Known among aficionados as "The Queen of Film Noir," Claire Trevor could play any number of heroines, but she proved particularly suited to the shadowy world of crime and mystery showcased in numerous films in the 1940s and 1950s. While not as glamorous as the most prominent actresses of the time, the husky-voiced blonde still captivated through force of character and the sincerity she brought to much of her work. Following some stage assignments and a few undistinguished programmers, Trevor gained her first significant industry attention via an Oscar-nominated performance in "Dead End" (1937). However, it was John Ford's superb Western "Stagecoach" (1939) that really put Trevor on the map and she enjoyed lead roles in several major productions during the years that followed. Her turns in the superior film noir thrillers "Murder, My Sweet" (1944), "Born to Kill" (1947), "Raw Deal" (1948), and "Key Largo" (1948) established Trevor as one of its premiere players and she excelled as both determined heroines and debased antagonists. "Key Largo" also brought Trevor her only Academy Award and the powerful work she did in that John Huston classic as a deglamorized, desperate alcoholic provided a potent demonstration of her value as a character actress. Later regarded by some as more of a cult actress than a true Golden Age movie star, Trevor's filmography contained many persuasive examples of her versatility, which also extended to her stage and television assignments.