It’s not a conflict most of us are new to: the butting heads of an evangelical Christian and an atheist. Of course Matthew Chapman’s thriller The Ledge takes this typical opposition and adds a salacious complication: a beautiful woman. Now with such a ubiquitous conflict Chapman has lots of room to explore more fully the back and forth between these two schools of thought but unfortunately the film only skirts that concept and uses it as a more of a means to an end rather than a conversation.
The film focuses on three different men and in that two different debates. The first pair comes together when one of them threatens to jump to his death from – you guessed it – a ledge. The first man Officer Hollis (Terrence Howard) finds out his children aren’t biologically his right before being called to talk Gavin (Charlie Hunnam) off his perch. Of course as he finds out Gavin is on the opposite side of that fence; Hunnam’s character not only covets but sleeps with his neighbor’s wife. While this conflict of interest for Howard’s character is one of the more interesting aspects of the film it's overshadowed by the clandestine love affair and a slew of turgid inconclusive theological discussions.
As Hollis tries desperately to sort out his own demons and get Gavin off the roof the would-be jumper slowly unravels the details of the romance that landed him there. If he doesn’t jump at noon “someone else” dies. Now it doesn’t take a genius to figure out that “someone else” is Shana (Liv Tyler) the wife of that evangelical Christian neighbor Joe (Patrick Wilson). Is that enough plot for you? Because it was certainly more than enough for me. As we wind our way through this ambitiously complicated story we encounter Joe’s textbook impenetrable Christian ideals thrown right up against Gavin and his homosexual roommate. Oh yes the plot tries to get into that debate as well.
The capable cast does its best to bring the hefty winding story back down to earth and they almost succeed. Hunnam is the weakest of the bunch but he’s really there as a bit of beefcake to tempt Tyler’s sheltered character. The real heavyweight here is Wilson who despite being dealt a fairly narrow character who rattles off the same overzealous discourse we’ve heard time and again gives his performance everything he’s got. Joe isn’t much more than his stalwart religion and his mounting anger but Wilson tries damn hard to offer just a little something extra. Howard similarly lends weight to his character’s story though it unfortunately becomes little more than an afterthought once the romance between Gavin and Shana gets going.
In fact that romance is the most enjoyable aspect of the film even though it begs us to focus on the theological and moral questions at hand. The forbidden love builds awkwardly and organically something so many films tend to gloss over in order to get to the all-important first kiss. Luckily for many of the big questions that go unanswered in the film their chemistry carries the plot along and almost manages to distract us from their lack of resolution.
The Ledge seems to be a case of Chapman biting off more than he could chew. Every aspect of the plot is a worthy intriguing topic but when they all collide in a mere two-hour period it’s a challenge to give any of the components the attention and depth they really deserve.
As clever as it can be at times Flushed Away’s plot is still formulaically step by step. Step one: Introduce hero one Roderick St. James (Hugh Jackman) aka Roddy a pampered but lonely pet mouse who lives in a posh Kensington flat in London. Step two: Propel Roddy into the utterly foreign world of the city’s sewers by flushing him down the toilet. Step three: Hook him up with a cute renegade mouse named Rita (Kate Winslet) with a nifty boat who makes a pact with Roddy to take him back to his home in exchange for some riches she can use to help her extended family (32 brothers and sisters to be exact). Step four: Have the two of them then outwit the villainous Toad (Ian McKellen) mob kingpin of the sewer city Ratropolis after discovering his dastardly plan to rid the sewers of the rats. Step five: Happy ending. Not too complicated. We’ve got a mostly British A-list this time around and everyone sounds enthused to be indulging in the make-up free come-in-your-sweats fun of vocal work. Jackman infuses Roddy with the appropriate upper crustiness but who soon warms to his surroundings—and his new friend especially since he’s never really had any friends before. Winslet’s Rita is all pluck and spunk with a keen fashion sense and big mouse ears while McKellen’s malevolent frog is a big blowhard with a goiter. But as is the case with these animated films the side characters provide the laughs. There’s Toad’s main hench-rats—Whitey (a very deep-voiced Bill Nighy) an ex-laboratory rat who’s experimental shampooings have left him bald and an albino and Sid (Andy Serkis) a wiry weasel who is not nearly as tough as he purports to be. Toad’s French cousin Le Frog (Jean Reno) a cross between Jackie Chan and Inspector Clouseau is also hilarious. The best part however are the sewer slugs who don’t say much but rather add any musical accompaniment deemed necessary. Aardman Productions and DreamWorks the same folks who gave us Wallace and Gromit movies seem to have perfected the clay animation techniques and incorporated a lot more CGI. Flushed Away is definitely more polished than the W&G’s but the big teeth and general sardonic British sensibilities are all still there. The sewer life is visually bustling using everyday items to create their world such as the bad guys riding hand mixers as wave runners to chase after Rita’s boat. Plus the film is loaded with enough funny pop culture references to keep the adults laughing (thank YOU Shrek!) For example when Roddy is zooming his way down the water pipes he sees a yellow striped fish who asks “Have you seen my dad?” Nope there really isn’t anything inherently wrong with Flushed Away save for an overdone plot. Kids and parents alike should enjoy themselves.
If animals could indeed view their surroundings intellectually and talk to each other it’s entirely possible they’d discuss how screwed up human beings are especially in the ridiculous way we waste food. But hey to RJ (Bruce Willis) a wily raccoon what we throw away today becomes lunch tomorrow. He tries to impart some of this wisdom to his newfound friends--a motley crew lead by Verne the turtle (Garry Shandling)--after they wake up after a long winter’s nap and discover most of their natural habitat has been turned into a housing development separated by a very tall hedge. Yep these woodsy folk are sure in for an eye-opening adventure as the manipulative RJ convinces the gang to start collecting boxes of cheese doodles Girl Scout cookies and marshmallows telling them there is little to fear and everything to gain from their over-indulgent new neighbors. Now if they can only get rid of that cat... If you’re an actor these days the chances to play a serious Oscar-worthy role are just as great as playing a squirrel. Or a hedgehog. Or a guy called the Verminator. Over the Hedge has a fine slate of voices starting with Willis as RJ the raconteur raccoon whose pretty savvy to the ways of the paved and pre-packaged world of suburbia. Shandling is the heart of the film as the mild-mannered Verne who just wants to take care of his little woodland family. They include a couple of married-with-kids hedgehogs (pitch perfect Eugene Levy and Catherine O'Hara); a hyperactive but tender-hearted squirrel (a hilarious Steve Carell); an overdramatic possum (William Shatner playing it to the hilt) and his embarrassed teenage daughter (pop star Avril Lavigne); and a snarky skunk with attitude (Wanda Sykes who else?). As far as the humans Allison Janney voices a shrieking but vindictive homeowner while the Thomas Haden Church is said Verminator a fat balding but ruthless pest exterminator. What fun! Over the Hedge keeps to the spirit of the popular comic strip by Michael Fry and T. Lewis on which the film is based. The strip focuses on the travails of friends RJ and Verne as they exploit the human world for their own personal gain while sardonically commenting on how messed up it is. Hedge sort of shows how these two might have met and is just a hoot from beginning to end. The images of woodland animal-meets-modern-day people are spot on: RJ’s spiel on how humans get food (“That’s the receptacle to get the food [a phone]...and that’s the tone when the food comes [the doorbell]”); SUVs (“Humans are slowly phasing out walking all together”); the skunk seducing the stupid cat (“I like your smell.”). The best is when Hammy the squirrel getting so hopped up on caffeinated soda the whole world comes to a stand still for him. Side-splitting stuff. Again success in animation comes when you stick with a simple story and create characters everyone can relate to. Plus hilarious dialogue. It’ll work every time.
It all begins in the quiet village of Hobbiton where Gandalf the wizard (Ian McKellen) comes to visit his old friend Bilbo Baggins (Ian Holm) on his 111th birthday and talk about the ring Bilbo found many years ago. Gandalf discovers the ring is indeed the One Ring of Sauron-the Dark Lord who once ruled Middle-earth with a terrible hand and has now risen to reclaim the Ring and rule again. Bilbo gives the Ring to his nephew Frodo (Elijah Wood) who learns how it gives its possessor unspeakable power and why it has now put his village in danger. Suddenly Frodo is thrust into a treacherous mission. With his hobbit friends Merry (Dominic Monaghan) Pippin (Billy Boyd) and Samwise (Sean Astin) Frodo leaves his beloved home to travel to the Cracks of Doom and destroy the Ring before it falls into the wrong hands. The journey is fraught with dangers--from the evil Ringwraiths Sauron's henchmen to the powerful wizard Saruman (Christopher Lee) and his army of horrible mutants called the Uruk-Hai. Luckily the hobbits receive help along the way from Legolas (Orlando Bloom) an elf Gimli (John Rhys-Davies) a dwarf and the brave humans Aragorn (Viggo Mortensen) and Boromir (Sean Bean) who all join the Fellowship of the Ring to protect Frodo and help save Middle-earth. But can they escape the lure of the Ring?
The all-star cast does an admirable job bringing the vivid characters of Tolkien's books to life. They've all managed to personalize their roles while dealing with the responsibility of portraying fictional icons. The film belongs to Wood who has proven he can carry a film (even at the tender age of 11...remember Radio Flyer?). His Frodo is so wrought with emotion and gets kicked around so much you feel like joining the Fellowship yourself just to help him out. Yet the hobbit's strong resolve is also quite evident. As Gandalf McKellen seems to personify the kindly wizard as if Tolkien had written the part for him and as the hyper-kinetic Bilbo Holm tries on big hairy feet and brings something new to his repertoire of characters. Other worthy performances include Bloom as the ultra-cool elf Legolas Astin as the stalwart Sam and Bean an underrated actor as the tortured Boromir who falls under the Ring's spell and sacrifices all to break from it. Some of the other characters didn't have the same amount of screen time but will more than likely be getting more play in the sequels including Mortensen's heroic Aragorn the man who would be king and his lady love the elven princess Arwen played by the beautiful Liv Tyler. It'll be interesting to see how the cast will handle their characters in the sequels to come.
Lord of the Rings looks nothing less than spectacular. What is even more impressive is the fact that director Peter Jackson decided to film all three of the books at one time no easy task by any stretch of the imagination. He uses all the technology and wizardry available to filmmakers today and thrusts the audience deep within the treacherous and exciting Middle-earth. From the diminutive hobbits to the Elven city Rivendell to the dark Mines of Moira it's all there. The amount of talent involved in creating the film--the conceptual artistry the production design the costumes--should be recognized come Oscar time. The pacing of the movie is excellent with enough down time and heartfelt if sometimes stilted speeches to counteract the incredible action sequences. You hardly notice the three hours passing by and it leaves you at the end wanting the quest to continue. The only one deterring fact is that the film really is for its die-hard fans. Certainly in the literary world Tolkien's story is the mother of all epic fantasies and Jackson has remained faithful to the material. In that the movie doesn't necessarily have the universal appeal of say a Harry Potter. Nonetheless Rings is a breathtaking piece of filmmaking.