Bruno Delbonnel

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Born: 05/10/1905 in Nancy, Meurthe-et-Moselle, FR

Filmography

Camera, Film, & Tape (15)

Big Eyes 2014 (Movie)

(Director of Photography)

Faust 2013 (Movie)

(Director of Photography)

Inside Llewyn Davis 2013 (Movie)

Director Of Photography / Camera Operator (Director of Photography)

Dark Shadows 2012 (Movie)

(Director of Photography)

Harry Potter and the Half-Blood Prince 2009 (Movie)

(Director of Photography)

Across the Universe 2007 (Movie)

(Director of Photography)

Paris, I Love You 2007 (Movie)

("Tuileries") (Director of Photography)

Infamous 2006 (Movie)

(Director of Photography)

A Very Long Engagement 2004 (Movie)

(Director of Photography)

Not For or Against 2003 (Movie)

(Director of Photography)

The Cat's Meow 2002 (Movie)

(Director of Photography)

Amélie 2001 (Movie)

(Director of Photography)

Marie, Nonna, la vierge et moi 2000 (Movie)

(Director of Photography)

Le Grand cirque 1988 (Movie)

(Director of Photography)
Director (1)

Le Grand cirque 1988 (Movie)

(Director)

Milestones

2012

Asked by Cohn Brothers to be Director of Cinemetography for "Inside Llewyn Davis"

2009

Director of Photography for Harry Potter and the Half-Blood Prince

2001

Worked as main cinematographer for director Jean-Piere Jeanot on "Amelie"

Bonus Trivia

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"I don’t consider myself an artist – I wouldn’t dare say that – but I ask some of the same questions as a painter," he explains. "It’s not about the technique. We are good technicians or bad technicians. When you go to an exhibition and you stand in front of a painting, you have a feeling. You might like or dislike it without knowing exactly why. Think of an abstract painter like Mark Rothko. Sometimes it’s only squares and rectangles of color. But we feel something – enthusiasm, sadness, happiness. It’s amazing that he could achieve this with only squares of color. "That’s what I’m looking for in a movie," continues Delbonnel. "I’m far from being as brilliant as Mark Rothko. But I think that’s a good way to approach a script." - from InCamera online magazine from Kodak. Read more: http://motion.kodak.com/motion/Publications/InCamera/Hazy_Shade_of_Winter_Bruno_Delbonnel_ASC_AFC_Frames_Inside_Llewyn_Davis.htm#ixzz2wNF4f6Tn

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"Every time I try to find an idea which I can follow through the whole move, which is a feeling. It's not a look. I'm not interesting in look. It's really a feeling. What is the feeling of this movie, which is my own personal feeling, my own interpretation of this movie?" - from hitfix.com interview

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