Actor Robert Kazinsky was left penniless as he struggled to find work after leaving his native Britain and moving to Los Angeles. The True Blood star, who found fame on long-running British TV soap EastEnders, found it hard to make ends meet as he tried to break into Hollywood.
He tells People magazine, "I didn't work for two years (after moving to Los Angeles). I had lost motivation and had $3 to my name. But just waking up to sunlight makes your struggle that much happier."
He went on to land a role in the hit vampire series in 2012 and now stars in Guillermo del Toro's new film Pacific Rim. He is quickly building an American fan base, one he hopes is friendlier than in England, where he was known for playing a TV bad boy.
He says, "In England I'd be at dinner and they'd throw bread rolls at me. I hope that doesn't happen here."
It's 2020, and we're already knee deep in kaiju chaos. Pacific Rim picks up en media res, with the interdimensional monsters' initial invasion of Earth having taken place a decade and change back and a super-powered international military of robot warship (a.k.a. Jaeger) pilots newly deemed unfit to protect the Earth from increasing threats. Beyond a quick, straightforward piece of introductory exposition, we don't spend too much time learning about the history of the species' reign on Earth — they came, we ran, we fought, they kept coming, people kind of got into it, and now we're prepping for the biggest attack yet. That's all we know.
And that's all we need to know. In what should tout itself as the biggest, flashiest movie of the summer, the "less is more" philosophy seems to have been stamped at the top of each page of the screenplay. Guillermo del Toro, a master of imagination, lets his world speak for itself — in the two hours we spend inside the filmmaker's mind, we widen our eyes over and over at engrossing fantasy lands: the futuristic home base for the Jaeger militia, the seedy underworld of kaiju organ dealers, the nightmare flashbacks of each tragedy-afflicted soldier (called upon to fuse his thoughts with his robot and co-pilot in order to fight the nefarious beasts). All stellar, engaging, and even at their darkest, wholly fun. To reiterate, the sensory charms of this movie do all of its talking, allowing our excess admiration to fill in the gaps left by... you know, plot and character.
This movie runs on the basics and makes no claims to do anything otherwise. Its plot is so simple, you can sum it up as "robots vs. monsters." Its characters are thin enough as to fit the stock catalogue almost perfectly: Charlie Hunnam plays a PTSD-stricken returning fighter, Rinko Kikuchi an aspiring soldier who wishes to avenge her family, Idris Elba (offering the best dramatic performance in the movie) the no-nonsense commanding officer with a secret soft spot, and Robert Kazinsky the hot-shot who doesn't take too kindly to Raleigh's (Hunnam) return to action. But he has a dog, so we know we're supposed to like him eventually. And a good husk of the dialogue will have you checking your phone to make sure it is not, in fact, 1996. But in embracing this identity, in cherishing these age-old tropes and traditions rather than aiming to pass them off as something altogether new, Pacific Rim wins us over. You won't groan at hokey lines or predictable character turns, you'll howl with celebratory laughter.
Humor and fun are in no short supply in Pacific Rim, better recalling Hellboy than any of the director's more severe turns. Immersive underworlds, exhilarating scenescapes, and look-how-cool-this-is battles never lose their juice. And to top the lot is the comic relief: the misfits. Charlie Day leads the pack as a character who is no far cry from his It's Always Sunny incarnation — an excitable, emotional scientist who considers his quest to understand the kaiju brain as the key to sending the wretched beasts back from whence they came.
Day's screen-time accomplices are Burn Gorman, a didactic mathematician who counters his partner's outlandish theories at every opportunity, and del Toro regular Ron Perlman as a black market top banana who gets roped into Newton's (Day... yes, his name is Newton, as it should be) harebrained scheme to obtain a living kaiju brain. Matching any one of the huge scale battle scenes in thrill factor, Day's high-stakes bickering with Gorman or his fish-out-of-water immigration into Hannibal Chau's (Perlman... yes, his name is Hannibal Chau, and the joke behind it is surreally hilarious) criminal kingdom offer a handful of Pacific Rim's high points. The shrimpy scientist has a larger role than you might anticipate, but he never overstays his welcome — this movie, with keen awareness, belongs to the soldiers, their robots, and the monsters they are dying to kill.
But the film falls short in a few of its later turns, when the self-aware goof troop is abadonend and the film falters into some decidedly unimaginative character storylines. It might sound a little backward to expect anything otherwise from a movie so deliberately delivered on the modus operandi of monster movie yore, but sweeping conclusions seem to lose sense of the tongue-in-cheek nature of the practice and succumb to a closed-eyed grab for the obvious. With as much fun as Guillermo del Toro has with his movie, and as much excitement as he stocks into every nook and cranny, you'd think he could stuff his ending up with a bit more of that fun, that excitement, and the imagination that bursts from every seam.
Even if your mind drifts here and there, called upon to reflect on old Godzilla features, Power Rangers adventures, or Always Sunny gags that you can't help but remember, you're always in the movie — it's as much of a ride as it is a story. The sights and sounds are just as important as the plot itself. So from beginning to end, you won't find yourself wanting — you'll be astonished by the big, amused by the small, and find every sense in your body nourished to completion. pacific Rim might not dazzle you too far beyond your expectations, but it'll meet them for sure. The kaiju? They're monstrous. The Jaegers? Supercharged. Del Toro's world? Breathtaking. His stars? Up to the task — some (notably Elba and Day) firing on all cylinders. Sure, you can poke fun at the dialogue, root up a plothole or two, but the film doesn't let you focus on its flaws, no matter how many there may be. It's too busy jazzing up your energy with what monster movies were built on in the first place: unadulterated fun.
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New Zealand actor Dean O'gorman originally auditioned for the lead role of Bilbo Baggins in Peter Jackson's The Hobbit movies. Martin Freeman won the part, but O'Gorman was given a chance to play dwarf Fili after Brit Rob Kazinsky quit the Lord of the Rings prequel due to health issues.
While Steven Spielberg's Saving Private Ryan helped define the style of a modern day war film it was his HBO mini-series Band of Brothers that truly captured the World War II experience. The multi-part saga dealt with every nook and cranny of the US military's involvement in the war from large scale battles to intimate character details. The new movie Red Tails developed and produced by Spielberg's Indiana Jones collaborator and Star Wars mastermind George Lucas attempts to cover the same ground for the sprawling tale of the Tuskegee Airmen—albeit in a two hour compressed form. The result is a messy handling of a powerful story of heroism. The good intentions make it on to the screen...but the drama never gets off the runway.
Red Tails assembles a talented cast of young actors to portray the brave men of the 332nd Fighter Group a faction of the Tuskegee Airmen. The ensemble is reduced to a jumble of simplistic one-note characterizations: Easy (Nate Parker) the do-gooder with a dark past; Lightning (David Oyelowo) the suave rebel who never listens to orders; Junior (Tristan Wilds) the fresh-faced newbie ready for a good fight; and the rest a nameless group of underwritten yes men all with just enough backstory to make you interested but never satisfied. Thankfully with the little material they have to work with the gentlemen excel. Rapper-turned-actor Ne-Yo is a standout as the quick-witted Smokey overshadowing vets Terrence Howard and Cuba Gooding Jr. (who spends most of the movie chomping on a corn cob pipe and grinning).
With the plethora of characters comes too many plot threads and Red Tails stuffs its runtime with everything from epic flyboy dog fights romantic interludes (Lightning finds himself infatuated with a local Italian woman) office politics alcoholism and even a POW camp escape. If there was a true lead character the movie may have succeeded in stringing the events together in a coherent narrative but instead Red Tails is choppy and uneven. The aerial battles for all their CG special effects nastiness are incredibly exhilarating but when the movie's not tackling the intensity of a battle (which it does often) it comes to a near halt. That mostly comes down to history standing in the way—the crux of the story focuses on how segregation caused the military's higher ups to avoid utilizing the Red Tails in true battle. Meaning there's a lot of talk on how the team should be fighting as opposed to actually doing it.Director Anthony Hemingway tries to do this important historical milestone justice but the execution flies too low even under made-for-TV movie standards. Red Tails is a dull history lesson occasionally spruced up with Lucas' eye for action. The charisma of the the main set of actors goes a long way in keeping the film tolerable but they can't fill the gaping hole where the emotional hook belongs. This is a movie about heroes yet not once are the filmmakers able to pull off a moment that feels remotely brave. Which is unfortunate—as it's a story of the utmost importance.
Man, Peter Jackson cannot catch a break. Though he brought one of the most iconic fantasy series' to the big screen and won multiple Oscars in the process, he’s had a tough time continuing his beloved Lord Of The Rings franchise. The tremendous development period on The Hobbit, the prequel film(s) that he agreed to direct only after losing Guillermo del Toro as helmsman last year, nearly crippled the project and even now, when production is well underway, he's still hitting snags.
Yep, Rob Kazinsky, who was all set to play Fili in The Hobbit, had to leave the film due to personal family reasons. Poor Jackson, I really hope this doesn’t upset his ulcer again. That medical mishap was the cause of one delay, as was the hunt for a director and god knows what else. I honestly wouldn’t be surprised if they have to call the whole thing off after a herd of sheep takes out all the sets. If this movie ever gets released it will be the surest sign of a miracle I think the world has ever seen.
The star had signed up to play Fili, a member of the Company of Dwarves, in the Lord of the Rings prequel and recently flew to New Zealand to start filming his scenes.
Jackson has now confirmed Kazinsky's departure from the movie and assured fans he is working hard to find a replacement.
He writes in a post on his Facebook.com page, "I am sad to report that Rob Kazinsky, who was cast in the role of Fili, is having to leave The Hobbit and return home, for personal reasons. Rob has been terrific to work with and his enthusiasm and infectious sense of humour will be missed by all of us. I should say that Rob's departure will not affect ongoing filming of The Hobbit, nor will it impact work done to date, as we had yet to film much of Fili's storyline. At the moment we are shooting scenes featuring Bilbo without the Dwarves, which will give us time to find a new Fili. I'll keep everyone posted with updates as they come."
Kazinsky has not confirmed the reason for his departure, only admitting he is suffering a "health issue", and he has thanked Jackson for his understanding.
He writes in a post on Twitter.com, "Thanks for all your support, Peter and team have been the most wonderful and supportive team to work for and it's with a truly sad heart that things have turned out this way. The Hobbit will go on to be as great as I've seen and I will miss the family and friends that I've (made) here. From every disaster I've tried to make an opportunity... It's a health issue... all will be well in time, promise!"
Although the fate of where their big-footed creatures will alight to shoot The Hobbit is still undetermined, Peter Jackson and Fran Walsh have begun to officially cast the projects with Martin Freeman, as expected, set to play Bilbo Baggins. A host of other names was also announced Thursday.
Meanwhile, The Wall Street Journal reports that a meeting is set for Tuesday between New Zealand Prime Minister John Key and Warner execs in a last-ditch effort to keep the films in the country, although The Independent cites Fran Walsh as saying The Hobbit could soon be enrolling in Hogwarts.
A government spokeswoman told the WSJ that talks between Key and Warner execs are scheduled to take place in Wellington on Tuesday, but she would not specify who is attending the meeting on Warners' behalf.
According to The Independent, Fran Walsh told Radio New Zealand on Thursday that Warners wanted to shift production to the UK's Leavesden Studios where the Harry Potter movies were filmed.
"They've got a huge studio that Harry Potter have vacated, that they own...that they say would be perfect for us," she said, adding that other UK locations were being scouted.
Reuters further reported, citing estimates from economists at New Zealand's ANZ-National bank, that the nation's economy could lose as much as $1.5 billion if Warner Bros. relocates the project.
Back to casting … New Line COO/president Toby Emmerich, Warner Bros COO/president Alan Horn, MGM co-CEO Stephen Cooper and Jackson also announced on Thursday that Richard Armitage, Aidan Turner, Rob Kazinsky, Graham McTavish, John Callen, Stephen Hunter, Mark Hadlow and Peter Hambleton have all been set.
While Deadline reports that nothing's definite, there are rumblings that James Nesbitt and David Tennant are up for roles, while Stephen Fry, Saoirse Ronan and Bill Nighy are possible participants.
Regarding Freeman, Jackson said, "Despite the various rumors and speculation surrounding this role, there has only ever been one Bilbo Baggins for us. There are a few times in your career when you come across an actor who you know was born to play a role, but that was the case as soon as I met Martin. He is intelligent, funny, surprising and brave -- exactly like Bilbo and I feel incredibly proud to be able to announce that he is our Hobbit."
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