Agnes Varda is often called the "grandmother of the New Wave. " Although not a member of the Cahiers du cinema critical fraternity which formed the core of this movement, the Belgian-born Varda completed her first feature, "La Pointe Courte," in 1954, five years before the New Wave's first films. With almost no academic or technical knowledge of film (though she had been a still photographer for Jean Vilar's Theatre National Populaire), Varda told two parallel tales (a structure inspired by William Faulkner's "Wild Palms"): the jagged romance of a young married couple and the struggles of the fishermen in the village of La Pointe Courte. Critic Georges Sadoul called this work "certainly the first film of the Nouvelle Vague" and it set the tone for Varda's career to come, combining fiction with documentary and also, in its debt to Faulkner, illustrating Varda's desire to expand the language of film. "I had the feeling," she said later, "that the cinema was not free, above all in its form, and that annoyed me. I wanted to make a film exactly as one writes a novel."