This post is for Game of Thrones fans who have read A Storm of Swords. If you haven't read the book stop reading this post immediately. I refuse to be held responsible for any spoilers that may result by failing to heed my warning.
Fans of George R. R. Martin's A Song of Fire and Ice series are well aware that A Storm of Swords (the third installment) is a doozy. Main characters are slain with wild abandon and the novel's events fundamentally alter the course of the series — in the span of roughly 1200 pages, we lose two kings, a queen mother, a Hand of the King, and an actual hand (just to name some highlights). How on earth is HBO going to pull that all off?
The easy answer is: they're not. It's widely known that A Storm of Swords will be covered over the course of two seasons — which is great news, considering not only how much ground they have to cover, but also that a main criticism of Season 2 was that there was too much stuff in each episode. With Season 3 we will hopefully have a little bit more room to breathe.
But let's get down to it. What exactly can we expect in Season 3, and where will the big finale leave us? Of course, I don't know exactly what executive producers David Benioff and D.B. Weiss have in store, but there are some clues (this list of episode names being a big tip-off) and I do have some opinions.
To tackle the big question mark first (and then work a little bit backwards): Where will Season 3 end? We know that Episode 9 is called "The Rains of Castamere," so I would put money on seeing the Red Wedding — and the demise of Robb Stark, Catelyn Stark, and a hefty portion of the Northmen — in the penultimate episode. I'm thinking, therefore, that the finale will feature the other disastrous wedding, that of Joffrey Baratheon to Margaery Tyrell, and all the scratching, clawing, choking, and screaming that goes along with it.
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That means all of the glorious Tyrion/Tywin drama, as well as Sansa's time in the Vale, will be left for Season 4. I'm already anticipating the wonder that will be that final scene of Tywin on his chamber pot.
Now, if you've read A Storm of Swords — which, if you've gotten this far into my article, you must have — then you already know what happens in the book. Therefore, I'm not going to rehash plot points here (Wikipedia does that amazingly well), but rather raise some of the major questions I have in regards to how the show will handle things this season. While Season 1 used Martin's A Game of Thrones as its gospel, we began to see quite a bit of deviation from the source material in the show's second season. How will these changes effect things going forward? Here's a character-by-character breakdown of my predictions for Season 3.
The LannistersIf Tyrion's big showdown with Tywin is held for Season 4, as I predict, then this season will have to get Tyrion to a place where he is capable of killing his father. Season 2 left Tyrion maimed and forgotten after his heroic charge at the Battle of the Blackwater. As Tywin refuses to acknowledge not only Tyrion's competence as interim Hand of the King but his mere existence, Tyrion will grow increasingly frustrated, angry, and, ultimately, murderous. Of course, the final straw will be when Tyrion is arrested following Joffrey's murder at the end of the season.
The wildcard in the Tyrion/Tywin plotline, I believe, will be Shae. The Shae the show has given us is smart, perceptive, and — most importantly — compassionate. She also has a budding, protective friendship with Sansa. For Tyrion's murder of Tywin to play out as it does in the books, Shae is going to have to spiral into darkness. I just don't see the Shae we know thus far as capable of testifying against Tyrion and taking up with Tywin — she seems to be above that. Could Sansa's marriage to Tyrion be enough to sully Shae against her lover and ward? Perhaps.
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Season 3 finds Cersei Lannister losing increasing control of her son, King Joffrey. I believe Cersei's storyline will stay fairly close to the books this season, as there's really no reason to switch things up here. However, if Cersei comes to hate Joffrey enough, then maybe the audience will be left to think that she was the one who poisoned the monster king at his wedding. This could make a great, suspenseful, whodunit atmosphere for the finale, as nearly everyone would have a motive to kill off Good King Joff.
Jaime Lannister (one of the strongest characters in the books as well as the show, thanks in large part to Nikolaj Coster-Waldau's superior acting chops) will remain with Brienne of Tarth for the majority of the season. However, I wouldn't be surprised if things are sped up a bit for them and their capture by the Brave Companions comes sooner rather than later. At which point we will be treated to the tragedy of Jaime's severed hand. I firmly believe Coster-Waldau will make this one of the most memorable moments of the season, if not the entire series. Losing his hand shakes Jaime to his core, and this could very well shake up the audience's allegiances as well.
Finally, the name of the season's seventh episode is "The Bear and the Maiden Fair," and this is indeed the only episode in the third season that was written by Martin himself. Like the "Blackwater" in Season 2, I think we can expect some pretty spectacular things from this Brienne/Jaime-centric episode.
Joffrey... well, we all know what happens to Joffrey.
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The StarksThe show veered from the book quite a bit in Robb Stark's storyline in choosing to marry him to Talisa Maegyr, rather than Jeyne Westerling. Having Robb marry anyone who is not from House Frey will surely make the Red Wedding possible, but I wonder if the political nuances found in the book will remain. We learn down the line in A Song of Fire and Ice that the Westerlings had a secret alliance with the Lannisters and therefore a hand in the Red Wedding. My guess is all this behind-the-scenes political plotting will fall by the wayside in favor of more straightforward action. Speaking of, is anyone else morbidly curious about whether we will see Grey Wind's head sewn on Robb's body?
While there is no way Catelyn Stark will survive Season 3, I think we will be forced to wait until at least Season 4 to see her horrific return as Lady Stoneheart.
Arya Stark, escaped from Harrenhal, is on the road once again. Arya's role in A Storm of Swords is minimal, although it is through her that we meet Beric Dondarrion and the Brotherhood Without Banners. As Arya is a fan favorite, I wouldn't be surprised if we see a bit of deviation with her plotline; as proven with her Season 2 conversations with Lord Tywin, her story could benefit from some beefing up. Arya's unlikely alliance with The Hound will be one to watch, so it wouldn't surprise me if they join forces early in the season. However, the Season 3 finale is called "Mhysa," meaning it will most surely end with Arya boarding a ship to the Free City of Braavos. [Editor's Note: I originally mistook "mhysa" to be a Braavosi word, rather than High Valyrian. It's clear that this is a reference to Dany. I must have been on crack. Sorry about that...]
Season 3 means more moping for Sansa Stark in King's Landing, who is forced to wed Tyrion after her betrothal with Joffrey is cast aside in favor of Margaery. I'm excited to see more scenes between Peter Dinklage (Tyrion) and Sophie Turner (Sansa), a talented young actress who has thus far been given few opportunities to show off her skills (the scene of Sansa on the wall with Joffrey after Ned is slain remains one of my favorites). I don't believe we will see Sansa journey to The Vale until the season finale — she doesn't make her escape until Joffrey's wedding — but that will give us plenty to look forward to in Season 4. Lady Lysa is one of the series' most unhinged and upsetting characters, and I eagerly anticipate her dramatic exit via the Moon Door next season.
Bran Stark and his brother Rickon have escaped from Winterfell (with Asha and Hodor), but they have not yet met the Reeds. Actors have been cast as Jojen and Meera Reed, but it remains to be seen how this introduction happens. Will Bran be able to trust Jojen without having previously formed a friendship with him at Winterfell?
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Stannis BaratheonI anticipate (and hope) we will see much less of Stannis and Melisandre in Season 3. He has returned to Dragonstone to lick his wounds before advancing another attack on King's Landing, and I hope he will fade into the background. As much as I like Davos Seaworth as a character, I'd be happy for this clan to take a back seat in Season 3 before getting their big moment on the Wall in Season 4.
Jon SnowA Storm of Swords means sexytimes for Jon Snow. Woo hoo! With a serious dirge of prostitutes and incest in the third book, I think HBO will take full advantage of Jon's tryst with Ygritte. Raise your hand if you're excited for that cave scene!
That being said, Jon's story this season is one of the biggest question marks for me. I'm still bitter about how Jon's killing of Qhorin Halfhand was handled last season — come on, Benioff and Weiss, it's more powerful if you know that the Halfhand wanted him to do it! — so I wouldn't be surprised if Jon's journey beyond the Wall continues to be watered down this season. I'm also torn as to whether we will see Jon return to the Wall and reunite with Sam and his brothers this season. That, I'm afraid, will keep until Season 4.
Danaerys TargaryenDany, while a fan favorite, is in very little of A Storm of Swords; her chapters are few and far between. Benioff and Weiss will surely be tempted to take liberties with her thread in order to increase Emilia Clarke's screen time, but my fingers are crossed that the negative feedback regarding the invention of Dany's stolen dragons and the completely botched House of the Undying will make them think twice.
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That said, we do have the fierce Unsullied to look forward to, as well as rising sexual tension between Jorah Mormont and Danaerys — that kiss is long overdue.
The biggest reveal in Dany's story in A Storm of Swords is that the elder swordsman who has taken up with her and the Dothraki is one Ser Barristan Selmy, exiled Lord Commander of the Kingsguard. As we know Selmy's face (Ian McElhinney), will he be able to remain in disguise without the mystery wearing thin? Dramatic irony is a hard thing to perpetuate for any length of time on television, so I would put money on an early reveal of Selmy's identity.
Theon GreyjoyTheon is completely absent for all of books three and four. Will the show skip ahead to book five to continue his plot, or will he remain missing in Season 3 as well? As much as it pains me to say it, my money is on the former.
Follow Abbey on Twitter @AbbeyStone
[Photo Credit: Helen Sloan/HBO; Keith Bernstein/HBO]
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If there's a cinematic alchemy award to be given this year director Bill Condon deserves to take it home after magically turning the tedious Twilight franchise into entertainment gold. 2011's Part 1 was a horror camp romp that turned the supernatural love triangle — the naval gazing trio of Bella Edward and Jacob — on its head. Breaking Dawn - Part 2 continues the madcap exploration of a world populated by vampires and werewolves mining even more comedy thrills and genuine character moments out of conceit than ever before. The film occasionally sidesteps back into Edward and Bella's meandering romance (an evident hurdle of author Stephenie Meyer's source material) but the duller moments are overshadowed by the movie's nimble pace and playful attitude. Breaking Dawn - Part 2 will elicit laughs aplenty — but thankfully they're all on purpose.
Part 2 picks up immediately following the events of the first film Bella (Kristen Stewart) having been turned into a vampire by Edward (Robert Pattinson) to save her life after the torturous delivery of her half-human half-vampire child Renesmee. She awakes to discover super senses heightened agility increased strength… and a thirst for blood. One dead cougar later Bella and the gang are able to focus on the real troubles ahead: Renesmee is rapidly growing (think Jack) and vampiric overlords The Volturi perceive her a threat to vampiric secrecy. Knowing the Volturi will travel to Forks WA to kill the young girl (a 10-year-old just a month after being born) The Cullens amass an army of bloodsucking friends to end the oppression once and for all.
Packed with an absurd amount of backstory and mythology-twisting plot points (some vampires can shoot lightning now?) Condon and series screenwriter Melissa Rosenberg mine revel in the beefed up ensemble of Breaking Dawn - Part 2 and thanks to a wildly funny cast it never feels like pointless deviation. Along with the usual suspects Lee Pace adds swagger to the series as a grungy alt-rock vampire Noel Fisher appears as a hilarious over-the-top battle-ready Russian coven member and Michael Sheen returns has Volturi head honcho Aro and steels the show. Flamboyant diabolical and a steady stream of maniacal laughter Sheen owns Condon's high camp vision for Twilight and he lights up the screen. There are a few throw away nations of vampires — the oddly stereotypical Egyptian and Amazonians sects are there mostly there to off-set the extreme whiteness — but the actors involved bring liveliness to a franchise known for being soulless. Even Stewart Pattinson and Taylor Lautner give personal bests in this installment — a scene between Bella and her dad Charlie (Billy Burke) is genuinely heartfelt while Jacob's overprotective hero schtick finally lands.
Whereas Breaking Dawn - Part 1 stuck mostly to the personal story relying on the intimate moments as Bella and Edward took the big plunge into marriage and sex Part 2 paints with broader strokes and Condon has a ball. Delving into the history of the vampires and the vampire world outside Forks is Pandora's Box for the director. One scene where we learn why kids scare the heck of the Volturi captures a scope of medieval epics — along with the bloodshed. Twilight might be known for its sexual moments but Breaking Dawn - Part 2 will go down for its abundance of decapitations. The big set piece in the finale is something to behold both in the craftsmanship of the spectacle and in its bizarre nature.
The Twilight Saga: Breaking Dawn - Part 2 had the audience hooting hollering and even gasping as it twisted and turned to the final moments. There's little doubt that even the biggest naysayer of the franchise would do the same. No irony here: the conclusion of Twilight is a blast.
It's easy to hate on the Twilight movies. They're the epitome of indulgent fan-servicing filmmaking alienating anyone on the outside of their cultish fanbase. With consistent navel-gazing screenplays by series screenwriter Melissa Rosenberg (adapted from the equally shallow source material from author Stephanie Meyers) there's little reason to think future installments could ever transcend their predecessors.
But whereas Twilight New Moon and Eclipse contently burrowed themselves under the forlorn faces and over-dramatic moping of stars Kristen Stewart Robert Pattinson and Taylor Lautner director Bill Condon (Dreamgirls Kinsey Candyman 2: Farewell to the Flesh) unearths a saving grace in The Twilight Saga: Breaking Dawn - Part 1: pure insanity from which blossoms color comedy and scares. The movie is one giant wink to the camera—and it serves the melodrama of Twilight tremendously.
The first half of the not-quite-epic Twilight conclusion kicks off with the wedding of Bella (Stewart) and Edward (Pattinson) a long-awaited event Condon manages to spin into an authentically nerve-wracking and touching sequence. Finally a Twilight movie with an obvious purpose—Bella and Edward have been waiting since Movie One to consummate their relationship (waiting until marriage) but lingering at the end of every daydream every loving gaze every sweet nothing is the gut-wrenching fact that Bella will give up her humanity. Breaking Dawn - Part 1 confronts this dead on with an overtness absent from the previous movies.
While the script is still committed to visualizing Bella Edward and Jacob's uncinematic inner monologues Condon peppers every scene with the zest of ridiculousness saving Breaking Dawn from ever dragging. Edward cracking a bed in half during his first sexual experience is just the beginning—the movie features everything from demon-fearing Brazilian housekeepers to body horror straight out of a Cronenberg film to corny CSI-esque shots of vampire venom jetting through bloodstreams. In one scene Jacob (Lautner) morphs into canine form to telepathically declare (in Lautner's brooding "tough guy" voice) that he is the true Alpha Male of the pack. The moment's hammy and trite but Condon shoots it with all the over-the-top machismo exuding from the wolfpack. Subtle no. Fun yes.
Breaking Dawn - Part 1 is far and away the best of the Twilight series. Sexy silly scary and stupid the movie's tonal balancing act amounts to an Evil Dead for tween romantics. There's gravity to the events we're witnessing on screen (Pattinson and Stewart even have a tense argument that results in an explosion of their previously-presumed non-existent emotions) but a self-reflexive lens keeps the normally-idiotic confessions of love and hushed prophetic warnings of the Cullen family in check. The operatic tale crescendos with buckets of blood and "tragedy" straight out of a high school Shakespeare production—completely in tune with the outlandish plot and a satisfying cliffhanger for Part 2. The movie is weighed down by the baggage that comes with a Twilight movie but the formula is shaken up just enough to inject the undead franchise with a little life.