If you haven't heard of the ALS "Ice Bucket Challenge" yet, you've probably been offline for the last week or so. Hello, here to fill you in! The challenge is meant to help raise awareness, and donations, for ALS, also known as Lou Gehrig's Disease. To participate, you are supposed to videotape yourself while pouring a bucket of ice water on your head, then nominate your friends to take the challenge. Recently, more and more celebrities have been participating and nominating their celebrity friends. It's been raising a lot of awareness, as well as creating a lot of hot men in wet t-shirts.
Draco Malfoy (I'm sorry, Tom Felton)
Nominated: Ron Weasley (okay, sorry again, Rupter Grint), Josh Gordon, and Paul Hodge
Nominated: His 3rd grade teacher Don Padget, his first acting coach in New York Bob Luke, and his teacher Pat Jackson.
Nominated: Tilda Swinton, Octavia Spencer, Jamie Bell, Frank Grillo, Anthony Mackie, and Sebastian Stan
Nominated: Irving Azoff, Kanye West, and Susan Sarandon
Nominated: Prince Harry
Nominated: Sophia Smith, Pharrell Williams, John C. Reilly, and Will Ferrell
Nominated: Cub Swanson, Peter Tunney, and Olivia Culpo
Nominated: Nick Jonas, Alex Pettyfer, Nelly, Alanna Masterson, and Diplo
Nominated: Guy Pearce, Mia Wasikowska, and Marilyn Manson
Nominated: Robert Pattinson, Matthew McConaughey, and Eric The Actor
Nominated: Woody Harrelson, Josh Hutcherson, and Matt Niven
Eddie Redmayne & Jamie Dornan
Eddie Nominated: Sally Light and Jamie Dornan
Jamie Nominated: Andrew Garfield
Nominated: Jeremy Renner, Chris Evans, and Mark Ruffalo
Robert Downey Jr.
Nominated: Chris Hemsworth and Vincent D'Onofrio
Nominated: Louis Tomlinson, John Terry, and Novak Djokovic
Post by Chris Pratt.
Nominated: Gregory Smith, Nick Offerman, and Dave Bautista
Nominated: Benedict Cumberbatch and Luke Evans
Nominated: John Green, Nat Wolff, and Dylan O'Brien
Nominated: Joe Maganiello
Nomiated: Jimmy Fallon, Steve Higgns, and The Roots
Nominated: Mark Wahlberg, Channing Tatum, and Brad Slater
Check back to see if some of these other Hollywood hotties have taken the challenge! Tweet us which celebrity you want to see take part in #ALSIceBucketChallenge!
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A familiar face will be cruising through Marvel's cinematic galaxy come this August. Guardians of the Galaxy director James Gunn has confirmed that the one and only Nathan Fillion will appear in the upcoming space adventure in a "very small fun cameo." While earlier rumors suggested that Fillion might play a bigger role in the film, Gunn set the record straight via his Twitter account last night. With Fillion's addition the cast, Guardians of the Galaxy is looking like it might be the most geek-friendly film of the decade. In light of the good news, we've decided to assess to geek cred of every major cast member in the film.
Relevant Projects: Buffy the Vampire Slayer, Firefly, Serenity, Dr. Horrible's Ding-Along Blog, Justice League Unlimited, that one episode of Lost Geek Cred: Through his frequent collaborations with nerd Jesus Joss Whedon, including a guest-stint on the last season of Buffy and a leading role in the cult sci-fi western Firefly, Fillion has built up an incredibly loyal legion of fans. Even 10 years after it's cancelation, some of the more deluded browncoats out there still believe there's a chance Firefly can somehow become un-cancelled. Now, there's some credibility for you.Rating: 5 out of 5
Chris PrattRelevant Projects: Jennifer's Body, Wanted Geek Cred: Pratt doesn't have a whole lot of nerd fodder to his name, but appearances in the comic book film Wanted and the underappreciated horror comedy Jennifer's Body to give him a decent boost. Rating: 3 out of 5
Relevant Projects: Star Trek, Star Trek Into Darkness, Avatar, The LosersGeek Cred: Saldana has a prominent role in the newest chain of Star Trek film, though that might boost or diminish her cred, depending on who you talk to. There are similarly mixed feelings about her other two genre pictures, Avatar and The Losers.Rating: 3 out of 5
Relevant Projects: The Man with the Iron Firsts, RiddickGeek Cred: Batista has spent more time wrestling than appearing in movies so most geeks probably aren't familiar with their new Drax the Destroyer. He did have a role in the latest Riddick sequel, but was overshadowed by Vin Diesel. (More on him later)Rating: 2 out of 5
Relevant Projects: AliasGeek Cred: Unfortunately, Bradley Cooper doesn't have the most geek friendly filmography as of yet, but his role as Rocket Raccoon should change that quite soon. Geeks might remember him in Alias, but even in the J.J. Abrams show, he wasn't the one doing the cool spy stuff.Rating: 2 out of 5
Relevant Projects: Doctor Who, Outcast, OculusGeek Cred: Huge! Gillan three-year stint on the British import Doctor Who was almost perfectly timed with the show's explosion in popularity in the states.Rating: 4 out of 5
Relevant Projects: Stargate, Alias, EragonGeek Cred: Not very high. Hounsou has enjoyed small roles in things like Stargate, Alias, and Eragon, but noting really major for geeks to really get to know the actor.Rating: 2 out of 5
John C. Reilly
Relevant Projects: Cirque du Freak: The Vampire’s Assistant, Wreck-it Ralph, everything Tim and EricGeek Cred: Reilly doesn't have a huge backlog of geeky things on his resume, but Wreck-It Ralph and his work in the absurdly wonderful world of Tim and Eric does give him some clout to work with.Rating: 3 out of 5
Relevant Projects: Mars Attacks!Geek Cred: Despite being a A-lister in Hollywood, Close has mostly steered clear of genre pictures, though her appearance in Mars Attacks! does give her something.Rating: 1 out of 5
Relevant Projects: The 6th Day, Slither, Stargate SG-1, Chuck, The Walking DeadGeek Cred: Rooker's cred skyrocketed with his role as Merle on The Walking Dead, but the longtime character actor has stealthily built up quite the geeky filmography over the years with appeareances in shows like Chuck and Archer.Rating: 4 out of 5
Benicio Del Toro
Relevant Projects: Sin City, The Wolfman, Thor: The Dark WorldGeek Cred: Fans recieved a snapshot of Del Toro's "The Collector" character in the end credits stinger for Thor: The Dark World, but beyond that, the actor's geek cred is pretty slim.Rating: 2 out of 5
Relevant Projects: All the Riddick moviesGeek Cred: Huge. Even outside of his career, Diesel is a well-documented geek and enjoys playing Dungeons and Dragons on his off-time. He has also developed a good relationship with fans, appearing in video game adaptations of his Riddick films, and even putting up his own money to fund the 2013's Riddick.Rating: 5 out of 5
Relevant Projects: The Fall, the Hobbit moviesGeek Cred: Pace has impressed in the last two Hobbit films, but he doesn't quite have the same history as some of his cast members.Rating: 2 out of 5
Director Alexander Payne's (Election Sideways) new film opens over sprawling landscape shots of Hawaii's scenic suburbia accompanied by George Clooney's character Matt King summing up his current predicament: "Paradise can go fuck itself." The reaction unfortunately is reasonable.
We pick up with King an ancestor of Hawaiian royalty in the middle of deliberations over a plot of land handed down through his family over generations. With every uncle aunt and cosign whispering opinions into his ear King is suddenly presented with an even greater problem: taking care of his two daughters. A boating accident leaves his wife in a coma forcing Matt to take a true parenting role with his young socially-troubled daughter Scottie (Amara Miller) and his rebellious teen Alexandra (Shailene Woodley) who was previously shipped off to boarding school. Matt awkwardly hunts for the emotional glue necessary for the mismatched bunch to become "a family " but matters are made even more complicated when Alex reveals that her mother was cheating on him before the accident. Murphy's Law is in full effect.
With The Descendants Payne continues to explore and discover the inherent humor in life's melancholic situations unfolding Matt's quest for understanding like a road movie across Hawaii's many islands. Simultaneously preparing for the end of his wife's death and searching for the identity of her lover Matt crosses paths with a number of perfectly cast side characters who act as mirrors to his best and worst qualities: his father-in-law Scott (Robert Foster) who belittles Matt for never taking care of his daughter; Hugh (Beau Bridges) an opportunistic cousin who pressures Matt to sell the land; Alexandra's dunce of a boyfriend Sid (Nick Krause) who always has the wrong thing to say; and Julie (Judy Greer) the wife of the adulterer in question. Colorful yet real Matt experiences a definitive moment with each of them yet the picture never feels sporadic or episodic.
Clooney and Woodley help gel these sequences together as they observe experience and butt heads as equals. Clooney's own magnetism stands in the way of making Matt a fully dimensional character but he shines when playing off his quick-witted daughter. His reactions are heartbreaking—but it's the moments when he has to put himself out there that never quite ring true. But the script by Nat Faxon Jim Rash and Payne gives Clooney plenty of opportunities to work his magic visualizing his struggle as opposed to vomiting it out like so many of today's talky dramas.
The Descendants is a tender cinematic experience an introspective and heartwarming film unafraid to convey its story with pleasing simplicity. Clooney stands out with a solid performance but like many of Payne's films it's the eclectic ensemble and muted backdrop that give the movie its real texture. The paradise of Descendants isn't all its cracked up to be but for movie-goers it's bliss.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.