One of the premiere writers of the 20th century, Ben Hecht quickly established himself as a hardboiled, eminently readable Chicago newspaper reporter and columnist. He went on to pen several successful Broadway plays, including "The Front Page," one of the most widely staged productions of its era, and a number of acclaimed books, including both fiction, non-fiction and anthologies. Hollywood took notice and Hecht was soon putting his skills to work for the silver screen. Within a year, he had won an Academy Award for "Underworld" (1927) and a litany of his credits from that point onward was staggering. Some of the finest movies produced from the 1930s through the early 1960s Hecht either wrote the screenplay or was brought in for an uncredited polish. Some of his greatest works included Scarface" (1932), "Nothing Sacred" (1937), "A Star is Born" (1937), "Stagecoach" (1939), "Gone With the Wind" (1939), "Foreign Correspondent" (1940), "Tales of Manhattan" (1942), "The Black Swan" (1942), "Spellbound" (1945), "Notorious" (1946), "Kiss of Death" (1947), "Strangers on a Train" (1951) and "Guys and Dolls" (1955). His ability to turn out high-quality work in a short period of time - sometimes as little as two weeks - on such a wide variety of genres kept Hecht in near constant demand, and while he considered movies to be a lesser art form, Hecht's creativity and talent for intelligent plotting and crackling dialogue was indisputable.