Here's the real-life story: On Nov. 13 1974 inside a large Dutch Colonial house in Amityville Long Island the police discovered a horrific crime scene: The entire DeFeos family living there were slaughtered by the prodigal son Ronald DeFeo Jr. He confessed to methodologically shooting his parents and four siblings with a rifle while they slept claiming the "voices" in the house drove him to commit the grisly murders. Riiight. One year later happy couple George (Ryan Reynolds) and Kathy Lutz (Melissa George) and their children move into said house thinking they had found their dream home. But soon bizarre and unexplainable events began to occur thus speculating on the house's inner demons. A ghostly little girl-- with a gunshot wound in her head--wanders around talking only to the Lutz's daughter Chelsea (Chloe Moretz). Haunting evil voices keep telling George to "Katch 'em and Kill 'em." And yes there are flies involved. Lovely. While the confused and frightened Kathy struggles to hold her family together George's behavior oddly enough becomes increasingly erratic and dangerous. Hmmm. Time to pack up the stuff honey we're moving out!
Horror films never really procure deep meaningful performances. The actors mostly react to the terrifying events unfolding around them which is pretty much what George (Mulholland Drive) and the rest of the supporting cast end up doing in The Amityville Horror. On the other hand Reynolds--who was so funny in Van Wilder and was the only reason to see Blade: Trinity--actually shows off some genuine skills especially by spouting off sarcastic quips in his trademark delivery while at the same time turning into the bad guy red eyes and all. After one particularly harrowing scene in which Chelsea nearly falls off the roof of the house and Kathy tries to console her after getting her down George mutters "What is wrong with you people? God this family is screwed up." If Reynolds plays his cards right he could be on his way up.
Whenever The Amityville Horror is mentioned I'm reminded of an old Richard Pryor routine in which the comedian questions why you would stay in a house if it tells you leave. He says he'd just get the heck out. "Oh baby what a lovely house what a great house we can live here forever aren't we lucky? …[in a satanic voice] GET OUT…OK well gotta go! Been nice but we're outta here!" The original Amityville did suffer a little from that stupidity as well as listening to lame dialogue from a cast who tended to overact. Fortunately the remake guided by commercial director Andrew Douglas cuts right to the chase and surprisingly uses little to no special effects to achieve the chill factor. Of course the scares aren't really anything you haven't seen before: getting locked in a closet with a dead person nearly drowning in a bathtub as ghostly arms hold you down apparitions appearing in the mirror behind you stuff like that. But like The Shining the sinister atmosphere comes from watching a seemingly normal happy man transformed into a crazed homicidal maniac urged on by a place with a malevolent history. Especially if it really was suppose to have happened. Shiver.
From the creators of the TNT miniseries Gettysburg including executive producer Ted Turner and writer/director Ronald F. Maxwell Gods chronicles the Civil War from its beginnings when the South rises up. Confederate General Robert E. Lee (Robert Duvall) a distinguished military man but also a loyal native Virginian chooses to fight for his home rather than his country while Thomas "Stonewall" Jackson (Stephen Lang) a devoutly religious man becomes Lee's most trusted lieutenant. On the other side we have Colonel Joshua Chamberlain (Jeff Daniels) a professor from Maine who ends up one of the Union's finest military leaders. In between there are glimpses of the wives and families left behind. Stories of this magnitude with their dramatic bloody battles and tragic endings usually leave you numb or crying for those lives lost and destroyed. Instead Gods and Generals holds no resonance whatsoever meticulously plotting out the details and making this decisive moment in American history interminable at three and a half hours. It's like wading through a textbook--or worse watching Civil War fanatics carefully reenact the famous battle scenes on the very ground they were fought over and over again--while the players stand around quoting long-winded verse from the Bible or Shakespeare's Julius Caesar. Blech.
The actors in Gods and Generals must have honestly thought they were making something important when they signed up. Main players Lang (who played Major Gen. George Pickett in Gettysburg) and Daniels (who reprises his Gettysburg role as Chamberlain) have their moments but after hearing them recite one speech after another especially Lang's Jackson who says more prayers to God than anything else you start to wonder if they ever realized they made a mistake. (Or have we for sitting through it?) One of the more superfluous scenes is when Jackson and his black cook Jim played by Frankie Faison are standing outside in the freezing cold night for about 15 minutes both looking up at the stars and praying to God. It seems like the actors are trying to make such sermonizing poignant meaningful but all this pontification simply drags the movie further down. These speeches aren't just Lang's and Daniels' territory--Mira Sorvino as Chamberlain's wife and Kali Rocha as Jackson's wife get their own personal moments in the sun too. If you count the cast of thousands each with their own things to say well you get the point. Thankfully Duvall who is the only good thing about the movie gets to keep the talking to a minimum.
If you want to see a Civil War melodrama at its best where watching the heroes race through a sacked city makes you hold your breath and witnessing horrific hospital scenes makes you squirm then watch Gone With the Wind. If you want gut-wrenching Civil War battles or more understanding of how slaves truly felt then watch Glory. If you want a heartening history lesson about the Civil War that not only teaches you about the era's political machinations but also shares the insights and thoughts of the men and women who experienced it then watch Ken Burns' documentary series The Civil War. Gods and Generals offers none of that in its dry textbook version of the Civil War which uses the same shots are used over and over again (how many times does the camera pan up to the night sky or show the panoramic view of Fredericksburg Virginia? I lost count) features more actors waxing prophetic than real drama and actually makes you yawn during what should be intense battle scenes.
Edward Furlong, the kid who first uttered legendary action-movie cliches such as "Hasta la vista, baby," "Eat me, dickwad" and "no problemo," is returning to his roots. Daily Variety says the 23-year-old actor will reprise his role as John Conner in the James Cameron-less "Terminator 3," which is now in the works.
Furlong -- at the fertile age of just 12 -- blasted into Hollywood in his maiden role in "Terminator 2: Judgement Day." With no previous acting experience whatsoever, the Southern California kid was literally plucked off the streets of Los Angeles and put in the 1991 sci-fi blockbuster.
Furlong now has 13 films under his belt, and he has been pretty indie-minded during his career, shunning big-budget beasts in favor of smaller projects such as campmeister John Waters' "Pecker" (1998), "American History X" (1998) and the 1970s proto-metal homage "Detroit Rock City" (1999).
"American History X" But even though Furlong hasn't exactly set the world on fire as an actor , he has nonetheless amassed a dedicated following. Ray Gun magazine says he's among the 20 actors "who matter" in the year 2000, and Vanity Fair bestowed a similar honor upon him in 1998.
Meanwhile, Furlong can be seen this year in "The Animal Factor," playing an inmate opposite Steve Buscemi and Willem Dafoe.
And for anyone who cares about the latest "T3" goings-on, it's been widely reported that Ah-nuld is all game and ready, even though directorJames Cameron has declined.
Linda Hamilton, who played Furlong's psycho-badass mom in the last film, won't reprise the part unless Cameron returns.
Slated for a 2002 release, "T3" is reportedly about the world's first battle with Skynet, the evil corporation responsible for the invention of the terminator cyborgs. There are rumors that Schwarzenegger will battle a female villain, but no other details of the plot are available yet.
But the burning question is: Will Furlong get a set of newly minted action-movie cliches to spout? We can only hope.