Machete can be boring but sadly that is the case here. Much of the film slogs through a swamp of story arcs that were seen coming from miles away completely forgetting that a movie of this nature needs to sustain its high (which essentially comes whenever Machete picks up well any object) without any dragging
distractions to kill the buzz.
It’s easy to admire Robert Rodriguez’s intended goal with Machete - to make the kind of offensive politically incorrect film that played in grindhouse theaters in the ‘70s and ‘80s - but good intentions only go so far. In a strange way Machete is almost too faithful to its ancestry. Sure the violence is awe inspiring (at one point Machete repels down the side of a building using someone’s intestines for crying out loud) and its adamant refusal to keep things comfy and PC is more than welcome but its pacing gives the film too much slack rope with which to hang itself.
As the fifth year at Hogwarts begins most of the wizardry world is having a hard time believing Voldemort (Ralph Fiennes) has returned further propagated by the Ministry of Magic who refuses to recognize anything evil is brewing and blames all the hullabaloo on Harry (Daniel Radcliffe) and Dumbledore (Michael Gambon). The Ministry even interferes with Hogwarts business by making Ministry employee Dolores Umbridge (Imelda Staunton) the new Defense Against the Dark Arts professor whose outwardly sweet demeanor hides a sadistic streak a mile wide. She thinks the children should only learn about the Dark Arts “theoretically” and tortures all those who disagree. But the Voldemort threat is a reality and Dumbledore has re-formed the Order of the Phoenix a group of witches and wizards that prepares to battle the Dark Lord. Harry is unfortunately being kept in the dark for his protection of course even as his connection to Voldemort grows stronger and he’s royally peeved at being ignored. Urged on by Hermione (Emma Watson) and Ron (Rupert Grint) he forms his own order of Hogwarts students called Dumbledore’s Army to teach them what defenses against the Dark Arts he has already learned. Oh yeah Harry also shares his first kiss but make no bones about it—love is the furthest thing on Harry’s mind when the crap hits the fan. War is imminent. Everyone steps up their game in Order of the Phoenix. Radcliffe Watson and Grint have shed their adolescent whininess and aw-shucks goofiness to give their characters the greatest depth so far. They are forced to grow up pretty quickly in Order with little time for any playfulness and the three actors handle the seriousness with aplomb. Of course both Radcliffe and Grint have already ventured out of the Potter world—Radcliffe shed more than just adolescence on stage in a production of Equus while Grint lost his virginity in the indie Driving Lessons--and their extra experience shows in Order. Also good are Matthew Lewis as the usually clumsy Neville Longbottom who shows his mettle in more ways than one and newcomer Evanna Lynch as the slightly off-kilter Luna Lovegood who proves to be a loyal member of Dumbledore’s Army. But the kids have to keep up with the talented adult cast especially Oscar-nominated Staunton (Vera Drake) as Umbridge. The veteran actress’ interpretation of one of J.K. Rowling’s nastiest characters so far in the Potter lore is spot-on down to the pink wool suits and irritating twitter “ahem” she uses when she wants your undivided attention. Helena Bonham Carter also makes an impression however over the top it is as the evil Voldemort follower Bellatrix Lestrange. Does she ever want to look pretty onscreen? Then there’s the laundry list of Brits whose time onscreen may be short but is nonetheless memorable including Alan Rickman as the sneering Prof. Snape; Gambon as the wise but flawed Dumbledore; Gary Oldman as the kindly Sirius Black Harry’s only real family; and of course Fiennes as He-Who-Must-Not-Be-Named. His late-in-the-game appearance once again throws you for a loop. It stands to reason that at five movies in moviegoers would have a favorite Harry Potter flick by now. Those who love those Triwizard Tournament special effects might feel The Goblet of Fire was the best; or Prisoner of Azkaban for its time-bending action. Yet The Order of the Phoenix may be the one movie that speaks directly to the fans of the books. Without as much wide-eyed wonderment or wizardry flash the story is still chockfull of compelling details that are absolutely pivotal to the continuing Harry Potter saga. Screenwriter Michael Goldenberg (Peter Pan) and director David Yates (HBO’s The Girl in the Café) manage to wade through this volume of information and cut successfully to the chase with great effect. Yates who has signed on to do the sixth movie Harry Potter and the Half-Blood Prince even shows an affinity for action in the final dramatic confrontation between good witches and wizards and bad ones. But overall Order of the Phoenix may leave audiences not as well-versed in the novels a little itchy for some good old-fashioned wand-waving and Disney special effects. Thing is it’s just going to keep getting darker and darker for Harry and his crew. The days of happy fun playtime are over.